Why do we think that the past is dead?

$Endi Tupja - Iconographies Of Belonging: In the audio essay 'Iconographies of Belonging' artist Endi Tupja maps out several coordinates and journeys that others misread, questioned or were simply not interested in. Albania, the country where Tupja was born and grew up, is described as a place of belonging and longing that is constantly questioned: ‘where are you from? Go back to your East’. New fractured identities are born as a result. Tupja crafts a rhythm of urgency, yet within a steady pace of clear forwardness and determination. Her voice will not stop until the threads have been revealed in all their entanglements.The artist navigates between factual descriptions and a guttural flow, where anger is allowed to flourish in new forms of tenderness. Anger about the impossibility to carve a space of discernment from outside projections, about white feminism that doesn’t live up to its good intentions, and anger about the tragic life of activist Adelina Sejdini, who was kidnapped from$

Muro Sur - Ekphrasis: The literary figure of the ekphrasis is a verbal description of a visual work of art. It has been part of literature and art discourse for centuries, and it has been crucial to the exhibition I saw it by ear, initiated by Muro Sur in Rozenstraat in Amsterdam. Discussions of ekphrasis always seem to produce fertile associations and repercussions when thinking about the crossed boundaries between art and literature, imagination, representation and the unfolding and reproducibility of certain knowledge. With Ilse van Rijn, Martín La Roche and Arif Kornweitz, this episode explores the history of the figure of ekphrasis, the traditional difference between poetry and painting (tradition of paragone), and how more recent poets and writers approach this categorical separation, to shed light on the exhibition I saw it by ear. Find a list of references mentioned in the show, and for further reading on our website www.jajajaneeneenee.com Also, this episodes contains two pie by Ja Ja Ja Nee Nee Nee

90 min listen

Amara Higuera - Estoy Llamando, Regresando Tu Llamada: Amara Higuera is an artist and writer from Los Angeles (the ancestral and unceded land of the Gabrielino-Tongva and Chumash peoples). She is exploring histories of precarity, resilience, and (re)generation through lens based inquiry and sound. She is currently writing poetry and making sound works as a practice of personal exorcism and artistic research. This show consists of 3 episodes: Ch. 1 embodied search(ing) Ch. 2 embodied remembering Ch. 3 Lungs Don't Fail Me Now Amara Higuera, our artist in residency during the winter of 2023 presents the outcome of this period. In the words of the artist, “Estoy Llamando, Regresando Tu Llamada” is a three piece audio collection searching for what needs to be said. "If you're going to say it, can you say it here? Are your lungs strong and ready? Or more so, can you say it safely? I recall the suffocation you mentioned. Of that place where you can’t look at that, you can’t say that. by Ja Ja Ja Nee Nee Nee

16 min listen

Radio Emma: Queer Pedagogy: This show was recorded and produced in collaboration with If I Can't Dance, I Don't Want To Be Part Of Your Revolution. It is part of the Radio Emma series by If I Can't Dance, and unpacks key terms from their research into Bodies and Technologies (the field of inquiry during 2022-23) with invited local guests from various disciplines and practices. You're welcome to join the broadcast live at If I Can't Dance in Amsterdam, Westerdok 606-608. Please arrive no later than 12.30, there's a free meal included. Taking pedagogical practices as a crucial site where bodies and technologies converge, Devika Chotoe has invited three guests to share their insight on what it means to queer pedagogy and vice versa: how to feature queerness as topic of pedagogy. Together they will touch upon the different initiatives Sorab Roustayar, Feargal Agard and Elioa Steffen initiated to foster queer teaching and knowledge creation, ranging from archival and performative practises by Ja Ja Ja Nee Nee Nee

60 min listen

This Ineluctable Opera - Variation 1: Barrel of the soul’s many inhabitants slurp alongside the stillness which slithers past the cries, and deep beyond the breath is that sensorial forgetfulness held by these walls. Recommended listening method: headphones, and a comfortable seat. Mikatsiu’s research during the Ja Ja Ja Nee Nee Nee residency focused on remote sensing, consideration of the different communication abilities of dancing spiders, questioning what is needed to sense the detached regions of one’s own body, and tuning enunciation towards melodies as they unravel stories into perceivable frequencies. by Ja Ja Ja Nee Nee Nee

8 min listen

Kim Karabo Makin - Satellite Activism: A 3 part sound collage & audio-visual broadcast for Ja Ja Ja Nee Nee Nee Duration: 25 minutes Production by Thabiso Keaikitse This broadcast marks the end of the residency of artist Kim Karabo Makin, who lives in Botswana and is one of four artists selected for a Ja Ja Ja Nee Nee Nee radio residency during 2022. Artist statement by Kim Karabo Makin: An intertextual audio essay which endeavours to explore the transnational space that Medu Art Ensemble has occupied historically ‘in another South Africa’, with a focus on the route that connects Gaborone, Botswana and Amsterdam, the Netherlands (via Chicago). Satellite Activism notably traces the life and legacy of Medu Art Ensemble in contemporaneity, with a particular look at themes that connect the Culture and Resistance Festival and Symposium, 5 – 7 July 1982 in Gaborone, to the Culture in Another South Africa Conference, December 1987 in Amsterdam. Additionally, with particular reference to the A by Ja Ja Ja Nee Nee Nee

25 min listen

Kim Karabo Makin presents: Unpacking Satellite Activism: ‘’ is an extended conversation hosted by Kim Karabo Makin along with artist friends and colleagues – Ann Gollifer and Thero Makepe, at the home of the Art Residency Centre in Gaborone, Botswana. The conversation unpacks Makin’s final outcome of her radio residency with Ja Ja Ja Nee Nee Nee, a sound piece entitled Satellite Activism. In so doing, Makin engages a conversation with Gollifer in considering her practice as an archivist, as well as in unpacking the potential for an exploration of the archive as ‘living’, with specific regard to the strong presence of oral traditions in the context of Botswana. In addition, Makin engages Makepe in reflecting on the role of the DJ as an archivist of sorts, in curating the living archive. Furthermore, with a look at the cultural significance of radio in the local soundscape, the three collectively present the sort of intergenerational passing on of knowledge that Satellite Activism embrac by Ja Ja Ja Nee Nee Nee

63 min listen