Foxheart

By Claire Legrand and Jaime Zollars

"A heart-pounding adventure."—Publishers Weekly (starred review)

Orphan. Thief. Witch.

A classic fantasy-adventure reminiscent of Howl's Moving Castle from New York Times–bestselling author Claire Legrand.

Twelve-year-old Quicksilver lives as a thief in the sleepy town of Willow-on-the-River. Her only companions are her faithful dog and partner in crime, Fox—and Sly Boots, the shy boy who lets her live in his attic when it’s too cold to sleep on the rooftops. It’s a lonesome life, but Quicksilver is used to being alone. When you are alone, no one can hurt you. No one can abandon you.

Then one day Quicksilver discovers that she can perform magic. Real magic. The kind that isn’t supposed to exist anymore. Magic is forbidden, but Quicksilver nevertheless wants to learn more. With real magic, she could become the greatest thief who ever lived. She could maybe even find her parents. What she does find, however, is much more complicated and surprising. . . .

Acclaimed author Claire Legrand’s stunning and original novel explores the danger of lies and the power of truth, the strength found in friendship, and the value of loving and being loved . . . even if it means risking your heart. Full of magic, adventure, and an original and compelling cast of characters, Foxheart will appeal to fans of Neil Gaiman and Diana Wynne Jones.

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Oct 4, 2016
• ISBN: 9780062427755

Claire Legrand

Claire Legrand is the author of Foxheart, The Cavendish Home for Boys and Girls, The Year of Shadows, and Some Kind of Happiness, as well as the New York Times-bestselling young adult fantasy Furyborn and its sequels. She is one of the four authors behind The Cabinet of Curiosities. Claire Legrand lives in New Jersey.

Book preview

.1.

PIGWITCH GIRL

For the first twelve years of her life, Girl had no name.

At least, she pretended that was the case. In fact, she knew very well that her parents had given her a name, but she didn’t consider it to be anyone else’s business.

When she was three years old, on a stormy night that haunted her memories, her parents left her on the doorstep of Saint Martta’s Convent of the White Wolf. There was no note, no birth papers—only a small, drenched girl with a flat, upturned nose and a head of wild gray hair.

The gray hair in particular alarmed the Sisters of Saint Martta’s. It seemed to them too unusual for a young girl, and they had been taught all their lives to be suspicious of the unusual. But they told themselves that most of the witches had been killed, and that the Wolf King was even now hunting those who might remain, and forced smiles to their faces.

What is your name, girl? asked the sisters, again and again, that first terrible summer. But the sisters, clothed in their stiff black robes, their wrinkled skin painted white with powder, frightened Girl. She stared at them in silence and said not a word for two years, choosing instead to observe everyone around her with a frankness that made even stone-faced Mother Petra uncomfortable.

The sisters called Girl by no less than twenty-six different names, and she answered to none of them. Not Arja, not Brita. Not Inga, and certainly not Ruut.

Perhaps one of these names will be more to your liking, suggested Sister Veronika, showing Girl the register, in which were kept the records of all the saints of the Star Lands.

A most noble way to die, assisting His Grace the Wolf King, assured the sisters.

Girl’s heart leaped with hope: had this, then, been her parents’ fate? They hadn’t abandoned her, no; they had gone north, to find the Wolf King and serve him! They had died heroically, and had been sainted for it. Surely their names were in the register; she would know the letters by sight.

Feeling cheered, Girl tried to read the register’s pages and pages of tiny print, but soon found this task not only impossible but unforgivably boring. Her hope faded; none of the names she read meant anything to her. She remained stubbornly silent.

So the sisters, who, according to the Scrolls, were to distrust all disobedient children—for in disobedience lies the potential for great evil—spitefully began to call the child Girl.

If you will not choose a name, Mother Petra told five-year-old Girl from behind her enormous desk, and if you will not answer to any we choose for you, then you will have no name at all.

And Girl was pleased, for it felt like she had fought some kind of battle, and emerged the victor.

The other girls at Saint Martta’s, however, had no qualms about giving Girl a name.

Six-year-old Adele, with soft black curls and the clear voice of a bird, was the one to christen her.

Oh, Pig! Adele called out one morning, when Sister Helena had stepped out of the classroom. Piggy!

Girl did not at first realize she was being addressed. Then a wadded-up piece of paper hit the back of her head.

Girl whirled around to face Adele. What’d you do that for?

Adele pulled up the tip of her nose and flattened it. "Hey, Pig! Do you smell that? Something stinks in here. I think it’s you!" She snorted enthusiastically.

Pig! Pig! Pig! the other girls began to chant, turning up their noses too.

Girl’s skin crawled with anger.

That evening, she sneaked a mixture of herbs from the sisters’ storage closet into Adele’s stew. Girl hoped the concoction would leave Adele ill for the rest of her life—perhaps perpetually plagued with a burning stomachache, or unable to talk without violently sneezing. Instead it tinged Adele’s skin blue, and boils popped up on her tongue. The sisters, tending to the sobbing Adele, were flummoxed. Who could have gotten past the locks and into the stores?

