The Pilgrim's Progress: An Illustrated Christian Classic

By John Bunyan

The Pilgrim’s Progress has inspired readers across the centuries to persevere in their faith. For longstanding fans of Bunyan’s tale, or for those encountering it for the first time, this illustrated edition offers new beauty and insight with striking hand-painted illustrations and enlightening commentary for all ages.

Inside you’ll find:

• 15 chapters, accompanied by gorgeous hand-painted scenes at the beginning of each chapter
• annotations embedded across every chapter to help readers gain a deeper understanding of the allegory
• a presentation page for thoughtful gifting and a notes section to write down your thoughts
• a ribbon marker for easy referencing
• colorful artwork throughout the entire book

Originally written for the everyman, John Bunyan's Christian classic has since found its way into the libraries of scholars and universities as well—a true masterpiece for the ages. Its historical richness, eloquent symbolism, and stunning prose have withstood the test of time, and this new edition helps readers appreciate the timeless beauty found in Bunyan’s words.

The Pilgrim’s Progress is perfect for:

• homeschooling families or an addition to your family library
• men, women, and children who enjoy learning about history

Since its publication in 1678, The Pilgrim’s Progress has been translated into more than 200 languages. It's a worldwide bestseller, second only to the Bible, and it has become a hallmark among scholars and theologians around the globe.

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Nov 12, 2019
• ISBN: 9781400216529

John Bunyan

John Bunyan (1628–1688) was a Reformed Baptist preacher in the Church of England. He is most famous for his celebrated Pilgrim's Progress, which he penned in prison. Bunyan was author of nearly sixty other books and tracts, including The Holy War and Grace Abounding to the Chief of Sinners. 

Book preview

P

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UTHOR’S

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When at the first I took my pen in hand

Thus for to write, I did not understand

That I at all should make a little book

In such a mode; nay, I had undertook

To make another; which, when almost done,

Before I was aware, I this begun.

And thus it was: I, writing of the way

And race of saints, in this our gospel day,

Fell suddenly into an allegory

About their journey, and the way to glory,

In more than twenty things which I set down.

This done, I twenty more had in my crown;

And they again began to multiply,

Like sparks that from the coals of fire do fly.

Nay, then, thought I, if that you breed so fast,

I’ll put you by yourselves, lest you at last

Should prove ad infinitum, and eat out

The book that I already am about.

Nowadays the word apology means saying you are sorry, but in Bunyan’s day the word meant a rationale or justification. The preface’s title tells us that Bunyan was defending what he expected would be criticized. His Puritan friends typically did not value allegories, mistrusting any teaching that was not straightforward and pulled directly from Scripture.

Well, so I did; but yet I did not think

To shew to all the world my pen and ink

In such a mode; I only thought to make

I knew not what; nor did I undertake

Thereby to please my neighbour: no, not I;

I did it my own self to gratify.

Neither did I but vacant seasons spend

In this my scribble; nor did I intend

But to divert myself in doing this

From worser thoughts which make me do amiss.

Thus, I set pen to paper with delight,

And quickly had my thoughts in black and white.

For, having now my method by the end,

Still as I pulled, it came; and so I penned

It down: until it came at last to be,

For length and breadth, the bigness which you see.

When The Pilgrim’s Progress was published in 1678, it was an immediate hit. Three editions were released within its first year, and one hundred thousand copies were sold by the fifteen-year mark. It became a must-read book for Christians in America and England in the following centuries and is still considered the most popular written work of the Christian world. Apart from the Bible, it now has sold more copies and has been translated into more languages (two hundred) than any other book. It also became a widespread ministry tool—early Protestant missionaries were in the practice of translating The Pilgrim’s Progress into a native language immediately after translating the Bible.

Well, when I had thus put mine ends together,

I shewed them others, that I might see whether

They would condemn them, or them justify:

And some said, Let them live; some, Let them die;

Some said, JOHN, print it; others said, Not so;

Some said, It might do good; others said, No.

Now was I in a strait, and did not see

Which was the best thing to be done by me:

At last I thought, Since you are thus divided,

I print it will, and so the case decided.

For, thought I, some, I see, would have it done,

Though others in that channel do not run:

To prove, then, who advised for the best,

Thus I thought fit to put it to the test.

I further thought, if now I did deny

Those that would have it, thus to gratify.

I did not know but hinder them I might

Of that which would to them be great delight.

For those which were not for its coming forth,

I said to them, Offend you I am loth,

Yet, since your brethren pleased with it be,

Forbear to judge till you do further see.

If that thou wilt not read, let it alone;

Some love the meat, some love to pick the bone.

Yea, that I might them better palliate,

I did too with them thus expostulate:—

May I not write in such a style as this?

In such a method, too, and yet not miss

My end—thy good? Why may it not be done?

Dark clouds bring waters, when the bright bring none.

Yea, dark or bright, if they their silver drops

Cause to descend, the earth, by yielding crops,

Gives praise to both, and carpeth not at either,

But treasures up the fruit they yield together;

Yea, so commixes both, that in her fruit

None can distinguish this from that: they suit

Her well when hungry; but, if she be full,

She spews out both, and makes their blessings null.

When Bunyan first brought The Pilgrim’s Progress to a printer, he stated, I have a manuscript of little worth.¹

You see the ways the fisherman doth take

To catch the fish; what engines doth he make?

Behold how he engageth all his wits;

Also his snares, lines, angles, hooks, and nets;

Yet fish there be, that neither hook, nor line,

Nor snare, nor net, nor engine can make thine:

They must be groped for, and be tickled too,

Or they will not be catch’d, whate’er you do.

How does the fowler seek to catch his game

By divers means! all which one cannot name:

His guns, his nets, his lime-twigs, light, and bell:

He creeps, he goes, he stands; yea, who can tell

Of all his postures? Yet there’s none of these

Will make him master of what fowls he please.

