The Magic Of Lemegeton

By Norah Elmorn / Luiz Santos

The Magic of Lemegeton - A Manual for Spiritual Architecture There is a secret architecture behind every human experience. The Magic of Lemegeton doesn t promise easy answers, but offers tools for those who wish to discreetly and profoundly redesign their own destiny. Inspired by the ancient tradition of Solomon, this book gathers principles, rituals, and practices to guide readers in the art of harmonizing invisible forces, protecting spaces, awakening intuition, and restoring order amidst chaos. Here, each teaching is presented as a quiet invitation: allow yourself to cross your own boundaries, discover previously unsuspected resources, and subtly influence what seemed impossible to change. For every seeker who senses it s time to rewrite their story, this manual will be a silent and trustworthy companion. This is a book about ceremonial magic, spiritual architecture, reality engineering, occult practices, subtle consciousness, and spiritual self-transformation. By addressing topics such as ethics in magic, the use of a spiritual diary, energy protection techniques, and hermetic rituals, this book becomes a comprehensive guide for anyone wishing to understand, practice, and transform life through the foundations of esoteric tradition. For readers seeking a book on inner development and transformative practices, this work offers solid fundamentals and conscious experimentation at every stage of the journey.

• Language: English
• Publisher: Clube de Autores
• Release date: Jul 29, 2025

Book preview

Chapter 1

The Architecture of the Invisible

We live immersed in an ocean of concrete forms, where everything we perceive with our senses seems to be imbued with indisputable solidity. The wood beneath our hands reveals its firm texture and natural imperfections; the warmth of the sun on our skin is not just a sensation, but an almost tangible presence that envelops and warms us. The events that make up the fabric of our days—the situations, encounters, challenges, and even small surprises—seem to follow a logical sequence, composing a narrative that, at first glance, escapes our control. This collection of experiences, objects, and events constitutes what we might call the great edifice of reality, a structure of almost unlimited complexity in which, in some way, we are all involuntary inhabitants.

Each wall of this edifice is made up of the events that surround us; each object is the furniture that fills the spaces of existence; and the corridors through which we move are the circumstances—so often unpredictable—that determine the course of life. For most people, this reality asserts itself with such force that there is no room left for questioning. We accept the solidity of the material world as something given, unquestionable, an immutable backdrop before which we are left only to play our already defined roles. We live as tenants in a house built by an invisible and indifferent hand, an anonymous force that seems far beyond our reach or understanding. We move through these spaces, reacting to their conditions, often without even imagining that there is the possibility of understanding or influencing the architecture of this place in which we exist.

Few of us, in the midst of daily life, ask ourselves about the origin of this construction. Rarely do we investigate the blueprint of this great edifice we inhabit. Even more rarely do we stop to think about the invisible foundations that support each wall, each object, each detail of this seemingly solid reality. And yet, it is precisely at this point that the key to a new way of living is found: in recognizing that there is an underlying structure, an invisible layer of causes that precedes and determines everything we perceive.

The proposal that opens this journey is, therefore, a profound change in perspective. We are invited to step out of the position of mere tenants and take on the role of conscious architects of our own experience. This requires, above all, accepting that the world of effects—what we see, touch, and feel—is merely the surface, the visible façade of a much deeper construction. Behind every event, every physical object, every situation, there is a matrix of subtle causes, a field of information and energies that organizes and precedes all that is manifested.

The material world is thus only the final result of a long chain of processes that begins in the realm of the invisible. This understanding is not limited to a belief or abstract philosophy, but is presented as a practical discipline, here referred to as reality engineering. Unlike dogmas or superstitions, it is an experimental field, based on the observation that the universe responds to certain focused stimuli—and that we can, consciously, learn to generate such stimuli in a deliberate and directed manner.

In this context, the term magic must be lifted from its traditional setting, stripped of associations with tricks, illusions, or fanciful ideas. It is not about challenging or violating natural laws, but about understanding them on deeper levels, often hidden at first glance. Magic, in the sense of this new subtle architect, is nothing more than the art of perceiving and manipulating invisible causes, with the aim of consciously altering the effects that become visible.

Just as a civil engineer does not defy the law of gravity, but uses it wisely to erect solid buildings, the engineer of reality learns to operate on causal levels, where the seeds are planted for everything that will later become concrete. Their main tool is not a wand or any external instrument, but rather a refined consciousness, a trained mind, and a determined will, capable of directly interacting with the subtle fabric from which everything originates.

