Witness
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About this ebook
The city is beautiful to paint at night on the porch. Here you hear the noise well, you see things going with their airs, you touch them with the bare hands, you smell, and taste. When you move further, you see the smell at the crime scenes. These poems look at the city or the chain of towns and villages that looks completely like a city, the urban life's vibrant essence, complexities, and unique character of this city. The city that delves into the bustling streets with diverse communities and these are its truth and beauty. However, we cannot forget the questions of the meditative mind. Why the humanity's obsession with controlling its environment? Has the city a religion and the spirituality, and what are these?
Jacob Kobina Ayiah Mensah
Jacob Kobina Ayiah Mensah[(╥║│═╚╣╕╞│╬╕─╕╣│╘╘╞╚╕─│Ħ) (also known in the Turtle Mountains, North Dakota, as Sitting Mountain)], a self-made Ojibwa, Basque, Catalan, Spanish, gypsy, a Black African tribe and Greek descent and a multilingual poet, multidisciplinary artist, and algebraist, works in mixed media. His most recent poetry chapbook is Kind Haven (The Operating System, 2020) and a full-length poetry collection in Spanish, agua y color, is forthcoming from Valparaiso Poetry Press. His poetry, songs, prose, art and hybrid works have appeared in numerous journals, including JMWW, Constellations, New Note Poetry, Chapter House Journal, Red Ogre Review, Newfound, The New Southern Fugitives, Inverted Syntax, The Elevation, Moon Shadow Sanctuary, Passenger Journal, Twisted Vine Literary Arts Journal, Millennial Pulp Literary Magazine, Trampoline, 1-70 Review, Beautiful Cadaver Project Pittsburgh, The Meadow, Beyond Words Literary Magazine, Rigorous, The Decadent Review, FOLK Magazine, Wards Lit Magazine, Cadinal Sins, zines + things, Juked, Juke Joint Magazine, The William and Mary Review, Helen Literary Magazine, In Parentheses, Genre: Urban Arts, Roanoke Review, filling Station, Hawk & Whippoorwill, The Indianapolis Review, The Sandy River Review, Blackbox Manifold, Cordite Poetry Review, Amethys Review, Rogue Agent, Whimperbang, Emerys Journal, Night Music Journal, Cantos: A literary and Arts Journal, Abstract: Contemporary Expressions, Thirty West Publishing House, Aaduna, Terror House Magazine, Ygdrasil: A Journal of the Poetic Arts, Castabout Art & Literature, Horseshoes & Hand Grenades, Hooligan Magazine, Unlikely Stories Mark V, Otoliths, Oddball Magazine, UTSANGA, Pithead Chapel, Wingless Dreamer, Cathexis Northwest Press, University of North Dakota, Meat for Tea, Fireflies' Light: A Magazine of Short Poems and others. His works in abstract mathematics include Arthur Algebras, Haiku Algebra, c-Algebra, Ỽ-Functions, Nortan Group, and Epic Ring. He lives in the southern part of Ghana, in Spain, and the Turtle Mountains, North Dakota.
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Book preview
Witness - Jacob Kobina Ayiah Mensah
Contents
COVER GIRL TOGETHER Mould A kiss Building the world
Her Lifestyle
in the magazine for sale: a painting collage for Salon des Refuses, France
BEYOND THE HEDG THE MOON OF DEPRESSION GETTING CITYLIGHTS AROUND TIDE HIGH TIDE/ LOW TIDE OBSESSION
First Birth
April Couple
Complement
The Sentence
Picker
Flower Wine
Eden
Affinity
On Display
Witness
Parade
Whole
Calculus
Orphan
Marauding
Ford
Tom-tom Dancer
Breath
Beautiful End
Yellow Session
Fingerprints
Construction
Slate
Pomegranate
Red Wood
The House in the Hills
Periodic Chart
Dusters
Burning
Last Bridge
Winter Bodies
Street Theories
After Snow
Abandoned Position in the Late Light
Impromptu
Driving
Adding Up
At Exhibition
The Positive
Suitcase
First Summer Hour
Near Complexion
June Gloom
Edging the Limestone
Taxi Body
Tropical Storm Fay
Fence
Grunion
Illustration Water Lily
Expression Surfing
August Beings
Milky Way Avenue
Boutique Scarecrow
Persimmon
River Piss
Midday Coolness
One Hundred of Gentler Nineties
FLEDGLING
WISH
COVER GIRL
––––––––
Rich colours in the wet street and butterflies in every cover
not a smudge in sight.
All day real breakthrough news in lip
colours only from cover girl. Clingy,
for a luscious look
and feel that really lasts,
this cover girl
I am used to this early childhood
I am used to this early childhood
hunting in a reservoir of wild flowers
I am targeted
trapped in her definite beauty action
looking skin every morning
in elegant opera coat
I am a lizard
trapped in Alabama
only to flop in a matter of days
on a broken glass wall―
underpriced and forgotten
but her
long cut (over the hips) and clean
(no epaulets or metal doodads):
peeking through semi-opaque
overlayers of the crowed street
of now flowers
with messy hair
I present my fractious mood
and she dares whisper any observations
I entreat myself
She stands soon at my knee
with a veil of gossamer on her head
I am tired
with raking swaths
and our speechless colloquy is to this effect
she owns her heaven
to change
and ring again
she pushes
unceremoniously me
to one side, saying
I must play the accompaniment.
TOGETHER
Light out in my New York apartment studio I share with you at least on certain levels in the disciplines of philosophy we colour a cosmopolitan roundelay
in oil crayons on brown wrapping papers – that combo we all remember from elementary school I toss my stuff into the next brimming composition
of the