Yea, he must pipe and whistle to catch this,

Yet, if he does so, that bird he will miss.

If that a pearl may in a toad’s head dwell,

And may be found too in an oyster-shell;

If things that promise nothing do contain

What better is than gold; who will disdain,

That have an inkling of it, there to look,

That they may find it? Now, my little book,

(Though void of all these paintings that may make

It with this or the other man to take)

Is not without those things that do excel

What do in brave but empty notions dwell.

Bunyan claimed he hadn’t set out to write an allegory; he’d stumbled into it while writing another book (likely The Heavenly Footman) and initially pursued it only for his own pleasure. But he went on to defend its value, pointing out that parables and metaphors are found throughout the Bible—Jesus and the prophets taught truth through them repeatedly. Bunyan also recognized that stories stick with us, helping us grasp truth more deeply and remember it longer.

‘Well, yet I am not fully satisfied,

That this your book will stand, when soundly tried.’

Why, what’s the matter? ‘It is dark.’ What though?

‘But it is feigned.’ What of that? I trow?

Some men, by feigned words, as dark as mine,

Make truth to spangle and its rays to shine.

‘But they want solidness.’ Speak, man, thy mind.

‘They drown the weak; metaphors make us blind.’

Solidity, indeed, becomes the pen

Of him that writeth things divine to men;

But must I needs want solidness, because

By metaphors I speak? Were not God’s laws,

His gospel laws, in olden times held forth

By types, shadows, and metaphors? Yet loth

Will any sober man be to find fault

With them, lest he be found for to assault

The highest wisdom. No, he rather stoops,

And seeks to find out what by pins and loops,

By calves and sheep, by heifers and by rams,

By birds and herbs, and by the blood of lambs,

God speaketh to him; and happy is he

That finds the light and grace that in them be.

Allegory is particularly suited to religious writing. It springs from a sense that the world is not the whole case. On the contrary, there is a reality beyond this world, and this world is best interpreted as a sign system of spiritual truth. . . . [Allegory] is needed to make sense and order of the world.²

Be not too forward, therefore, to conclude

That I want solidness—that I am rude;

All things solid in show not solid be;

All things in parables despise not we;

Lest things most hurtful lightly we receive,

And things that good are, of our souls bereave.

My dark and cloudy words, they do but hold

The truth, as cabinets enclose the gold.

The prophets used much by metaphors

To set forth truth; yea, who so considers Christ,

his apostles too, shall plainly see,

That truths to this day in such mantles be.

Am I afraid to say, that holy writ,

Which for its style and phrase puts down all wit,

Is everywhere so full of all these things—

Dark figures, allegories? Yet there springs

From that same book that lustre, and those rays

Of light, that turn our darkest nights to days.

The publication of The Pilgrim’s Progress ushered the English Bible into English literature more than any previous work and inspired great writers in following generations, including Robert Louis Stevenson, Charles Dickens, Mark Twain, George Eliot, Jane Austen, Charlotte Brontë, William Makepeace Thackeray, Harriet Beecher Stowe, Samuel Johnson, Benjamin Franklin, Louisa May Alcott, and Nathaniel Hawthorne.

Come, let my carper to his life now look,

And find there darker lines than in my book

He findeth any; yea, and let him know,

That in his best things there are worse lines too.

May we but stand before impartial men,

To his poor one I dare adventure ten,

That they will take my meaning in these lines

Far better than his lies in silver shrines.

Come, truth, although in swaddling clouts, I find,

Informs the judgment, rectifies the mind;

Pleases the understanding, makes the will

Submit; the memory too it doth fill

With what doth our imaginations please;

Likewise it tends our troubles to appease.

Sound words, I know, Timothy is to use,

And old wives’ fables he is to refuse;

But yet grave Paul him nowhere did forbid

The use of parables; in which lay hid

That gold, those pearls, and precious stones that were

Worth digging for, and that with greatest care.

Let me add one word more. O man of God,

Art thou offended? Dost thou wish I had

Put forth my matter in another dress?

Or, that I had in things been more express?

Three things let me propound; then I submit

To those that are my betters, as is fit.

Robert Louis Stevenson treasured The Pilgrim’s Progress throughout his life, describing it as a book that breathes of every beautiful and valuable emotion,³ and credited it for bringing him wisdom and happiness.⁴

1. I find not that I am denied the use

Of this my method, so I no abuse

Put on the words, things, readers; or be rude

In handling figure or similitude,

In application; but, all that I may,

Seek the advance of truth this or that way

Denied, did I say? Nay, I have leave

(Example too, and that from them that have

God better pleased, by their words or ways,

Than any man that breatheth now-a-days)

Thus to express my mind, thus to declare

Things unto thee that excellentest are.

2. I find that men (as high as trees) will write

Dialogue-wise; yet no man doth them slight

For writing so: indeed, if they abuse

Truth, cursed be they, and the craft they use

To that intent; but yet let truth be free

To make her sallies upon thee and me,

Which way it pleases God; for who knows how,

Better than he that taught us first to plough,

To guide our mind and pens for his design?

And he makes base things usher in divine.

3. I find that holy writ in many places

Hath semblance with this method, where the cases

Do call for one thing, to set forth another;

Use it I may, then, and yet nothing smother

Truth’s golden beams: nay, by this method may

Make it cast forth its rays as light as day.

And now before I do put up my pen,

I’ll shew the profit of my book, and then

Commit both thee and it unto that Hand

That pulls the strong down, and makes weak ones stand.

"Next to the Bible, the book I value most is John Bunyan’s Pilgrim’s Progress, wrote Charles Spurgeon. I believe I have read it through at least a hundred times. It is a volume of which I never seem to tire; and the secret of its freshness is that it is so largely compiled from the Scriptures."⁵

This book it chalketh out before thine eyes

The man that seeks the everlasting prize;

It shews you whence he comes, whither he goes;

What he leaves undone, also what he does;

It also shows you how he runs and runs,

Till he unto the gate of glory comes.

