Julia Sirmons joins us to discuss SO THIS IS PARIS, Lubitsch’s 1926 sex farce and pseudo-remake of THE MERRY JAIL. We cover the ways that Lubitsch treats feminine desire and fantasies, the film’s slightly tenuous connection to its titular location, the kaleidoscopic party scene, Lubitsch’s minimal use of title cards, communication and miscommunication, the politics of truth and secrets, the unconventional cyclical structure of Lubitsch’s comedies, and, most importantly of all, the messy-but-inevitable divorce of Ernst Lubitsch and Warner Brothers Pictures!
Edited by Griffin Sheel.











NEXT WEEK:
David Neary joins us to discuss THE STUDENT PRINCE IN OLD HEIDELBERG. For details as to where to find this film, check out our resources page.
WORKS CITED:
Film Formally S1E10: Pre-Code Montage with Peter Labuza
Classic Corner: Design for Living