Mother Petra seemed to know; she made Girl scrub each stone in the courtyard with a bristle brush the size of a baby’s finger. Girl obeyed, though for the thirty-six hours it took to complete her task, her mind was full not of penitent thoughts, but rather vengeful ones.

The following Tuesday, Mother Petra awoke to find that someone had stolen every piece of paper from her office and pasted them all across the convent’s rooftop, covering the dark shingles in layers of fluttering white.

Instead of forcing Girl to retrieve the papers, Mother Petra told her, "When these papers have fallen free of their own accord and blown away out of sight—every bit of the paper, even the tiniest scraps—you may return to your room. Until then, you will sleep in the courtyard, with no blankets."

Girl obeyed, even in the blistering cold, even when the sky threw down sharp sheets of rain. Every evening she stood in the courtyard until Mother Petra went to bed. Then, once all the lights had been blown out, she crawled to the roof and slept beneath the bell tower, in a snug nook she had discovered while pasting the papers to the shingles. It was a better bed than her cot inside could ever be, for on clear nights, she fell asleep watching the stars.

One spring day when Girl was seven years old, a pack of boys from town peeked over the garden wall as the girls picked vegetables.

What’s wrong with your hair? called out a boy, staring at Girl.

It’s gray, like an old woman’s! another boy cried.

Are you sick? What’s wrong with you?

How old are you, anyway? Hey! Are you listening to us? Are you deaf?

Maybe she’s a witch! suggested the first boy. They all fell silent, deliciously scandalized by the idea, and then they began to chant: Witch! Witch! Witch!

The other girls gasped. Witch was the most wicked word, a word that even the sisters whispered when reading stories from the Scrolls during lessons. Stories about how the Wolf King had begun hunting the witches of the Star Lands, earning the loyalty of all seven lords.

Girl’s skin flushed as red as the tomatoes in her basket. It wasn’t that she minded being called a witch. She knew she should mind, but as a general rule she found things the sisters deemed important—such as memorizing all one hundred and twenty Songs for the Black Castle—utterly uninteresting. And she found things the sisters deemed disagreeable or even dangerous—such as witches—entirely interesting.

No, it wasn’t the witch insult that sent her blood boiling—it was the mere existence of this simpleminded pack of boys who felt it necessary to single her out and jeer at her, just because they were bored and because she looked different than the rest.

So Girl launched her tomatoes at them.

They screamed and fled, some of the younger ones crying, their faces splattered with juicy tomato pulp. Girl climbed the nearest tree, jumped from a sturdy branch to the top of the garden wall, and ran along the wall, chasing the boys down the road and flinging as many tomatoes at them as she could.

A yellow puppy with a torn ear flew out of the bushes on the side of the road and joined the chase. He galloped alongside the garden wall, barking like mad and kicking up dust, and every time one of Girl’s tomatoes hit one of the boys, the puppy nipped at the boy’s ankles. When Girl reached the end of the wall and could chase the boys no farther, she watched them run away and laughed.

The yellow pup sent one last bark after them before turning his panting, lopsided grin up at Girl.

Just then two dark figures in hooded robes hurried out from the chapel.

"Look, just look at what she has done, cried Adele, pointing up at Girl from the garden. I know they shouldn’t have been talking to us, that’s against the rules, but did they deserve to have things thrown at them?"

Girl knew it would only make things worse, but nevertheless, she threw her last tomato right at Adele’s lovely, astonished face.

As Sisters Gerta and Marketta dragged Girl to Mother Petra’s office, she thought bitterly about how quickly the sisters appeared when she did something wrong, and how they were nowhere to be found when others wronged her.

And who might you be, sweet child? a charitable woman from town said when Girl was eight years old. Girl saw the woman’s eyes flick to her nose and then to her hair, how the woman’s mouth twitched, her eyes widening in genteel alarm.

By now, Girl was used to such looks, but that didn’t mean she would let them go.

I’m Pigwitch Girl, Girl said proudly, and then threw her arms around the woman’s waist, snorting and squealing. When the sisters dragged her away, Girl called out, Horrible to meet you! Please don’t come back and visit!

That earned Girl a week’s worth of scouring the pans after supper, but she accepted the punishment—for no one had noticed her slip her hand into the woman’s pocket and steal her tiny bag of coppers.

Someday, she thought, up to her elbows in soapy hot water, I shall have enough coin to leave this place. I’ll travel the world and steal what I need to get by, and I’ll go north and find my parents, and if they’re busy with the Wolf King, then I’ll join them. I’ll show them I can help. Hunting’s not so very different from stealing.

She knew stealing was forbidden. It said so in the Scrolls, and the Scrolls had been written by the great-great-great-grandparents of the seven lords of the Star Lands, back when the Hunt first began. But what did any of them know? All they cared about was keeping the Wolf King happy, so that he in turn would keep the witches away. Fancy lords in fancy castles didn’t know what it was like to be a pigwitch girl. She was sure of that.

Oh, Piggy? Adele called out sweetly in the courtyard one Wednesday after morning prayers.