It shows, too, who set out for life amain,

As if the lasting crown they would obtain;

Here also you may see the reason why

They lose their labour, and like fools do die.

This book will make a traveller of thee,

If by its counsel thou wilt ruled be;

It will direct thee to the Holy Land,

If thou wilt its directions understand:

Yea, it will make the slothful active be;

The blind also delightful things to see.

Art thou for something rare and profitable?

Wouldest thou see a truth within a fable?

Art thou forgetful? Wouldest thou remember

From New-Year’s day to the last of December?

Then read my fancies; they will stick like burs,

And may be, to the helpless, comforters.

For more than fifty years, theologian J. I. Packer read The Pilgrim’s Progress at least once a year, considering it a classic above all other classics on the Christian life.⁶

This book is writ in such a dialect

As may the minds of listless men affect:

It seems a novelty, and yet contains

Nothing but sound and honest gospel strains.

Wouldst thou divert thyself from melancholy?

Wouldst thou be pleasant, yet be far from folly?

Wouldst thou read riddles, and their explanation?

Or else be drowned in thy contemplation?

Dost thou love picking meat? Or wouldst thou see

A man in the clouds, and hear him speak to thee?

Wouldst thou be in a dream, and yet not sleep?

Or wouldst thou in a moment laugh and weep?

Wouldest thou lose thyself and catch no harm,

And find thyself again without a charm?

Wouldst read thyself, and read thou knowest not what,

And yet know whether thou art blest or not,

By reading the same lines? Oh, then come hither,

And lay my book, thy head, and heart together.

John Bunyan.

The preface ultimately shows that Bunyan’s aim in writing The Pilgrim’s Progress was to influence those who had grown bored and lazy in their faith . . . and to present the gospel with such urgency and warning that the lost would fall on their knees at the cross.⁷ His symbolic story about a traveler persevering through a treacherous journey in a foreign land would make its readers into travelers, too, and guide them to their true home in heaven.

O

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URDENED

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, A S

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ESCUE, AND A

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EGALIST

As I walked through the wilderness of this world, I lighted on a certain place where was a Den, and I laid me down in that place to sleep: and, as I slept, I dreamed a dream.

I dreamed, and behold, I saw a man clothed with rags, standing in a certain place, with his face from his own house, a book in his hand, and a great burden upon his back. (Isaiah 64:6; Luke 14:33; Psalm 38:4; Habakkuk 2:2; Acts 16:30, 31) I looked, and saw him open the book, and read therein; and, as he read, he wept, and trembled; and, not being able longer to contain, he brake out with a lamentable cry, saying, What shall I do? (Acts 2:37)

The den refers to Bunyan’s own setting at the time of writing The Pilgrim’s Progress, the jail in Bedford, England. He wrote at least eight other books during the twelve years (20 percent of his life, from ages thirty-two to forty-four) he spent in prison for outlawed preaching and for refusing to promise not to do so again once released.

In this plight, therefore, he went home and refrained himself as long as he could, that his wife and children should not perceive his distress; but he could not be silent long, because that his trouble increased. Wherefore at length he brake his mind to his wife and children; and thus he began to talk to them: O my dear wife, said he, and you the children of my bowels, I, your dear friend, am in myself undone by reason of a burden that lieth hard upon me; moreover, I am for certain informed that this our city will be burned with fire from heaven; in which fearful overthrow, both myself, with thee my wife, and you my sweet babes, shall miserably come to ruin, except (the which yet I see not) some way of escape can be found, whereby we may be delivered.

The man is dressed in rags, like the filthy rags of human righteousness that could never meet God’s standard of holiness (Isaiah 64:6). His book is the Bible. It has made him aware of his sins, proving it is living and active and sharper than any double-edged sword, piercing even to the point of dividing soul from spirit, and joints from marrow (Hebrews 4:12). His burden is his new awareness of his sin. His experience is like the psalmist’s: My sins overwhelm me; like a heavy load, they are too much for me to bear (Psalm 38:4). For Bunyan, the message of salvation begins with recognizing your own sin and the seriousness of that sin through the lens of Scripture.

At this his relations were sore amazed; not for that they believed that what he had said to them was true, but because they thought that some frenzy distemper had got into his head; therefore, it drawing towards night, and they hoping that sleep might settle his brains, with all haste they got him to bed. But the night was as troublesome to him as the day; wherefore, instead of sleeping, he spent it in sighs and tears. So, when the morning was come, they would know how he did. He told them, Worse and worse: he also set to talking to them again; but they began to be hardened. They also thought to drive away his distemper by harsh and surly carriages to him; sometimes they would deride, sometimes they would chide, and sometimes they would quite neglect him. Wherefore he began to retire himself to his chamber, to pray for and pity them, and also to condole his own misery; he would also walk solitarily in the fields, sometimes reading, and sometimes praying: and thus for some days he spent his time.

Now, I saw, upon a time, when he was walking in the fields, that he was, as he was wont, reading in his book, and greatly distressed in his mind; and, as he read, he burst out, as he had done before, crying, What shall I do to be saved?

I saw also that he looked this way and that way, as if he would run; yet he stood still, because, as I perceived, he could not tell which way to go. I looked then, and saw a man named Evangelist coming to him and asked, Wherefore dost thou cry? (Job 33:23)

He answered, Sir, I perceive by the book in my hand, that I am condemned to die, and after that to come to judgment (Hebrews 9:27); and I find that I am not willing to do the first (Job 16:21), nor able to do the second. (Ezekiel 22:14)

Bunyan’s Evangelist was based on his beloved pastor and mentor, whom he called Holy Mr. Gifford. Gifford’s preaching about Christ’s love, along with his recommendation of Luther’s commentary on Galatians, was largely influential in Bunyan’s conversion. This character displays the true meaning of the word evangelist, messenger of good tidings,¹ as he has a heart for the lost and points them to the Savior using the truth of Scripture.