The subtle causes that determine the final shape of all we call reality are not strange forces or external entities hovering beyond our reach. They originate in the most intimate and familiar territory of our existence: our own thoughts, emotions, intentions, and beliefs. Every focused thought is, in itself, a vibration that traverses the subtle planes, silently influencing the configuration of events. Every sustained emotion, whether positive or negative, creates a magnetic current, attracting experiences compatible with its energetic tone. A clear intention acts as a force vector, directing the universe’s creative flow to a specific point. Rooted beliefs, in turn, establish the fundamental parameters within which all personal experience unfolds.

When we remain unaware of this power, these inner elements operate chaotically, often generating a confused, fragmented, or even adverse reality. We are like architects who, without a map or plan, scatter building materials at random, and are then surprised by the result: misshapen and unstable structures, ready to collapse at the slightest tension. Therefore, the first step for the apprentice architect of reality is to become aware that they are already continuously participating in the creative process. The task, then, is not to begin influencing reality, but to learn to do so deliberately, coherently, and in alignment with one’s true objectives and values.

For this notion to become more than a philosophical abstraction and gain substance in practice, it is essential to carry out exercises that expand perception and establish a bridge between the visible and the invisible. A practical example is the exercise of mental deconstruction, which invites the practitioner to look at an ordinary object and, from it, trace the thread of its creation to its most subtle origins:

1.      Step 1: Object Selection. Choose a simple object around you—a mug, a book, a chair. Observe it attentively, noticing its physical qualities, its weight, its immediate usefulness. Feel the material reality it expresses.

2.      Step 2: Material Deconstruction. Imagine the physical history of this object, going back in time. If it is a wooden chair, visualize the factory where it was made, the machines that cut and assembled its parts. Before that, the tree from which the wood came, growing in the forest, nourished by earth, water, and sunlight. In the case of a mug, think of the clay shaped by the potter, coming from the earth, passing through skillful hands until it acquires its final form. Notice how material reality is the final stage of a long process of transformation.

3.      Step 3: Intentional Deconstruction. Now, go deeper still. Even before physical manufacturing, there was an idea, a drawing, a design. Someone mentally conceived the shape, the utility, the aesthetics of the object. It may have started as a sketch on paper or a clear image in the creator’s mind. This mental image, the blueprint of the object, contained all the information needed to guide the subsequent steps.

4.      Step 4: The Primordial Subtle Cause. Go even further back. Before the design existed, there was a need or desire. The impulse to create arose from an intention: to sit comfortably, to drink something warm, to offer usefulness and beauty to daily life. This intention is the primordial subtle cause—a pulse of information and energy arising in the creator’s consciousness. Without this initial spark, none of the other stages would occur; the physical object would not exist.

This exercise reveals the flow of creation: from the subtle idea to dense manifestation. It demonstrates that reality engineering is not a privilege restricted to the manufacturing of objects, but a universal law applicable to all areas of life. Apparently random events, opportunities that arise, challenges that present themselves, are all visible effects of subtle causes operating on deeper planes. Each experience is, therefore, the materialization of invisible patterns woven from intentions, beliefs, and emotions—both individual and collective.

Learning to decipher this dynamic is the first step toward truly assuming the role of architect of one’s own reality. Developing this sensitivity means relinquishing the posture of passive victim of circumstances and becoming an attentive investigator of the subtle field that precedes the material world. Daily experience ceases to be just a chain of facts over which we have no control, becoming a map full of clues that can be read, interpreted, and above all, transformed. We begin to perceive that behind each situation—whether desired or undesired—there is an invisible architecture: a set of recurring thoughts, emotional patterns, conscious or unconscious intentions, and deep beliefs that support the manifestation of events.

Investigating this invisible architecture is essential for anyone wishing to participate in the conscious creation of their own life. By asking, in the face of every circumstance, what is the subtle cause behind this?, we begin a process of energetic and informational diagnosis. Perception thus becomes the main tool of this new reality engineer. Such perception requires relentless clarity, the ability to distinguish between fleeting thoughts and lasting patterns, between passing emotions and deep-seated feelings that truly direct our behaviors and experiences. This clarity, however, is not a supernatural gift reserved for a privileged few; it is a natural ability, inherent to the human being, which can be cultivated, trained, and refined with dedication and discipline.

With the development of this sensitivity, we begin to identify the signs of the subtle world in all aspects of life. We perceive the energy of environments, the unspoken intention in conversations, the vibrational quality of ideas and projects. The subtle architect, therefore, trains their inner senses to capture nuances that escape ordinary perception, recognizing the invisible vectors that influence visible results. The deeper this perception, the more skilled the practitioner becomes at diagnosing and adjusting causes, thereby transforming effects. In this way, reality ceases to be an impenetrable mystery and becomes a field for conscious action, where the individual can correct dysfunctional patterns, strengthen beneficial structures, and align their experience with their highest purposes.

