Irregular Heartbeats at the Park West
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Irregular Heartbeats at the Park West - Russell Brakefield
Praise for Irregular Heartbeats at the Park West
"An elegiac collection of close calls—in which the velvet rope between the living and the dead, the past and the present, permits easy passage—Russell Brakefield’s sonorously delicious Irregular Heartbeats at the Park West proclaims that ‘The sharper edge of nostalgia is knowing you barely got out alive.’ Brakefield wipes his ‘hand across death’s edge’ not just to illustrate some lamentation on loss but as a way to show how to celebrate it: ‘Give me the dead / tonight, troves / of them / clambering / up from the dirt.’ Souls on both sides of the celestial divide party and get down together in these pages. Boy, am I grateful for the invitation."
—Tommye Blount, author of Fantasia for the Man in Blue
‘What’s the half-life of trauma?’ It’s a fitting question for a book which tenderly, thoughtfully explores how much our present selves are constituted by the haunting of our pasts, as well as the constant threat of our own mortality. Russell Brakefield is a poet we can trust with our existential fears.
—Nicky Beer, author of Real Phonies and Genuine Fakes
"‘There, in the world,’ writes Brakefield, ‘was the language for everything.’ And the language with which Brakefield brings that world to us is piercingly inventive. Irregular Heartbeats at the Park West is a striking collection by a writer of considerable skill."
—Matthew Olzmann, author of Constellation Route
Praise for Field Recordings
Brakefield beautifully inscribes how one internalizes the ephemeral nature of home.
—Rain Taxi
It is fascinating to see a young poet staking his claim forcefully and beautifully in his first book.
—Ann Arbor Observer
With folk music as his guide, Brakefield traverses the Great Lakes region in these poems, from its primordial beginning to its modern days. ‘In the beginning all art was audible,’ he writes in a collection that ambles through the natural world while keeping a finger firmly on the pulse of how the world shapes people into what they are. At its center is one poem: a long-form, multi-stanza piece inspired by oral historian Alan Lomax, who, in 1938, traveled around the Great Lakes basin, collecting recordings. This titular poem has elements of Whitman’s ‘Crossing Brooklyn Ferry’ in its dreamy scope and its traversing of time and space. But the rest of the collection roams widely as well, touching on ideas of family and masculinity (‘This is America and we are boys / slowly tiring into our fathers’) and on how people so often cannot be still (‘Movement of people / or animals across land is called migration / and also displacement’). Deeply rooted in its oral histories, Brakefield’s collection sings.
—Booklist
"Firmly rooted in the dramatic landscapes and histories of Michigan, Field Recordings uses American folk music as a lens to investigate themes of