CHRISTIAN no sooner leaves the World but meets EVANGELIST, who lovingly him greets with tidings of another: and doth show Him how to mount to that from this below.

Then said Evangelist, Why not willing to die, since this life is attended with so many evils? The man answered, Because I fear that this burden is upon my back will sink me lower than the grave, and I shall fall into Tophet. (Isaiah 30:33) And, Sir, if I be not fit to go to prison, I am not fit, I am sure, to go to judgment, and from thence to execution; and the thoughts of these things make me cry.

Then said Evangelist, If this be thy condition, why standest thou still? He answered, Because I know not whither to go. Then he gave him a parchment roll, and there was written within, Flee from the wrath to come. (Matthew 3:7)

The man therefore read it, and looking upon Evangelist very carefully, said, Whither must I fly? Then said Evangelist, pointing with his finger over

Reviews for The Pilgrim's Progress

[ironjaw-1 · Rating: 1 out of 5 stars]

Insufferable. Period

[lachlanp-387269 · Rating: 4 out of 5 stars]

I listened to this on Audible.

This was a great book, a great narration, and a great allegory. I'm more familiar with the modern abridged versions so it was good to go back to Bunyan's original.

There were a couple things I found wanting though:
1. as a story, it could use some editing to tighten up the pacing. Particularly at the end, there was a lot of "discoursing" back and forth.
2. some of the discourses the pilgrims had, especially with the misguided/evil individuals they met, felt very preachy. I don't know if that's because it was how people back then told each other they were wrong, or whether as a minister, he felt it was better to get straight to the point to care for someone's soul. But it felt as if they didn't really "love" these people, possibly because Bunyan knew they were destined for Hell anyway. There could have been more friendliness in the disputes.

Besides that, I'd recommend reading it. Bunyan sprinkles in relevant biblical allusions all through it, from passing sentences to characters and places. And though occasionally his allegory falls back down to earth in a few places and uses our experiences without translating them, most of the time it depicts real things in the Christian life in a very graphic, useful way.

[mbmackay · Rating: 2 out of 5 stars]

In 2015 The Guardian published a list of the 100 best novels published in English, listed in chronological order of publication. Under Covid inspired lockdown, I have taken up the challenge.The Pilgrim's Progress, published in 1678, is the first in the list.I was underwhelmed. It is a Christian allegory, and has remained popular and recommended (although possible less read) ever since publication. I found the prose turgid and the content nonsensical.The 17th century had Shakespeare and poetry, and I expected more of the prose fiction of the era, but the genre had not really been established. Five hundred years after the Tale of Genji, English literaure was waiting for its first novel.The 17th century was also the dawn of the Enlightenment. Newton published Principia Mathematica 10 years after Pilgrim's Progress. In that context, Pilgim's Progress seems a last echoing cry of the non-rational world.

[danielstj · Rating: 3 out of 5 stars]

A lucid story that weaves and flows its way through inception to conclusion.Recommended for everyone

[the_hibernator · Rating: 3 out of 5 stars]

Summary: In this allegorical novel, a pilgrim named Christian travels a journey in which he loses the heavy weight of his sins, is tempted to sin again, and eventually reaches paradise.My thoughts: I’m not sure why this is the most printed book in English, other than the Bible. I love allegory generally, but this allegory beat you over the head with obviousness. Everyone and everything was given a name (like Christian) that said explicitly what the character or impediment represented. The story itself was interesting enough, I suppose, as a concept, I just wish it were more subtle. This is also not a book for non-Christians, unless they are reading for the sake of learning about classic literature.

[ecataldi-1 · Rating: 1 out of 5 stars]

I don't know if this is the worst book that I've ever read or if the audiobook was so atrocious that it made it into the worst thing ever. This book was a nightmare. I get it, I get it, I know it's supposed to be a Christian allegory, but listening to six hours of this (fully fucking dramatized) was hell. HELL. I wanted to bleach my ears. I couldn't handle it anymore, did Satan narrate this? This book made the Lord of the Rings trilogy look like a cake walk!! The Pilgrim's Progress was a long ass journey to heaven made by "Christian" and other people he runs into. They face all sorts of dumb shit and get into dumb trouble and make lots of dumb decisions but SOME FUCKING HOW still make it to heaven (spoiler alert). Christian loses lots of companions, walks into dumb scenarios every other page, but luckily for him, he had some faith so he made it. UGH. I hate everything. I'm glad this nightmare book is over.

[samtekoa · Rating: 3 out of 5 stars]

This is an abbreviated version with fantastic illustrations. Probably very good to read to children but a bit too simplistic for adults. Enjoyable none the less.

[oscarwilde87_1 · Rating: 4 out of 5 stars]