Girl, now ten years old, snorted inquisitively and rushed at Adele. Then she sniffed up and down Adele’s clothes like a pig sniffing for slop.

Sister Kata! Adele burst into sobs. Girl is being so cruel to me!

"What is wrong with you?" Sister Kata hissed, hurrying Girl to her room.

Well, I have a pig nose, for one, said Girl. "I have strange hair, for two. How do you know I’m not in fact some sort of witch, Sister? Perhaps I’ve come to eat you all!"

Girl was confined to her room for an entire month after that, with only thin gruel for meals. But every night after Mother Petra had gone to bed, Girl slipped between the window bars and retreated to her spot on the roof. She breathed in the clean air, free of incense and prayer oil, and watched the stars turn in the black spread of the sky.

It was during this month that the yellow dog started coming to see her. He was older now, long and lanky. At first he curled up in the flower bed beneath the bell tower and slept while Girl slept, and he was gone in the mornings. Then he began bringing food scraps—half-eaten chicken legs and savory meat pies and hot buttered rolls. He would hold them in his mouth and stare up at the bell tower until Girl finally climbed down to him.

Did you steal this? Girl asked him one night, holding up a tiny beef pie. It was soaked with drool and looked as though the dog had already torn off bits of it for himself.

The dog growled.

I’m not angry if you did, Girl said. In fact, I think if you did steal it, I would like you even more than I did before.

The dog tilted his head.

Well, said Girl, thank you. You’re very clever, you know.

The dog curled up in the flower bed with a soft huff of annoyance. Girl scowled, stuffed the pie into her pocket, and returned to the rooftop.

A few nights later, Girl waited for the yellow dog with her heart in her throat. When he arrived, he held in his mouth a bag of powdered sugar cakes, and Girl took them with uncharacteristic shyness.

Would you want to sleep up there, with me? she asked, pointing to the bell tower. You can see for miles. And the ground is cold right now, and up by the bell tower, the roof is warm because of the kitchen fires. What do you think?

She held up a sack she had fashioned from her scratchy bedsheet. If she slung it around one shoulder, it was just big enough to hold the yellow dog close to her stomach while she climbed.

The dog eyed the sack dubiously.

Girl rolled her eyes. Fine, then. It doesn’t matter much to me if you freeze down here in the mud.

She turned to climb back up to the roof, her eyes stinging with tears that made her so angry she nearly lost her footing. Then, as she began to pull herself up, she felt something nudge her leg, and looked down only to get swiped with a slobbering tongue.

You smell, she told the dog cheerfully, and helped him into her bag for the climb to the roof.

Later, as he lay sleeping beside her on the warm spot over the kitchen, Girl whispered to him, I should like to call you Fox, for you are so very clever, and his ear twitched, and he smacked his lips and belched, and Girl took this to mean that was all right with him.

Pig. Witch. Girl. Pig. Witch. Girl.

On stormy days, when the world turned gloomy, something inside Girl cried out for her parents. She could only remember pieces of her past—a tired face, a soft touch, a hard voice. Her name, of course. The name she told no one.

On those days, the insults shouted at her landed like the blows of fists. After everyone had gone to bed, Girl would sneak out of her room and, instead of going to the bell tower, find Fox in his flower bed and retreat with him to the chapel, where she would gaze at the stained-glass windows for hours.

Girl did not possess the patience for prayers, and hymns were even more intolerable, but these windows, the painted icons, the intricately carved figurines of the doomed saints and the Wolf King protecting the Star Lands from evil—these things she loved. She did not understand them, but their beauty made the lost feeling inside her shrink and fade.

In the windows, the Wolf King chased witches, fanged and warty, with wild hair in unnatural colors—purple, green, blue. Girl tried to feel hatred for the witches; she knew from the Scrolls that she ought to. Perhaps if she did not look so unusual—and almost like a witch—the others would not despise her so much. Perhaps her parents would not have abandoned her and instead would have brought her along on their heroic travels.

But she could never bring herself to hate the witches. So they had strange hair. So did she. So they had irregular faces. Well, and so did she.

Perhaps witches were simply born funny looking and different. And no one understood them. And so they had been deemed evil. It did not seem particularly fair.

On those lonely nights in the chapel, Girl would hug Fox and stare at the Wolf King’s golden crown until her eyes turned hot and the chapel became a sea of blurred color.

And this was Girl’s life, from the day her parents abandoned her at the age of three until she was twelve years old: Punishments from Mother Petra. Memorizing the Scrolls when she felt agreeable, and stealing from the sisters or hiding on the rooftops when she didn’t. Adele’s soft black curls and cruel mouth. Pigwitch Girl! Pigwitch Girl! Pig. Witch. Girl.

Wondering about witches and magic, and about her parents too, and when they would return from the Hunt to find her. Wondering, wondering, with a lonely twist in her chest that she pushed down until it lodged deep in her belly like a stone.

This was Girl’s life, until suddenly, violently, it wasn’t.

.2.

