Father Miguel Pro: A Modern Mexican Martyr
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One chilly November morning in 1927, a slender young priest stood before a firing squad in Mexico City. Five shots cracked through the air, and he fell lifeless on the ground. The man was Miguel Agustin Pro, S.J. His crime? Being a Catholic priest.
As a member of the Society of Jesus, Father Pro had worked hard and patiently to bring bread to the poor and the Holy Eucharist to the faithful. Like all Catholic priests in his day, he was deeply hated and viciously hunted by the secret police and the army of the anti-clerical government of Mexico. After Father Pro eluded them many times with disguises and hiding places, when he was finally captured, he was promptly executed without a trial.
Father Pro's generous love for the poor, the young, the sick, the tempted, and the spiritually weak attracted many hearts to him, and through him to Christ. In addition to his charity, his wit and courage make him a model for all Christians, especially those being persecuted for their faith and young people, who are inspired by his heroism.
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Father Miguel Pro - Gerald Muller
ACKNOWLEDGMENTS
The author wishes to thank the following for their generous contribution of time, talent, and charity to make this project possible: Mr. and Mrs. Emilio Rivero del Val; Brother James Weston, C.S.C.; Brother Myron Bachen-heimer, C.S.C.; Raymundo Bonilla; and Gary Werther.
In keeping with the decrees of the Roman pontiffs and in particular those of Pope Urban VIII concerning the beatification of the blesseds and the canonization of the saints, I do not give to facts and expressions, particularly such expressions as saint
, sanctity
, miracles
, etc., any other sense than that authorized by the Church to whose judgment I humbly submit.
Chapter One
One misty, chilly November morning in 1927, a slender, young priest was led before a firing squad in Mexico City and was shot. The man was Miguel Agustin Pro, S.J. Today he is world-famous because of his life of charity and suffering, as well as for practical jokes. Father Pro had committed no crime. As a member of the Society of Jesus, he had worked hard and patiently to bring bread to the poor and the Eucharist to the faithful. Like all priests, he was hated and hunted by the secret police of the capital and by the army throughout the republic of Mexico. For this reason, after he was finally captured, he was killed without a trial. That was many years ago, but he is not dead. He is with Christ the King, for whom he lived and died. If the miracles and favors that are attributed to his intercession are any indication of his present condition, then he must still be very, very busy. Thousands of these have been reported, and the number continues to increase.
His tomb in the Jesuit crypt in Dolores Cemetery attracted a constant stream of visitors who passed through the blue doors of the entrance. Above it was seen his bas-relief portrait etched in concrete.¹ Endless favors are wrought through his intercession. When she was still alive, the martyr’s sister Ana Maria often came to visit the tomb. Blessed with a marvelous memory and the tenacity to survive many sufferings, she remembered her late brother most vividly. This writer is deeply indebted to her for many of the incidents that will be described in the pages that follow.
Who was Miguel Agustin Pro? What did he do in life to make him beloved by so many such long years after his death? In all but a few respects, Miguel Agustin was quite an ordinary person. Too many biographers have stressed his love of fun, his humor, his capacity for practical jokes. Yet his sister Ana Maria, who was younger than he and learned much about his youth from her mother, insisted that Miguel Agustin was a very serious person. The humor he displayed and the jokes he liked to play were purely spontaneous and only occasional. It is in his letters that his serious attitude and the quiet depths of his personality can be seen most vividly. It is interesting to note that not one photograph taken of him from his childhood until the day he fell before the firing squad can be found that shows him smiling.
Miguel Agustin Pro was born on January 13, 1891, in the village of Guadalupe, four miles southeast of Zacatecas in central Mexico. The third child of Miguel and Josèfa Pro, he was taken three days after birth to the Franciscan monastery for baptism. Father Luis de las Piedras, a Franciscan priest who had recently returned from a pilgrimage to the holy places of Palestine, used water from the Jordan River for the ceremony that made little Miguel Agustin a member of the people of God. The same water that John the Baptist had once used for the baptism of Christ was used to make Miguel Agustin a member of the Mystical Body of Christ. It was a good beginning, and a harbinger of greater similarities between Leader and disciple that would culminate in a bloody, sacrificial death and the glory that follows such an offering.
The boy’s father made a comfortable living for his wife and little daughters, Maria Concepción and Maria de la Luz, as a mining engineer in one of the richest silver mining areas of the country around Zacatecas. A tall, benevolent, dignified man, Señor Miguel Pro was a valuable worker for the government. Besides his work for the government’s Agency of Mining, he owned two of his own mines. At times, private mining companies called on him for help. He had the rare skill of finding veins of mineral after they had been lost. Workers sometimes found themselves digging out worthless dirt instead of the soil glinting with gold or silver ore that could be refined into shining, precious metals. Because of his gift for finding lost mineral veins, Señor Pro also worked garnet mines and even owned one. He was at home in the shafts that went straight down in search of material as well as those which burrowed down into the earth, leveled off, and then crawled back up to the surface. Knowledge of techniques to use in both types of mines was invaluable for him.
Miguel Agustin’s mother, Josèfa Juarez de Pro, was a small woman with profound understanding of her children and people. She had a great love for them, which led her to give of herself for their comfort and welfare. From his earliest years, Miguel Agustin had a deep attachment to her, and one of her tears did more to correct his faults or punish an escapade of naughtiness than a scolding or a slap from his father.
Señora Pro was a gifted cook of fine pastries and special holiday dishes. She had the help of servants in the kitchen and house, which left her free to look after her growing family, her large comfortable home, and endless charities for the poor. There were plenty of poor people in the mines, and Señora Pro went to their families with food, medicine, and kind words. She did this long before federal agencies came to fill the yawning void left by too many who did not know or care about the needs of the poor.