The Pilgrim's Progress by John Bunyan was written in 1678 and can be counted among the most significant works of English literature. It is an allegory, presented as a narration of a dream, and it is divided into two parts. The first part follows protagonist Christian from the City of Destruction, i.e. this world, to the Celestial City, i.e. heaven. Christian sets out on this journey, leaving behind his wife, his children and his home, because he is weighed down by a burden. On his way, he goes through several stages and meets various persons, some of whom accompany him on his journey and some of whom try to convince him of leaving the path he is on. The characters he encounters have, as he himself, very straightforward names that show their main character trait. They can be regarded as flat characters whose name already gives away what their character is like and what their role in the story will be. Examples of such names are Legality, Goodwill, Faithful, Ignorance, Giant Despair, and Mistrust, to name but a few. The same thing can be said for the stages Christian passes through. There is the Valley of the Shadow of Death, Vanity Fair, the Hill of Difficulty, or the Delectable Mountains. The second part of The Pilgrim's Progress relates the story of Christiana, Christian's wife, who sets out with her children and Mercy, another woman from the City of Destruction, to follow her husband's path to Mount Zion and the Celestial City.Although the book was written in 1678, the text is very easy to follow as the language is quite simple with no complex sentence structures. Bunyan's writing style is very direct, which is probably due to the fact that the book was intended for a popular and not for a higher-educated academic readership. Being a Christian allegory it was aimed at a broad audience depicting Christian life as the only true way of life. The names of characters and places ensure that there is no trouble in deciphering the allegoric meaning of the novel. Yet, I have read that Bunyan, who is said to have traveled from Bedford to London, was influenced by his personal surroundings in the description of the places in the story. Generally, the book can be approached without much background knowledge, but you probably might get more out of it with a religious background.On the whole, 3.5 stars as the second part was somewhat repetitive after having read the first one. Plus, I felt I was getting a moralizing lecture.

[martinbodek · Rating: 1 out of 5 stars]

This book wasn't bad or awful, per se, it was simply painfully dull and boring with absolutely no vested interest in what occurs with the characters. Which brings us to the characters! Look, I get that this is a biblically-woven highly religious allegory of personal salvation, that much is clear, but does the reader have to be blunted over the head with it? The lead player is named Christian? Really? Couldn't call him Bob? And his wife is Christina? You're joking, right? Pamela would've been better. The biggest surprise - and there are none - is that his children aren't named Christine, Christopher, and Jiminy Christmas. Also, did Bunyan HAVE to name everyone else exactly what they are in metaphor? I found that aggravating, and the slog-through was mighty difficult, and the sudden bursts of rhyme were ridiculous and often non-rhyming, but I'm all the richer for having read it, right? Wrong. Guess I'm going to hell.

[bayardus-1 · Rating: 2 out of 5 stars]

For those too lazy to read the Bible or too dumb to form even a surface level interpretation of Christianity, there’s The Pilgrim’s Progress. The journey of the Christian spirit cloaked in the thinnest of allegory, The Pilgrim’s Progress is a book in two parts, the first part dealing with a man named Christian making his way to the celestial city (heaven, obviously). Part two follows his wife Christiana making a very, very similar journey. The names are indicative of the level of both subtlety and creativity that Bunyan put into this book.

The lack of subtlety is perhaps an unfair criticism, as Bunyan was clearly writing this book for the absolute lowest common denominator, but that proves to be a problem in its own right. For instance, Bunyan writes about brothers Passion and Patience to illustrate that patience is a virtue and that rash passion is bad: this is the 1678 precursor to the kid shows that nowadays run on the Christian TV channels to teach young children how to behave. Though Bunyan litters the book with Bible quotes, this book doesn’t contain any hint of the moral complexity that the Bible often explores: these lessons are black-and-white, the completely one-dimensional characters identified as on the side of good or evil immediately once their names are revealed (Goodwill, Faithful, and Old Honest are all good, surprise surprise). Not only does Bunyan make everything as simple as possible to promote mass consumption, but he also tries to gussy up the lessons by adding action scenes throughout the journey. In part 1 Christian fights a demon, and then in part 2 no less than four giants are slain, and the beast from the Book of Revelation is driven off as well (suggesting that Bunyan never grasped any of the symbolic meaning of the Book of Revelation at all). This is the Hollywood blockbuster of its time, designed to entertain and make the ideas within palatable to as broad an audience as possible, not to challenge the reader in any way. Unfortunately, the Bible isn't something that can be reduced to this type of bland and bite-sized entertainment without losing much of what makes it great.

What makes this book so painful to read is that Bunyan’s purpose in writing it, to set out the path a person needs to follow to get into heaven, has been done so much better elsewhere. Specifically Dante’s Divine Comedy puts Pilgrim’s Progress to shame in every way that I can think of, not to mention the Bible of course. Dante’s Divine Comedy is the closer parallel, as Dante is also using the journey of a man to illustrate the necessary traits and steps for getting into heaven and what steps to avoid. Dante not only wrote of the circles of Hell, levels of purgatory, and spheres of heaven to illustrate how a person should act, he was also doing a myriad of other things as well: writing about Italian politics at the time, merging the classical myths and teachings with the Christian system of morality, writing a moving letter to his deceased first love Beatrice, redefining the Italian language, and mapping the heavenly cosmos in detail. Not only did Dante do all of this, but he also did it all exceptionally well. For instance, each of the three stairs at the entrance to the mountain of Purgatory has a specific meaning- nothing is added at random, everything is in its place. Bunyan's Pilgrim's Progress, in comparison, seems slapdash and lazy. Bunyan isn’t trying to do very much, just sketch some moral lessons that lead a soul to heaven in the least nuanced manner possible. Why is the Slough of Despond located where it is? Or the arbor called Slothful’s Friend? And why does Christian run into Atheist when he does? And why doesn’t Christiana run into Atheist at all? The answer seems to be that Bunyan decided to put those challenges where they are because that's when he thought up the lesson while writing the story, not because he had a clear concept of a soul’s journey, or that the placement was particularly symbolic, or any other good reason. He could have switched around the challenges the pilgrims faced in their journeys and nothing would have been lost. Thus, you finish Pilgrim’s Progress and feel nothing comparable to the unified vision of the universe that you get with Dante, just a bunch of disjointed lessons that are mostly mind-numbingly simplistic. It doesn’t help that Bunyan decides to go over the same journey twice, with only slightly different challenges the second time around.

