Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination.
On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!.
Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott & Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo & Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep).
Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014.
Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group. 

In this episode, we discuss:

Manhattan Special

Theater Sound

Broadway/Off Broadway

Theater Sound Design

System Design

Audio Teams

Audio Roles

Mentors

Large Budgets

Network Audio

Rain vs. Audio

Women in Audio

Theater vs. Club Sound

Union Rules

Money

Passion for Audio

Past Jobs

Trying to Leave Audio

Advocacy


Links and Show Notes:


Jessica’s site: http://www.jessicapazdesigns.com/



TSDCA.: https://tsdca.org/



USITT: https://www.usitt.org/



Soundgirls: https://soundgirls.org/



Women's Audio Mission: https://womensaudiomission.org/



Monologue Link to Velcro Strips: https://amzn.to/2BcrMG6



WCA on Instagram: https://www.instagram.com/working_class_audio



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Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/



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Working Class Audio Journal: https://amzn.to/2GN67TP



Credits:


Guest: Jessica Paz


Host: Matt Boudreau 


WCA Theme Music: Cliff Truesdell 


Announcer: Chuck Smith


Editing: Anne-Marie Pleau & Matt Boudreau


Additional Music: The License Lab