THE WOLVES THAT WERE NOT WOLVES AT ALL

Girl slipped between the window bars and dropped to the floor. When her bare feet touched the cold stone, her heart kicking inside her chest, she allowed herself a moment to catch her breath and let her eyes adjust to the darkness.

Then, spotting Adele’s sleeping face, Girl grinned.

Pulling tricks on Adele, Girl suspected, would never lose its appeal, and the one she had planned for tonight was perhaps her best trick yet.

She hurried to the door and let Fox inside. He padded off into the darkness, the sack around his shoulders rustling.

Girl set to work.

First the patchwork cloak and gown, sewn together from scraps of cloth that Girl had stolen from Sister Veronika’s mending bag over several long weeks. She slipped the gown and cloak over her own head, and then donned the hat, a lopsided, pointed affair made from the same materials. Then the false hooked nose—clay, baked on the hot roof at midday. She had already painted clusters of warts onto her hands using ointments stolen from the sisters’ stores—would they ever manage to find a lock that could stump her?

Her hair, of course, required no alteration. It was strange and witchy on its own.

She adjusted her hat and looked around for Fox, excitement zipping through her body. If she was caught dressed like this, she would be confined to her room forever.

But she wouldn’t be caught. She never was, these days.

And when she did get back to her bed without being caught, she would really have to sit down, look over her list, and decide on a proper thieving name for herself. If she was to be the best thief in all the Star Lands, she couldn’t call herself Girl, and she certainly couldn’t use her real name.

Perhaps the Rogue of Lalunet, or the Silent Shifter, or Constance Craft, as a sly nod to Sister Veronika, who had tried to call Girl Constance for a six-month stretch when Girl was seven. Or perhaps—

Fox whuffed softly, and Girl shook herself. There would be time for choosing a name later.

She pocketed the coins on Adele’s bedside table, which was the real point of this excursion.

Ready? Girl whispered.

Fox trotted back toward the door, the small cloth sack she had tied around his shoulders now slack and empty. He let out another small whuff of air.

Girl squinted in the dim light, saw the shiny black beetles scuttling across Adele’s bedcovers where Fox had dumped them out—a trick that had taken weeks to teach him. She smiled and approached the bed, her shoulders hunched, her fingers bared like claws. She was ready to pounce, a wild cackle building in her throat—when Fox started growling at the door.

Girl froze.

What? she whispered.

The hair on Fox’s back stood up in a bristly line. Girl heard the creak of the main gate downstairs as it opened and shut.

No one ever came to the convent at this hour.

Girl crept to the window, stood on her toes, and peered out. A cloaked figure swept through the courtyard, Mother Petra herself hurrying alongside it. Shapes Girl couldn’t quite make out swirled above the cloaked figure’s shoulders.

Shadows?

With another low growl, Fox darted into the hallway.

Fox!

Adele shifted in her sleep, smacked her lips. A beetle plopped to the floor.

Girl hesitated. She didn’t want to miss Adele waking up to discover herself covered in beetles with a witch hovering over her—but Fox had never behaved like this before.

Girl hurried after him, down the hallway lined with the somber portraits of dead sisters, down the stairs, past the kitchen, and across the small stone yard to the classrooms.

Fox stood at the end of the hallway, a few paces away from Mother Petra’s office. The door was ajar, letting out lamplight. Girl slipped behind the loose wall panel and crawled into her eavesdropping spot, Fox at her heels. After she’d pulled the panel shut behind them, she crouched and, through a small brass grate, peered into the office. She saw Mother Petra, her desk, and the cloaked figure.

This is most unusual, Mother Petra was saying. "If Lord Aapo wishes to bring my students to see the capital, then I’m certain he would not send a messenger, if that is indeed who you are, to retrieve them in the middle of the night. Now, come. Tell me your full name. Mother Petra arranged pen and paper. You can find a room in town, and I’ll send a letter to Lord Aapo first thing in the morning, and we will get this sorted out. Until then, I’m afraid I will have to ask you to leave."

A low murmur of words then, but Girl could not quite hear. Fox started growling once more. Girl pressed a finger to her lips, and Fox obediently fell silent.

I beg your pardon? said Mother Petra, in a shocked voice.

I said you are a fool, old woman. I tried to approach this as a human might have done, following human rules and courtesies. But you have exhausted my patience even more quickly than I had anticipated.

This new voice was strange, distorted. Girl could not quite fix her ears on it. Was there just the one person in the office speaking with Mother Petra, or were there many?

Fool? Mother Petra rose, tugging her dressing gown straight. You are impudent, young man. That is no way to speak to Mother Petra of the Convent of the White Wolf!

Wolf? A soft spill of unkind laughter. Old woman, you know nothing of wolves.

Seven sharp, lean creatures slunk into Mother Petra’s office from the hallway. Fox backed away from the grate, his tail between his legs. They were wolves. Seven wolves, each a different color: White, black, brown, gray, red, blue, and gold.

Understanding came to Girl slowly. I know those colors, she thought. I have memorized them.

Mother Petra fell to her knees. It’s you! I am so sorry. Forgive me, I didn’t realize! A wondering smile spread across her face. I have dreamed of meeting you!