Bunyan’s The Pilgrim’s Progress is a story of the soul’s journey to heaven that delivers only the simplest lessons, told in an uncreative way, and which seems thrown together instead of set in a specific order for a specific purpose. Despite the action added by Bunyan the journey isn’t a particularly interesting one- it's lacking all subtlety and moral complexity- and it’s rendered even more boring by the journey happening twice. There is no reason to read this book while there are still copies of The Divine Comedy and the Bible left in the world. Your time is much better spent reading one of those- a few pages of either have more worth than the entirety of The Pilgrim's Progress.

[joshrskinner-1 · Rating: 5 out of 5 stars]

Great. Wonderful. Terrific! I cannot express how wonderful this book was. I loved it. My kids loved it. And now they want to read the "grown-up" version of Pilgrim's Progress.

Also, the curriculum to go with it is AMAZING! Looking forward to going through the book again!

[krista.rutherford · Rating: 3 out of 5 stars]

This book is ancient! As an allegory of the Christian life, it still makes (almost?) perfect sense today. The second part with Christian's wife and children was kind of boring, probably because it's the retelling of the same story.

[benedict8-2 · Rating: 5 out of 5 stars]

This is a Christian book. But its principles of not getting tricked or waylaid off your chosen path as a baseball player or President. We get off our goals just as easily as a Christian apparently gets away from his or her goals in life.

[jvioland_1 · Rating: 4 out of 5 stars]

I started it once and put it down. Too boring. I picked it up a few years later and found it interesting - the tedious journey no longer seemed so. A puritanical pursuit of the good.

[amerynth · Rating: 1 out of 5 stars]

I can appreciate why John Bunyan's "The Pilgrim's Progress," an allegory of the Christian faith, was beloved by Puritans. For me, it was incredibly tedious and a 1,001 book just to try and get through.I failed in that... after it became clear the second half was going to be pretty much a retelling of the first half, I finally gave up.

[bradkautz · Rating: 5 out of 5 stars]

By reputation John Bunyan's The Pilgrim's Progress is one of the classics of English literature, being in print continuously since 1678 and being translated into over 200 languages. In its essence it is the story of Christian faith, following a person of faith as he journeys through life until he arrives at his heavenly home. It is told from the vantage point of a dream and makes excellent use of the method of allegory. Bunyan wrote this masterpiece in two parts, the first being the story of the journey of a pilgrim, Christian, from the City of Destruction to the Celestial City. The second part is the story of his wife, Christiana, and their four children taking the same journey several years later. Christiana had mocked her husband when he left and she delights in learning the details of his travel as she finds herself being led along the same road. I found Christiana's travels more compelling, perhaps due to the way in which vibrant faith was also expressed in the children.While Bunyan used allegory to tell this story everything about it comes across as something he knows first-hand, either from his own personal experience as a Christian who was jailed for his faith, or that he learned while serving as a pastor. The struggles that Christian and Christiana go through, although written over 300 years ago, are the struggles of Christians today. And so are the joys and delights that are found in the Christian life. I received this book three years ago as a gift from someone who said he read from it often. And now, having read it myself, I am beginning to understand why, and I anticipate I will follow his habit.

[antiquary_1 · Rating: 4 out of 5 stars]

This is a very shortened version designed for children, originally done in the 19th century but republished in 1939 with illustrations by Robert Lawson, the author/illustrator of Rabbit Hill, Smeller Wilson etc. which I enjoyed when young. I enjoyed his illustrations for this too, but always felt I should read the original. When I did, I decided that (at least as an adult), I really admired the dialogue more than the symbolic adventures which this version emphasized.

[glennbell_1 · Rating: 1 out of 5 stars]

The book is composed of two stories. The story of the pilgrimage of Christian is followed by a story of his wife Christiana's pilgrimage with her children. The story has similarities to that of paradise lost. Bunyan's story is tedious and boring. I cannot recommend the book to anyone but the fanatic.

[lisamaria_c · Rating: 3 out of 5 stars]

This 1678 work is Christian allegory with a capital C. It may not be necessary to be a Christian to love this, but I’m sure it helps. A lot. A whole lot. Particularly helps to be a “fire and brimstone” Christian who believes humans aren’t just fallen but completely depraved and not about to make it into Heaven unless they walk one narrow path. I’m not a Christian--I’m an atheist. That doesn’t stop me from loving Dante’s Divine Comedy, also a work suffused with Christian themes--but Bunyan is no Dante. There is something very human, let alone humanistic about Dante. Wonderful stories--often about real people and historic personages such as Vergil and Brutus with which Dante peopled his Hell, Purgatory and Heaven. Bunyan is much more abstract--his journey to the Celestial City is filled with such figures as “Pliance,” “Worldly Wiseman,” “Evangelist” and “Hopeful.” Dante’s a poet--Bunyan a preacher--and believe me, you can tell. Honestly I’m surprised I didn’t completely hate it, especially since I don’t like allegory that is so blatant. I read it because it’s on Good Reading’s “100 Significant Books”--and because it keeps coming up over and over in books I’ve read. It provides the title and theme for Thackeray’s Vanity Fair and the theme and structure for Alcott’s Little Women where the March sisters play at taking up Christian’s “burden.” The Introduction of the edition I read tells us that “for two hundred years, The Pilgrim’s Progress was, after the Bible, the most widely read book in the English-speaking world” and the “most widely influential book ever written in English.” From time to time I’ve heard of the “Slough of Despond,” “Doubtful Castle” and the “Delectable Mountains.” I think that kept my interest pretty keen through Part One, where Christian, taking up his “burden” of sin, climbs mountains and walks through such valleys as the Shadow of Death. Being raised a Christian as well as encountering the literary allusions to it meant I had enough of the context to keep me fairly engaged. Endnotes and footnotes and even sidenotes in the Barnes and Noble edition helped a lot in keeping the 17th century prose understandable. Without them a lot of the doctrinal squabbles between Catholics, Anglicans, Puritans, Quakers and other non-conformists alluded to in the work would have slipped right on by--although the spirit of intolerance towards those of Bunyan's coreligionists who don’t agree with him didn’t need footnotes to come through. There's only one way to Heaven--Bunyan's way. You go through the Wicket Gate, with your Robe and your Mark and your Roll or you fall into Hell. On the other hand, knowing Bunyan wrote this in prison, where he spent twelve years because he refused to abandon his Christian principles, did mean that when Christian encountered monsters and beasts and mobs I knew these weren’t just puffed up imaginary impediments. Bunyan walked the walk; I had to respect that. He lived this story. That came through too.I did start finding it a slog in Part Two. That part, written years later, isn’t a continuation as much as a sequel. One where wife Christiana and kidlets follow the road already traveled; I found that too repetitive. I think I was also irked that while Christian, who abandoned his family, is able to strike out on his own, his distaff counterpart has to have a guide, Greatheart. While Christian gets to fight the monster Apollyon himself, his wife stands by while her champion slays all in their way. If all is allegory, what does that say about the weakness of women’s souls? On the other hand, this part of the story at least is more compassionate than hectoring, as pilgrims help those weaker to make the journey. I am glad I did finally read Pilgrim’s Progress, if only to better catch the frequent references in literature. I don't know that I can honestly say I liked Part One though, and I wasn't far into Part Two before I was soooo tired of this. Yet I can’t help think a lot of fantasy from The Wizard of Oz to Narnia owes a debt to Bunyan. At the least, it might give any rereads of Little Women a whole new layer of meaning...

