Sarah Shachat joins us on-location in New York City to discuss THE MARRIAGE CIRCLE.. We mull over the evolution this film represents in Lubitsch’s tone, the strange pairing of Ernst Lubitsch and the Warner Brothers, the luminous Adolphe Menjou, Lubitsch’s bewilderingly advantageous contractual terms, his filmmaking philosophy circa the mid 1920s, the art of splitting couples up at parties, and, of course, Harry The Cameraman’s unbelievable story about nickels and bodily organs.









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NEXT WEEK:
James Penco joins us to discuss THREE WOMEN. For details as to where to find this film, check out our resources page.