I doubt you have dreamed of this, came the reply—clear now, and cold.

The wolves lunged over the desk. Papers scattered; claws scraped wood. Girl could not look away. Mother Petra’s screams rang in her ears.

The wolves . . . they were no longer wolves at all.

They were streaks of light, howling and hissing. Girl felt their heat through the grate as though she were crouched beside a crackling fire.

She caught flashes of animal shapes—a tail here, a snout there—but mostly she saw fire, and light, and the cloaked figure standing still as stone. They had been wolves, though, hadn’t they? She had seen them with her own eyes. But now they were most certainly not.

Fox tugged at the hem of her cloak, whining.

Girl couldn’t move. Her heart pounded, her stomach churned. The fiery wolves swarmed over Mother Petra, turning her papers to ash and scorching her great black desk.

And the cloaked figure, dark and terrible, stood watching.

Who was he? He couldn’t be who Girl thought he was. That wouldn’t make sense. The Scrolls, they said—

Fox nipped her leg, hard.

She turned, kicked out the wall panel, clambered to her feet, and ran, Fox right behind her. Heat and howls trailed after them. Down the hallway they raced, through the small yard, past the kitchen—out, out, out. They had to get out.

Out through the gate, down the lane, along the garden wall. Girl’s bare feet pounded the rocky ground. The autumn wind bit her face and hands. Her witch’s cloak caught on a briar, and in her terror, she thought it might be someone grabbing her. She cried out, turned, kicked blindly. Dislodged the cloak, reached for Fox. There was the rough scruff of his neck, his floppy ears. She ran and ran.

Behind her, she heard the screams of the other girls, of the sisters. Adele’s scream—she recognized it, high and piercing—was loudest of all.

They were all waking up to find . . . what? What had happened? Was the Wolf King hurting them as he had hurt Mother Petra?

Girl did not stop running, stolen coins jangling in her pocket and her heart ablaze with fear.

.3.

GOLD AND SWORDS AND CAKES

After a day on the road, her stomach pinched with hunger and her feet raw from walking, Girl stopped to rest at a river. Countless stars, even more brilliant at night than they were during the day, spilled across the sky. In the light of the two moons—one near and pale violet, the other white, more distant—she saw a shabby, mud-colored town, its rooftops a tumble of mismatched shingles. A sign at the town’s western bridge told her that this was Willow-on-the-River, where the sisters shopped for goods when their own small village’s market ran low.

But she would not think about the sisters just yet, nor any of the others back at the convent. First she must find food and a warm place to rest. Then she could sort out everything else.

The Wolf King doesn’t attack children and old women, Girl muttered to Fox, for the twentieth time that day. He only attacks witches. And the witches are nearly gone.

She stopped at the town church, hesitated, then went inside. Though she was normally not one for prayer, as praying required her to sit still and recite someone else’s words rather than her own, she lit a candle for everyone back at Saint Martta’s. She even prayed to the Wolf

Reviews for Foxheart

[endolith · Rating: 2 out of 5 stars]

I got bored with this book and took it back to the library unfinished.

[renbedell · Rating: 3 out of 5 stars]

A historical fiction surrounding scientists in the 1600-1700s UK. Like any typical Neal Stephenson novel, there is a good amount of technical information and humor. At moments this can be incredibly interesting and a great read. At other times it can be difficult to get through. The main issue I have with this book though is that there is no storyline. The characters were a bit basic and there was nothing holding me to them.

[donblanco · Rating: 5 out of 5 stars]

This is how you do historical fiction! A wide-ranging tale covering the history of royal families, court intrigue, early espionage and cryptography, scientific invention, finance, etc. Epic in every way.

[cypher2048 · Rating: 4 out of 5 stars]

Great historical fiction of Europe during the Age of Enlightenment. It was a little tough to get into at the start due to all of the characters and background that needed to be established, but it picks up quite a bit in the last two thirds. I also like that I learned something about the people and events of the time period, which is something I don't get from the usual sci-fi/fantasy books I read. It was fun looking up some of the characters and events and finding that they really did exist or happen.

I'll probably take a short break to read some shorter books that I have been putting off, but I am looking forward to reading the other two ~1000 page books in the series!

[octoberdad · Rating: 4 out of 5 stars]

A charming tale of kidney stones, Vagabonds, and economics.

[kristelh_15 · Rating: 4 out of 5 stars]

First of the Baroque Cycle. Historical SF. Enjoyed this look at Science during the Baroque period.

[tungsten_peerts · Rating: 2 out of 5 stars]

Y'know, I love me some immersive historical fiction, and I've enjoyed some of the Stephenson I've read (I must set Anathem aside) ... but. I am going to inch forward with Quicksilver; however, I have found the "huge backstory database" dumps at the beginning to be so hamfistedly handled that I had an impulse to throw the book across the room.C'mon, Neal -- NOT doing those things is one of the things that Heinlein taught. I know this isn't strictly speaking science fiction, but jeez.