[mumfie_1 · Rating: 1 out of 5 stars]

This has to be one of the most tedious books ever written. The imagery used such as the Slough of Despondency is great but that's about it. It's the second time I've read it and don't think I'll manage a third.

[clarehatt · Rating: 5 out of 5 stars]

I absolutely loved reading this! It has to be the best allegory of man's search for life and salvation. This book promises love, hope, light, healing, joy and peace. The only thing the reader must do, is find his path and then stay on it.

[nathan7c7moore · Rating: 4 out of 5 stars]

Read the children's version half a dozen times as a child. I believe this is the first time I have read the original... I'm sure it isn't the last.

[randystafford · Rating: 4 out of 5 stars]

The main reason to read this book is just because it was so phenomenally popular in England and America and not for a particularly novel theology.It’s short and surprisingly entertaining, especially for some of the allegorical names. The book definitely does not contain a modern, feel-good Christianity. At one time, when protagonist Christian and fellow pilgrim Hopeful are talking to Ignorance about whether his thoughts are godly, Ignorance insists they are. His heart is good because his thoughts are good. Christian lays into him and tells him that his thoughts are only godly if they match God’s thoughts and God thinks all of man’s ways are sinful. Bunyan bolsters his points with italicized quotes from the scriptures. There is a nice section where Christian outlays the psychology of the backslider. At many points, Bunyan the preacher makes his observations and arguments in a point by point format.I find the narrative structure interesting. Unlike William Langland’s Piers Plowman, this is not a single dream vision but pieced together from several sequential dreams of the narrator. I believe some have made the argument that this book served as a template for later quest fantasy narratives or fictional spiritual journeys. Certainly, its plot is sometimes surprising. Ignorance is whisked away to the City of Destruction in the novel’s last paragraph. The conversion of Hopeful, why he left Vanity Fair and his spiritual journey on the way to meeting fellow pilgrim Christian, is related towards the end of the novel rather than the expected beginning. The story starts off with Christian, fearing the imminent destruction of the world and his damnation, setting off for the City of God with a burden on his back. Bunyan starts and ends his book with a verse apology and song snatches at the end of sections summarize the moral or wisdom we are to take away.As I said, this story’s main value is getting a sense of one strain of popular Protestantism (not politically popular – Bunyan spent years in jail for preaching after Charles II took power). William Blake’s illustrations didn’t add much value for me. Unless you are a huge fan of his work, you’ll find his rather androgynous looking Christian, oddly muscled and always in blandly colored engravings, to not be terribly pretty or interesting.

[pondlife_1 · Rating: 3 out of 5 stars]

The classic 17th century Christian allegory.I thought this was worth reading for its literary significance and classic status. I'm glad that I read it, but I'm not sure I'll read it again.A couple of things I didn't like were:1. Christian seems to have no great connection with his family, friends or companions. He seems too quick to abandon people, and this made it difficult for me to connect with the character.2. The allegory is too direct. Yes, we all know it's an allegorical work, but it just seems too specific and everything has a one-to-one relationship with Christian theology.

[atreic · Rating: 2 out of 5 stars]

I didn't really get on with this book, for three main reasons:1) An allegory for edification written in 16-mumble is not going to be a page turning plot or character driven romp. It was quite heavy going in places, and the number of times Christian spent much of the chapter telling someone what happened to him last chapter left me going 'I know! I just read that!'2) I didn't really agree with the theology that it was proposing. I spent a lot of the book wanting to clobber the author with 'there's a wideness in God's mercy'. There is one gate, and you must come in through that gate, even at the gates of heaven if you've Done It Wrong you'll be cast into Hell, and there are very precise things that make Good Christians and Fake Christians (the sections with Ignorance and Talkative make me twitch, lots). Most of these things involve constantly feeling utterly sinful and definitely having a Revelation TM. Still, 16 century protestants, it's hardly a surprise (and the fault may be with me and not the author...)3) Some of the time I was just plain confused - what are the wicker gate and scroll analogies for? [I have done some googling and looked at the Spark notes and am still confused]. The wicker gate is the Only Way to Heaven TM, and you Must have your Scroll or you won't get in (and you can drop it on the way)... for a book that is so painfully a direct analogy then I really feel I ought to know what these things are an analogy _of_!That aside, there are some lovely bits to it. The Pilgrims are not supermen - they are flawed and human, and mess up, and get back to things again, and the passage when they are trapped by Giant Despair really touched me. And it gets plus points for being the source of vast amounts of Stuff though, including 'Vanity Fair', the Slough of Despond, and even the holy text from Bujold's Borders of Infinity (It quite surprised me when I stumbled across the latter!)