However, the realization that we are active co-creators of our existence does not stop at a theoretical understanding. It brings with it an inherent and inescapable responsibility: to recognize that our thoughts, emotions, and intentions are powerful tools in the construction of the world. Every thought insistently cultivated, whether of fear, anger, or love, is a brick inserted into the structure of the existential edifice. Every act of generosity or resentment strengthens or weakens the foundations of shared reality. The architect who understands the blueprint of their experience can no longer afford carelessness, knowing that every internal action reverberates in the external world, altering the manifested reflection.

Reality engineering, therefore, is not an invitation to the selfish pursuit of power or control, but a call to mature and conscious participation in the ongoing creation of the world. It is to assume the responsibility to cleanse, strengthen, and harmonize one’s own inner construction site, so that the structures projected onto the world are equally solid, beautiful, and beneficial. The visible is neither an immutable prison nor a reckless amusement park; it is, rather, the faithful mirror of the total sum of subtle causes. Attempting to transform the reflection by only altering its surface is a fruitless and exhausting effort. The true work takes place far from the mirror, in the design room of consciousness, where the fundamental blueprints of reality are conceived, revised, and approved before taking concrete form.

Thus, the foundation of the entire art of conscious creation is to understand and operate upon these invisible planes, assuming the responsibility and inherent power of those who choose, every day, to participate in the construction of their own destiny.

Chapter 2

The Terrain of the Mind

Understanding that manifested reality is merely the outcome of an invisible and preceding process is the starting point for any aspiring architect of their own life. The true blueprint is conceived long before any manifestation in the physical world; it is gestated in silence, deep within consciousness. Thus, the first practical task that presents itself to the apprentice is to prepare their true atelier, and this is not a physical space filled with tools or cutting-edge technology. The most sophisticated workshop, the true design studio, is found within the mind itself, in the intimate space of consciousness. For most people, however, this inner environment is anything but a sanctuary of order and focus. Instead, it resembles a construction site where chaos reigns, filled with noise, distractions, and unrestrained activity that hinders any intentional creation.

In such cases, thoughts behave like undisciplined workers, each acting independently, often coming into conflict, raising their voices as if competing for the foreman's attention. Old memories, present worries, and anxious expectations about the future operate like noisy machinery, raising a fine dust that obscures vision and clutters the creative space with debris. As a result, the inner atelier becomes a hostile place for any work that requires precision, clarity, and intention. This incessant noise, which can be described as internal dialogue, reveals itself as the main obstacle to any attempt to consciously and effectively engineer reality.

Internal dialogue is that uninterrupted current of words, images, and impressions that fill the mind from the moment we wake until the moment we finally fall asleep. It manifests as a constant narrator: at times judging our actions, at times revisiting past conversations or planning future dialogues, at times lamenting poor decisions or dreaming of distant possibilities. Although this flow is a natural phenomenon of the human psyche, when it is neither understood nor managed, it becomes a chaotic force, capable of undermining any conscious effort at creation. Every thought dragged along by the whirlwind of worries, resentments, or fantasy represents a fraction of psychic energy wasted—a vital fuel that ceases to be available for the construction of clear and powerful intentions.

Even more dangerous is the impact of this noise on attention, which is the most valuable tool available to the architect. Attention is what allows an individual to focus their will on a single point, sustaining a stable intention over time. However, when attention is fragmented, constantly hijacked by the chaotic flow of internal dialogue, the ability to create something cohesive and true to its original purpose is lost. Attempting to conduct a subtle project or a process of transformation with a tumultuous mind is like trying to draw up a building's blueprint in the midst of an earthquake: the line becomes shaky, the idea scatters, and the final result will inevitably be a distorted and weakened version of what was intended.

Faced with this scenario, it becomes clear that the initial and most crucial step is the conquest of inner silence.

The first discipline to be cultivated in order to transform this chaotic construction site into a true creative atelier is the art of inner silence. This is a fundamental skill and, contrary to what many believe, it does not simply mean stopping thought. The mind, just as the lungs breathe, naturally produces thoughts—trying to forcibly stop this process is futile and only adds more tension to the system. True mastery lies in changing our relationship with thought, becoming no longer an involuntary participant in the chaos, but a serene and attentive observer of the mental flow. The secret, therefore, is not to demolish the noisy city that surrounds the creative space, but to learn to close the windows, to insulate the inner environment, and to operate from a core of stillness.

This inner silence is not an inert void,