This week’s conversation is with Harry Gregson-Williams, one of Hollywood’s most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. His recent projects include Warner Bros summer hit “The Meg” directed by Jon Turteltaub, and the action thriller “The Equalizer 2,” starring Denzel Washington.He wrote the score for Disney Nature’s “Penguins,” which just opened a few weeks ago and will next score Disney’s live-action feature film “Mulan” scheduled for release in 2020.Harry was the composer on all four installments of the animated blockbuster “Shrek” franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning “Shrek.” He also received Golden Globe and Grammy Award nominations for his score for Andrew Adamson’s “The Chronicles of Narnia: The Lion, The Witch and The Wardrobe.” Harry has collaborated with a number of directors, including Ben Affleck on the films “Live by Night,” “The Town” and “Gone Baby Gone”; Joel Schumacher on “Twelve,” “The Number 23,” “Veronica Guerin” and “Phone Booth”; Tony Scott on “Unstoppable, The Taking of Pelham 1 2 3,” “Déjà Vu,” “Domino,” “Man on Fire,” “Spy Game” and “Enemy of the State”; Ridley Scott on “The Martian,” “Prometheus”, “Exodus: Gods and Kings and “Kingdom of Heaven” and the list goes on and on.This was one my favorite conversations I’ve had since we started this podcast.We covered so much: creativity, pressure, authenticity, relationships, failure, and emotion.I hope this conversation makes you think a pay a little more attention to the score next time you watch a movie.This episode is brought to you by:Athletic Greens: Athletic Greens has a new podcast called "Inspiring Lives." I hope you'll check it out! I was recently a guest on their podcast!Receive a free 20-count travel pack of Athletic Greens (valued at $99) with any purchase!Claim here: athleticgreens.com/findingmastery