My guest today is Leslie Gaston-Bird. She has been in the industry for over 30 years. Twelve of that in public radio (including National Public Radio), Seventeen in sound for picture, and Thirteen years as an educator. She's the author of the book "Women in Audio." She's a member of the AES, where she chairs numerous committees and on the board of governors. She runs Mix Messiah Productions as a freelance re-recording mixer and sound editor. She was a tenured associate professor of recording arts at the University of Colorado Denver and is co-director for the Sound Girls, UK chapter and Sound Girls scholarships, travel grants. She's been busy, to say the least, and I'm thrilled to have her on the show. Leslie Gaston-Bird, coming up here on the Working Class Audio Podcast.
In this episode, we discuss:

Growing Up In Ohio

Dads' Reel to Reel

Recording The TV

Making $4.10 an Hour

NPR

The Magic Number

The Arrakis Workstation

Sounds Restoration For Film

Academia vs. the Private Sector

AES

Unicorns

Black Women In Audio

Dolby Atmos

New Mixing Space

Rate Cards

Networking

Morph The Cat

Being a Planner

Chicken Heads

Languages

Running vs. Pancakes


Matt's Monologue: Labeling Your Work
Links and Show Notes


Leslie's AES Profile: https://www.aes.org/aes/lesliegaston



Leslie on Twitter: @MixMessiahProd



Leslie on Instagram: @leslie.gaston



Leslie's Book: Women in Audio https://amzn.to/33XF4R6



WCA Instagram: https://www.instagram.com/working_class_audio



Go Ad-Free! https://glow.fm/workingclassaudio/



Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



Current sponsors & promos: https://bit.ly/2WmKbFw



Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Leslie Gaston-Bird


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau & Matt Boudreau


Additional Music: The License Lab