Avoiding master shots and filming in New York City are two of the challenges that cinematographer Philippe Le Sourd ASC AFC faced while filming Sofia Coppola’s On The Rocks. Philippe and Go Creative Show host, Ben Consoli, discuss the visual approach to On The Rocks, why establishing shots aren't always necessary, working with actor Bill Murray, the choice of shooting on film, filming in NYC, and so much more! Subscribe Now! What you will learn in this episode Working with director Sofia Coppola (02:00) Filming New York in a unique way (06:18) Why On the Rocks wasn't shot as a romance/comedy (07:51) Capturing the height of New York on film (08:48) Capturing the warmth of characters (10:58) Working with a hands-on director (16:30) Working with Bill Murray (17:58) Shooting on film (22:34) Challenges of filming in New York (27:23) Approach to lighting On The Rocks (31:47) Why establishing shots were avoided (37:01) Lens package and shooting shallow (45:31) Not worrying about where the film will be viewed (48:53) Working with the film's colorist (55:53) Working during the pandemic (59:08) And more! Go Creative Show is supported by: MZed - Education for Creatives PostLab - Stress-free collaboration for Final Cut Pro X   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links On the Rocks IMDb On the Rocks trailer On the Rocks on Apple TV+ Follow Our Guest Philippe Le Sourd's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter