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The Goodbye World Poem
The Goodbye World Poem
The Goodbye World Poem
Ebook80 pages45 minutes

The Goodbye World Poem

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Three books of Brian Turner are coming out in 2023 from Alice James Books, this book is the second one of the bunch. Each are loosely connected in theme, but each one can stand on its own.

Turner states he learned so much more about love and loss within his relationship, and after his wife's passing, than he ever did in uniform while serving in a combat zone. Profoundly heartbreaking, the first couple of poems set the introspective and quiet tone quickly.

Primary audience would be widows, caregivers, councelers, medical professionals, or anyone experiencing loss.

Will have an accompanying music CD that can be listened to or downloaded via a QR code within the book, performed by Turner himself with his band. The music will intrigue classical music lovers, experimental music lovers, and those who enjoy ambient-textured soundscapes.
LanguageEnglish
Release dateAug 7, 2023
ISBN9781949944280
The Goodbye World Poem

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    Book preview

    The Goodbye World Poem - Brian Turner

    —PREFACE—

    My love, last night

    I woke from a dream in which light

    dripped from your fingers, your hair,

    and you cupped it in your palms,

    saying, Love, this is for you.

    All of this is yours.

    What does one do with such a gift?

    THE CROSSING

    There’s always a ship on fire, the whole thing

    listing to starboard and falling to pieces with flames

    in the sailcloth and rigging, the vessel disappearing

    into dusk, into the blue and widening universe.

    That’s how all the stories end, with a film score

    calling for a crescendo, followed by a diminuendo.

    The tempo marked grave. Twenty-five to forty-five

    beats per minute. As it is with the human heart

    at the close of day. Larghetto to lento to largo

    to grave. The body winding down.

    Is it wrong to think of it, dying, as beautiful?

    It feels wrong in my own body. When I say it

    out loud. When I imagine not a ship on fire

    but Ilyse in our bedroom, that Tuesday morning

    in September. A fever spiking in her the night

    before, how we tore the bath towels to shreds,

    dunked them into a bucket of ice water, then

    draped them over her arms and legs, stomach

    and chest, the smooth dome of her shaved head.

    I leaned in close to blow softly on her wet skin.

    Dying is so intimate.

    Candlelight flickered under the Buddha’s gaze.

    Even the words spoken by the hospice nurse

    vanished into air. A warm scent of lavender

    drifted from one hour to another. And as the heat

    crested within her, then eased, I lay down beside her

    to have one last conversation about this world,

    to revel in all that she’d created here, revisiting

    the path she’d traveled, reciting her verses

    one by one, saying, I love you, I love you, I love you.

    AND THEN THE SILENCE.

    And the palm trees swaying in the sun,

    their pleated shadows brushing the concrete

    as if inscribing it with a language that recedes

    hour by hour, month by month, though the trees

    keep trying. As it was with the caregivers at home.

    Those hard metal wheels rolling on a wooden floor.

    Everything fallen into a hush, as it should be.

    As it was with family. Friends. Flowers at the door.

    Envelopes sealed with a cursive of mourning.

    The mouths of strangers opening and

    closing as if all the world were submerged with me

    in this quiet place I’m learning is the rest of my life.

    29 DOWN, 14 ACROSS

    How alive the dead appear in the moment

    after. In the hush and stillness of the body.

    Their lips so soft, their closed eyes deep

    in the enormous task a lifetime of dreaming

    asks of them. Why has it taken these last goodbyes

    for me to attend to the sacred in those I love?

    I think of Ilyse’s laughter, the warmth

    of her palm resting on my thigh, the silent

    conversations she held with the ocean.

    And when cancer broke her vertebrae,

    she leaned her head back to exhale

    a pluming column of smoke, her pain

    beyond anything I’ve ever experienced,

    and yet, the expression on her face then,

    that release, her hands riding the air,

    a pair of birds in tandem flight.

    I have these to look back on. More.

    Flashes of light. Fragments. Some

    of what the vault of the mind offers up.

    But what of the gaps in memory? Each

    quiet erasure occurring inside of us.

    If only I’d been more aware, more alive,

    I could stretch out on the couch with my head

    in her lap again, listening to her breathe

    as she focuses on a crossword puzzle, her mind

    wandering through the passages of her life—

    opening doors, opening books, listening to music

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