[a1stitcher · Rating: 5 out of 5 stars]

Whew! This was quite an epic; a book this size is definitely a commitment, and this one is worth it. It's a fascinating look at the men who created England's Royal Society. Many of the brightest and most curious of men-including Sir Isaac Newton-formed the Society to further their scientific interests.
While all of the experimentation and writing of mathematical theory is going on, the political (and at times physical world, as in the case of the great Fire of London in 1666) world around them is changing. At times this endangers certain members of the Society. Politics, religion, love, and murder all swirl around them.
I cannot say enough about how wonderful this book is; let me just say I would certainly recommend it to anyone interested in history-especially the history of scientific knowledge.

[cindywho-1 · Rating: 4 out of 5 stars]

I'd had it in the back of my mind to jump into this large trilogy sooner or later. It's pretty much what I expected - lots of adventure and detail and history and I enjoyed it quite a bit - enough to continue at least...

[jonfaith · Rating: 4 out of 5 stars]

You can say any sort of nonsense in Latin, and our feeble university men will be stunned, or at least profoundly confused. That’s how the popes have gotten away with peddling bad religion for so long, they simply say it in Latin.

It is assuring to see Stephenson working and waxing so Pynchonian. The author is putting in the work, sketching the details, plumbing for the argot, inserting the puns.

I've read it twice. the Waterhouse sections are divine, the others not so lofty.

[ajbraithwaite_1 · Rating: 1 out of 5 stars]

Abandoned at the 25% mark. Too many anachronisms, too much history of science. I don't object to reading about the history of science, but in a novel I'm generally more interested in plot. There isn't enough of that in this work.

[simplicimus · Rating: 2 out of 5 stars]

Nicht zum ersten Mal passiert mir das bei Neal Stephenson: Idee und Setting klingen spannend. Voller Vorfreude beginne ich zu lesen, doch die Freude weicht zunehmend der Ernüchterung, und schliesslich bricht der Spannungsbogen unter dem Übermass an Details und Beschreibungen krachend zusammen. Ist wohl einfach nicht mein Ding.

[kukulaj · Rating: 4 out of 5 stars]

Good fun! I am fascinated by this period in history, the shift from religion to science, the birth of the modern age. Quicksilver is a kind of jolly romp through Western Europe mostly in the 1680s. We see an impossible number of key events - our protagonists seem to have been everywhere! But it works well enough and makes a nice thread from which to hang the events.

[katesherrod · Rating: 5 out of 5 stars]

For this, my fourth (?) re-read I'm listening to the audio books. Simon Prebble did a remarkable job on this one, coveying the book's dry humor and sense of adventure (both intellectual and physical) perfectly. This book remains an all-time favorite!

[altheaann · Rating: 2 out of 5 stars]

Sadly, this trilogy did NOT live up to my expectations (which were high).
"Snow Crash" and "The Diamond Age" are still two of my favorite books of all time, but, I just found out from a friend that Neal Stephenson apparently changed publishers directly before Cryptonomicon. I think he also ditched his editor.
Stephenson is an excellent writer, but this book is badly in need of an editor.

According to Stephenson, the "Baroque Cycle" is actually 8 novels. The publisher is of the opinion that it is three. "Quicksilver" contains the first 3 (around 900 pages worth). The first book is kinda about Isaac Newton, math, and the state of scientific research in the 17th century. The second is about a ne'er-do-well type who inadvertently rescues a British harem slave who turns out to be a financial genius. The third book kinda brings all these characters sort-of-but-not-really together in a load of massively complicated political stuff, with tons of both historical figures and fictional characters involved.

More than the story, the book really has to do with Things That Stephenson Thinks are Funny/Interesting/Clever, etc. And some of them ARE very interesting, funny, and etc... But one gets the feeling that the author is self-consciously winking at you far too often. Too much cleverness. All the characters "correspond" to those in Cryptonomicon, too (which I read long enough ago that it needed to be pointed out to me.) I guess these are supposed to be their ancestors? In addition, it's very, umm... earthy. Fixated on unpleasant physical details, shall we say. And, it didn't really succeed in making mathematical proofs seem exciting, to me.

Stephenson apparently has tried to claim that this is a "science fiction" book, becase it contains a few fictional and unlikely elements - and it has to do with science. But it really is not.

Well, I'm going to continue with the series, but I'll consider myself lucky if I even finish it this month. It's been a slog so far. A not totally unrewarding one, but still.

[quibee · Rating: 3 out of 5 stars]

A book that spans the events of the late 17th and early 18th centuries in England and America.
We go back and forth in time with a protagonist that seems to observe many of the great events and thinkers of a very momentous age.
Interesting and a very big undertaking. Can be a bit slow in spots.

[bicyclewriter · Rating: 2 out of 5 stars]

OK, in fairness I think some folks will love this author and this story. Reading the reviews ahead of time, it seemed like historical fiction, which I love, and lots of folks do love what he's written here.

For me though, I needed more story, or maybe a story that felt more connected to me. I kept finding myself feeling a bit lost on the connection, and often found that the storytelling aspect just wasn't what I hoped for.