From infancy, Miguel Agustin grew up a very happy child, but he proved that he could be very serious, too. He had boundless energy and also traits of a bad character. At times he was impossible in his demands, and then his mother had to use all her wisdom, patience, and tact to make him realize his mistakes, repent, and begin correcting them. He always got along well with younger children, and his own home had plenty of playmates. Miguel Agustin Pro had no fewer than four brothers and six sisters. Besides Concepción, who was called Concha by her family, and Maria de la Luz, there were Josèfina, who died while still young; Ana Maria; Edmundo; the twins, Amelia and Amalia, who lived only a few days after birth; Alfredo, who died as a child; Humberto; and Roberto. With so many brothers and sisters, Miguel Agustin was never without companionship, and most of his activities were enjoyed at home surrounded by his loved ones. Miguel Agustin was only a year old when his family moved to Mexico City. Here he learned to crawl, once terrifying his mother by inching his way along a ledge high above the street. Rescued from this adventure, he learned to hold himself erect and to take his first steps. Before long, he was saying his first halting words. After that he began experimenting with the songlike Spanish phrases he would learn to use with relish for the rest of his life.
At the age of four, Miguel Agustin was stricken with a severe and mysterious illness. He became listless and stooped. His dark eyes, once snapping with enthusiasm or sparkling with joy, stared vacantly at nothing. For a whole month, his condition was unchanged. Doctors knew neither the cause of the illness nor its treatment or cure. The boy even forgot how to speak during this period. Other childhood diseases came to complicate matters. While his fever soared and physicians despaired of saving his life, his father had a sudden inspiration. He scooped up the tiny, fevered body of his boy into his arms and carried him to a picture of Our Lady of Guadalupe hanging on the wall.
My mother,
he cried in anguish, give me back my son!
A moment later, a great tremor passed through the child. The boy fell into a deep sleep after days and nights of exhausting pain. When he awoke, his recovery was certain. The doctors, who had predicted that the child would either die or, if he should survive, be mentally handicapped as a result of the illness and high fever, had to admit that the cure was miraculous. After a few days, Miguel was able to speak again.
Mama,
he told his astonished mother, I want cocol!
²
While she went happily to fetch the kind of bread he had liked so much before his sickness, she offered jubilant prayers of thanks to God and Our Lady of Guadalupe for her son’s complete recovery. Years later when avoiding the secret police amid the religious persecution, Miguel Agustin Pro would sign his numerous letters and notes in the code name Cocol. The young priest who risked his life to bring the bread of the Eucharist to hungering souls had not forgotten his cure in childhood, nor its source.
Before long the happy shouts of the restored Miguel Agustin were filling the patio and rooms of the Pro home in Mexico City. So great was his gift for acting and mimicry that one evening his father brought home a small theater complete with curtains, scenery, and properties. All that the boy needed were the puppets for actors, and his mother soon found these for him in the Alameda. This was the big central park of the city that is full of old shady trees, formal flower beds, and vendors moving sedately under clouds of orange, yellow, red, and blue balloons.
Monterey, just south of the Texas border, became Miguel Agustin’s third home when he was about six years old. There, in a rented house not far from that of Governor Reyes, the boy watched the changing of the guard several times a day to the brassy music of a military band. Always fond of music and quite a gifted guitarist, Miguel Agustin watched the smartly uniformed, precision-marching soldiers come and go, and he dreamed of becoming one of them. Soon he was the proud owner of a military uniform and a bright flashing sword. His games were suddenly all war games, and he delighted as most children do in playing hurt
so that Concepción, who became a Sister of Mercy, in his make-believe world could nurse him back to health on the battlefield
.
There is a popular story, probably more legend than truth, that tells of Miguel Agustin’s using his sword to whack off the heads of his sisters’ dolls one bright morning while the girls were at Mass. Tears and wails of consternation filled the house after their return until Señora Pro promised to buy them new ones. Señor Pro took young Miguel Agustin aside to assure him that a man who makes a woman cry is a coward. Sticky glue failed to put the heads back together or attach them to the ragged bodies of the dolls, and the small soldier spent the fiesta without his usual supply of candy or coins.
What is most certainly true is that the Pro children were taught from early years to respect, love, and obey their parents. It is not surprising that this trait was later to be one of Miguel Agustin’s strongest as a Jesuit priest, even when he was doing his most dangerous apostolic work in the persecution. At times his superiors would tell him to go into hiding because his life was in danger and the noose was tightening around him. He would obey at once, spending long days, sometimes weeks, in a stuffy room, while outside, the scarcity of priests and the needs of so many people filled him with longing to help them. But obedience was what was asked at the moment, and for him that was God’s will.
Monterey celebrated its religious festivals with great joy, splendor, and song. Miguel Agustin liked that. During the Corpus Christi procession, he delighted in carrying a long, lighted candle, almost as tall as he was, along the route ahead of the priest who brought the jewel-encrusted monstrance in which the Blessed Sacrament rested.
Mama,
he said with a great sigh of joy after returning home, I want to go to a procession that never ends!
Strangely enough, when the parish priest asked Señora Pro to send her boy over to the church to become a server, Miguel Agustin would not hear of such a thing. It hardly mattered anyway, because soon the Pros were busy boxing their belongings and preparing for another move, this time to Concepción del Oro, not far from Saltillo.
In their new parish, Miguel Agustin received his First Communion from the hands of Father Correa, who in 1927, only a short time before Miguel Agustin, would give his life also as a martyr for the Church because of the hatred of the implacable and godless government leaders.
Schools were poorly organized in the