Actor, writer and director Jim Cummings joins Letterboxd’s editor-in-chief Gemma Gracewood to talk about his brand new film The Wolf of Snow Hollow, Robert Forster’s final role, toxic masculinity, tears, montages, werewolves, Fight Club, Fincher, turning shorts into features, his Letterboxd favorites, and the enduring emotional power of Inside Out’s Bing Bong.
Films and lists mentioned:

Rope
Rear Window
Beast Beast
Greener Grass
The Social Network
Zodiac
Fight Club
Thunder Road
The Robbery (short)
Blue Valentine
Rebel Without a Cause
Shithouse
What We Do in the Shadows
Napoleon Dynamite
An American Werewolf in London
The Howling
Dirty Dancing
Jamaica Inn
The Great Dictator
Inside Out
Seduced and Abandoned
Children of Men
The ’Burbs
Obvious Child (short) / Obvious Child
Two Cars One Night (short) / Boy
Whiplash (short) / Whiplash
Lights Out (short) / Lights Out
Saw (short) / Saw
Brat Pitt’s review of Fight Club
A list of films with men/boys crying
Jim Cummings on Letterboxd 

This episode recorded in Los Angeles and Auckland and edited by Morgan Avery. Podcast artwork by Ann Davenport. Theme music: ‘Hitchcock’ by The Phoenix Foundation. Our next episode features Cooper Raiff and Dylan Gelula of Shithouse. To be in to win a Pro membership, leave us a voice message about your favorite college film.