At any rate, I read about half this book, sticking with it in the hopes that it would come alive for me and I could enjoy the whole series. It never did. However, it's one of those I might go back to and pick up again in the hope that it will start to connect - maybe at a different point in my life? I hate giving it two stars, because I really do think it works for many people, it just didn't for me right now.

[dinadansfriend · Rating: 4 out of 5 stars]

I liked this trot through the early years of the Royal Academy, and was delighted by NS's evocation of these early scientists. For some reason, I haven't read the other's in this series, but as I've just had contact with Stephen R. Donaldson, I think I really do want some cheering up, and will go to Stephenson's much happier world.

[grandpahobo_1 · Rating: 5 out of 5 stars]

It was very good. I loved the way the stories weave together and the amount of detail. I found it hard to put down for most of the book. There were parts that I found a bit tedious, but they were a small part of the story. By the end I was exhausted and need a break before starting the next volume.

[chris_el-1 · Rating: 3 out of 5 stars]

Excerpt: "What I do not understand is why you pretend to be interested in what happens to me. In the Hague, you saw me as a pretty girl who could skate, and would therefore catch Monmouth's eye, and make Mary unhappy, and create strife in William's house. And it all came to pass just as you intended. But what can I do for you now?"

"Live a beautiful and interesting life-and from time to time, talk to me."

Eliza laughed out loud, lustily, drawing glares from women who never laughed that way, or at all. "You want me to be your spy."

No mademoiselle, I want you to be my friend." D'Avaux said this simply, and almost sadly, and it caught Eliza up short.

End Excerpt.

Perhaps the most poignant part of the book.

This is divided in three parts and the style of the author is to relate the story within conversation back and forth between characters. The first character in part one is Daniel Waterhouse, a scientist, part two Jack Shaftoe, a vagabonding adventurer, and three back to Daniel with intervals of Eliza, Jack's woman for a time in part two. The middle about Jack is the the most interesting. Which was good because I was starting to get bored towards the end of part 1.

Overall not as good as I hoped. But book two starts off with the further adventures of Jack whose story ended with a cliff hanger in part two of vol one.

[joephelan · Rating: 4 out of 5 stars]

A wonderful ride, and great fun. I loved all three books of the Baroque Cycle _Cryptonomicon_.

[helver_1 · Rating: 5 out of 5 stars]

While one could say that the saga of the Waterhouses and Shaftoes continues, it may be more appropriate to say that in Quicksilver, the saga begins. As in Cryptonomicon, we are introduced first to the Waterhouse - in the case, Daniel - the son of a Puritan troublemaker named Drake. We meet Daniel late in his childhood and follow his career up through the ranks of the newly formed Royal Society - a gathering of the intelligencia of England just prior to the great Fire of London. After spending some time following Daniel in his interactions with various notables of the time (Isaac Newton, Robert Hooke, James Wilkins and others), we jump onto the continent to get our fill of Shaftoes.At this point, we follow the story of Half-cocked Jack Shaftoe - a vagabond by birth and inclination - hero by accident. As he's working on looting the battlefield at the end of the siege of Vienna, he finds himself with an ostrich, a stallion, a sword and a girl - none of which originally belonged to him. This poses no problem for our morally unencumbered Shaftoe, and the pair make their way from Vienna to Paris with the intent of selling the ostrich feathers for a profit in the Parisian markets. As usual, Shaftoe falls for the girl, but she ends up being way out of his league. Let's just say that shortly after the part company, she finds herself the center of attention at Louis XIV's court at Versailles. In the Shaftoe part of the story, we find ourselves introduced the the Sun King, William of Orange, various members of the French court and the Dutch mercantile exchanges.This is an absolutely fascinating story. Of course, part of my interest comes from living in Paris and Versailles, so I can envision Shaftoe hiding out in Paris or crashing the masquerade ball at Versailles. I've visited Amsterdam, Vienna and London (three other major settings), and so the places are familiar to me and this brings to the story more alive. It's also fascinating to have the luminaries of the period (Newton, Leibniz, John Locke, Boyle, Huygens, etc) pop in and out of scenes.And even though the book is absolutely chock full of historical and scientific minutia, it's still incredibly funny. It's a very dry humor, for the most part, but there are several guffaw-worthy passages. The only downside is that the book is voluminous AND dense. You can't read it if you're tired, but if you can stay alert, you can find some real gems.

[autumnturner76 · Rating: 3 out of 5 stars]

It was okay. I will continue with the series, but it wasn't among the best I have ever read.

[nnschiller · Rating: 5 out of 5 stars]

I'm going through the Baroque Cycle again, this time listening to the audible version read by the superlative Simon Prebble.

Disclaimer: I think I adore Stephenson's later work too much to write a proper review. I LOVE the Baroque Cycle, and I LOVE Anathem. So much that I feel like I was the target audience, like Stephenson wrote with my taste in mind.

So, with the Baroque Cycle, reading it makes me feel smart. It makes me appreciate my college Trads (Traditions of the West) graduation requirement. The way he explains things that I already understood makes me appreciate and trust the way he explains things that I didn't know all the more.

