Emmy-nominated cinematographer Benedict Spence joins us to discuss his strict visual approach to season two of Netflix's End of the F***ing World. Benedict and Go Creative Show host, Ben Consoli, discuss his process creating a strict visual rule book, using center framing to make characters feel isolated, working on a very tight schedule, most embarrassing moment on set, and much more! Subscribe Now! What you will learn in this episode Obstacles of joining a show in its second season (03:20) Approaching visuals in a minimal way (11:17) Creating the show's visual rule book (20:38) Making characters feel isolated using center framing (23:49) Only getting essential shots on a tight schedule (27:08) Shooting on the Arri Alexa LF with Zeiss lenses (33:28) Benedict's best and worst shot of the season (42:02) Zoom lenses and filtration (44:58) Approach to lighting (47:20) Filming an entire scene at blue hour with no lights (52:47) Best part of filming the series (59:29) Most embarrassing moment on set (01:00:41) Importance of a gaffer (01:02:02) Which crew member would you live with? (01:03:30) And more! Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links The End of the F***ing World on Netflix The End of the F***ing World IMDb The End of the F***ing World Season 2 Trailer Follow Our Guest Benedict Spence’s IMDb Benedict Spence’s Website Benedict Spence’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter