Losers Dream On
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About this ebook
Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
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Losers Dream On - Mark Halliday
Losers Dream On
Losers Dream On
Mark Halliday
The University of Chicago Press
Chicago & London
The University of Chicago Press, Chicago 60637
The University of Chicago Press, Ltd., London
© 2018 by The University of Chicago
All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 East 60th Street, Chicago, IL 60637.
Published 2018
Printed in the United States of America
27 26 25 24 23 22 21 20 19 18 1 2 3 4 5
ISBN-13: 978-0-226-53359-9 (paper)
ISBN-13: 978-0-226-53362-9 (e-book)
DOI: https://doi.org/10.7208/chicago/9780226533629.001.0001
Library of Congress Cataloging-in-Publication Data
Names: Halliday, Mark, 1949– author.
Title: Losers dream on / Mark Halliday.
Other titles: Phoenix poets.
Description: Chicago : The University of Chicago Press, 2017. | Series:
Phoenix poets | Poems.
Identifiers: LCCN 2017018052| ISBN 9780226533599 (pbk. : alk. paper) | ISBN
9780226533629 (e-book)
Classification: LCC PS3558.A386 L67 2017 | DDC 811/.54—dc23 LC record available at https://lccn.loc.gov/2017018052
This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper).
Though infinite the damage we had wrought
To sit back folded in regret would make, we thought,
A mockery of everything we bravely sought
As if our truest beauties were not worth a fight—
Hence it felt right or as if right
To go on loving and desiring day and night.
Felicia Degringolade
And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,
Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead.
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.
But what was before us we know not,
And we know not what shall succeed.
Matthew Arnold
Contents
Acknowledgments
*
Glen
Bus Full of Dinosaurs
Worthy
First Wife
Ernest and Lionel
Hal Dead
Chilled
He Meant
Index to Hamaday: A Questionable Life
Thirteen Balloons
66 Benevolent Street
**
About Time
Yearbook Photo
Your New Assignment
Moot
Maria’s Mexican Food
Thin White Shirts
Milano Adesso
Bird’s Shadow
Poured
***
Balancing Act
Tossed Cup
Not Exactly for Talia
Freedom of Speech
Tradeoffs
Boomerang
Whizdizz
Shark Fate
Almost Dusk
After the Major Events
****
Angel at Wilkes
Their First Marriage
Sarah Sees Two Runners
A Gender Theory
The Quilmias
Your Paltry Conquests
Shadblow
Been There
Our Love Problem
Midnight, the Stars and You
*****
You Lament
Not Nothing
Whisk Broom
Rolf Smedvig in Particular
But Also
My Other Apartment
Plot Twist
No Vacation for Maigret
Meaning
Acknowledgments
Some of these poems have appeared in journals:
The Cincinnati Review: "Milano Adesso and
Our Love Problem"
The Cortland Review (online): "Glen"
Ecotone: "Bus Full of Dinosaurs"
The Florida Review: "First Wife"
The Gettysburg Review: "Not Exactly for Talia"
The Hopkins Review: "Your New Assignment"
The North: "Midnight, the Stars and You"
Ploughshares: "A Gender Theory and
No Vacation for Maigret"
Virginia Quarterly Review: "About Time"
"Been There (as
Impelled to Hark") appeared in The Heart’s Many Doors, edited by Richard Jackson (San Antonio: Wings Press, 2017)
*
Glen
Back and back over the meadows and through the groves
and back and beyond the broken speckle-gray boulders
there is a shady road that curves downward into a glen.
Along down the shady road