So, yeah, I loved the Baroque Cycle. Too much to be objective about it.

[kat_hooper · Rating: 3 out of 5 stars]

[This audiobook contains Book 1 of the print edition of the Quicksilver omnibus. Book 2 is King of the Vagabonds. Book 3 is Odalisque.]

I’m a scientist by profession and I love history. Thus, I’m fascinated by the history of science, especially the era of Isaac Newton et al. So, Neal Stephenson’s Quicksilver should be just my thing and I was fully expecting to love this book (it’s been on my list for years), but I’m sad to say that I was disappointed in this first installment of The Baroque Cycle, though I still have high hopes for the remaining books.

Quicksilver is well-researched and well-written and chock full of plenty of stuff I love to read about: 17th and 18th century scholars and politicians exploring the way the world works. What an exciting time to be alive! Neal Stephenson successfully captures the feeling of the Baroque world — its architecture, fashion, nobility, plagues, and lack of waste management. He’s done his research, so he clearly and enthusiastically informs us about such diverse topics as alchemy, astronomy, botany, calculus, coinage, cryptography, the Dutch Wars, economics, free will, Galilean invariance, geometry, heresy, international relations, Judaism, kinematics, logic, microscopy, natural philosophy, optics, politics, the Reformation, the Restoration, relativity, sailing, sea warfare, slavery, taxonomy, warfare, weaponry, and zoology... I could go on. Quicksilver will get you half way through a liberal arts education in only 335 pages.

This is quite an accomplishment, but it’s also a problem. I love historical fiction, but great historical fiction uses the context of an exciting plot, engaging characters, and some sort of tension in the form of mystery and/or romance. Quicksilver has none of that. It’s purely what I’ll call (for lack of a better term) “historical science fiction.” Daniel Waterhouse, the character whose eyes we see through (mostly in flashbacks), has no personality, passion, or purpose. In Quicksilver, he exists to look over the shoulders of the men who are the real subjects of the book: the members of the Royal Society.

These men are fascinating, yes, but if the purpose of Quicksilver is to relay a huge amount of information about them in an interesting way, I’d rather read a non-fiction account. Then at least I’d know which of the numerous anecdotes about Isaac Newton (et al.) are factual. I can think of no reason to read this history as a fictional account if it contains none of the elements of an entertaining novel.

As an example, I’ll contrast Quicksilver with Patrick O’Brian’s Aubrey-Maturin series. I read all 20½ of those novels and was completely enthralled. Not only did I learn a lot about the Royal Navy during the Napoleonic Wars, but I was also thoroughly entertained by the fictional stories of Jack Aubrey and Stephen Maturin. That is excellent historical fiction.

Quicksilver was funny in places (such as when the Royal Society members talk about time, kidney stones, and opiates during one of their meetings) — and engrossing a couple of times (such as when Daniel Waterhouse and Gottfried Wilhelm Leibniz discuss cognition, free will, and artificial intelligence), and though I enjoy learning about the invention of clocks, calculators, and coffee, Quicksilver is mostly information overload without a story to back it up.

I listened to Brilliance Audio’s version, which was beautifully read by Simon Prebble (always a treat). Due to its length, Brilliance Audio has split Quicksilver into its three sections: “Quicksilver,” “King of the Vagabonds,” and “Odalisque.” The next audiobook, then, is called King of the Vagabonds, and it shifts focus to a London street urchin who becomes an adventurer. Now that sounds like fun! I’m going to read King of the Vagabonds and hope that the introduction of some non-academic characters will give this saga some life!

[kirklowery · Rating: 5 out of 5 stars]

While the lack of a tight, page-turning plot will put some off, it's one of the most useful works of historical fiction I've read. One really begins to get a feel for the time, how people thought and felt (very differently from us) and for someone who has read historical accounts of the beginnings of the scientific revolution in England, it is especially satisfying.

[laurablough · Rating: 3 out of 5 stars]

Well written and interesting, but a little bit hard for me to get drawn into. The focus is more on the science and history lesson than the story or characters which is fine, just not as engaging as other styles. I would probably enjoy it more if I knew more about the period of history it is set in, or the history of math/science. Without that prior knowledge I've felt somewhat lost in the context, especially at first.

I would very much recommend this to anyone with an interest in the history of the late 17th/early 18th century or the beginnings of rationalism and mathematics.

[stuart10er_1 · Rating: 4 out of 5 stars]

How to really summarize these books? Very slow starting - much like the novels which he says were part of his inpiration - those of Dorothy Dunnet. Once they start spinning, it is irresistable. Set in the time of Newton, it charts basically the creation of the modern monetary system against the background of an old fashioned (but enjoyable) Sabatini like adventure novel.

[nathaniel.burns · Rating: 5 out of 5 stars]

One of my favorite books of all time.

[trinkers · Rating: 4 out of 5 stars]

I'll make the standard comment here: this could have been shorter. However, I think I like it as it is: long, rambling, and minute. Despite (and possibly because of) its length, it is fascinating. It's the rare overlong plot that doesn't bore.