In the olden days of newspapers—and I’m talking decades ago—there was a specific way printing photographs…photos were given to the printer who copied the picture using a special camera that converted everything to something known as “half-tone” so it could be put in the paper…

If you looked closely at the resulting picture, you’d see that it was made up of a pattern of dots…each one was a different size and proportional to the blackness of the original photo in that particular location of the photograph…

Viewed at a distance, it looked like a normal picture…but if you got up close, all you saw was the dots…

Wait…try this…have you ever sat up close to a tv?...I mean really close…so close that you can see the individual pixels…that’s kind of cool because you get to see the tiniest components of the video that’s being broadcast…

But looking at a pixel or two isn’t helpful when you’re actually hoping to understand anything that’s been broadcast…you’re too close…there’s no perspective to anything…

Sometimes to really understand things, you need to sit back—waaaaaay back—in order to perceive things, to understand things, to appreciate things and why they are the way they are…in other words, you need the big picture…

 

To torture this metaphor even more, the same principles can be applied to music before certain things come into focus…and that’s what we’re about to do…this is part two of a program called “big picture stuff”…

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