[aulsmith · Rating: 2 out of 5 stars]

I wanted to be a good Little Woman and love this book, but I didn't even get halfway through. How Louisa May Alcott, who suffered extensively from her father's neglect of his family while he pursued his own spiritual goals, could recommend this book, where the main character deserts his family in the first chapter, is beyond me.

[vibrantminds · Rating: 4 out of 5 stars]

Written in the 1600's while John Bunyan was in prison for his criticism of the "Church". The book however, supports the "Church" ... maybe he had a change of heart while in prison? It begins with the author entering into a dream where Christian foresees the destruction of his city and desires to travel to the Celestial city. He longs for his family to join him but they aren't convinced and refuse to go. Along the way he meets many different characters which try to distract him and convince him to turn back. Some of whom he comes in contact with are: good will, faith, by-ends, hope, ignorance, giant despair, etc. All of which teach him a different lesson. Eventually he does make it to the Celestial city and is welcome in. Part two is Christian's wife Christiana who decides she was foolish to stay behind and longs to join her husband. She sets off with her 4 sons along the same journey with Mercy accompanying her. They come across some of the same challenges as Christian but have more help along the way. An interesting read on the struggles in life and the desire to live with God again.

[atimco-1 · Rating: 5 out of 5 stars]

Pilgrim's Progress by John Bunyan is a landmark work in both Christian theology and English literature. Since its publication in 1678, it has encouraged countless Christians on their journey from this world to the next, and its impact on the literary tradition of England has been profound.Pilgrim's Progress is an allegory in the purest sense of the word; everything in the book has a one-to-one correlation with a spiritual principle. In part one, a man living in the City of Destruction becomes troubled by what he reads in a book (the Bible) and leaves his home, warning his scoffing family and neighbors that their city is going to be destroyed. He carries a heavy weight on his back and initially undertakes his journey to find a way to take it off. Along the way he meets a man named Evangelist who speaks truth to him, but not all fellow travelers are so congenial. He meets with characters with names like Mr. Worldly-wiseman, Formalist, Hypocrisy, Timorous, Mistrust, and Wanton, as well as Apollyon (an archdevil) and the Giant Despair, among others. Through a landscape of theological traps and oases Christian (for that is now his name) must make his way ever onward to the Celestial City, sustained on his travels by the Lord of Pilgrims.The second part recounts the story of Christiana, Christian's wife, who eventually follows her husband's path from the City of Destruction to eternal life in the Celestial City. In terms of sheer dramatic effect, part two is far inferior to part one; instead of fleeing her city in despair over its coming destruction, Christiana receives an invitation from the Lord of Pilgrims to join Him and her husband in His city. She takes along her four sons and her handmaid Mercy, and they are aided on their journey by a Mr. Great-heart. There seems to be less action and more catechizing in this section of the book, but there are some valuable theological refinements as well. There are some pilgrims who probably wouldn't have been considered worthy of pilgrimage in the first part, like Mr. Fearing, Mr. Despondency, and his daughter Much-Afraid. These pilgrims are characterized by fear and weakness, but they are still loved by their Lord and they too eventually come to the Celestial City.Nowadays I think there is an attitude of amused condescension that many feel toward Pilgrim's Progress because of its theological themes sticking out in plain sight under the see-through fictional covering. I know I felt that way... oh Bunyan, my dear man, you mean well but must you be so hamfisted? Can't you cover things up a little more artistically, add some adornment to your catechismic dialogues? Don't you know that straight allegory is far, far out of fashion just now? But this was before I read it, before I understood the narrative power that can come from an author being completely honest about his themes and intentions. By stripping away every non-essential, Bunyan can get down to the theology while still working within his fictional frame. The result is rich doctrine with the immediacy of a gripping story — a heady mix that is very rarely imitated successfully.And you can't doubt the man's sincerity. Bunyan knew what it meant to be persecuted; he started the book from a prison cell where he ultimately spent twelve years of his life, imprisoned for holding church services outside the bounds of the Church of England. His imprisonment was costly not just to him, but to his family. His message is given weight by his experiences — here is a man who knows what it means to be on pilgrimage through lands ruled by the enemy. Persecution is inevitable; Christians will suffer in this world. But equally true is our reward in the Celestial City, where our Lord Himself will welcome us home. What a hope, what a joy on our journey!I have said that Pilgrim's Progress is stripped down, but maybe a truer statement would be that our conceptions of the Christian life are covered in needless accretions that both complicate and hinder our journey. Vanity Fair, the Slough of Despond, Doubting Castle, the Valley of the Shadow of Death — these are universal places we all visit. Bunyan's characters also have their counterparts in our world. Bunyan dramatizes the Christian life not to change it or present it as something it's not, but to show us where our experience is deceptive. Things are clearer in the realm of allegory. If we have never had pilgrimage experiences like those of Christian, we ought to check that we're on the right road and that we've come in through the right gate.The language is beautiful and not at all hard to understand. It has its quaint 1678-isms, but for me they added to the flavor. In many places I just stopped to savor it. I read this with my adult Bible fellowship, and most people read a version that was updated with modern English. I wouldn't advise that. The original writing is not that difficult, and while the updated version isn't terrible, it does lack Bunyan's indefinable force of language. Also there were some odd additions in the new version, theology I agreed with but that was not part of the original text. Hmm.I had read an abridged version as a child which didn't really grab me, but now I'm a pilgrim and have had some experience of the road. And now I see how powerful this story is and why it has informed the Christian imagination for centuries. In some sections I would just stop and marvel at Bunyan's fantastic theology and fertile imagination. And it doesn't hurt that the narrative is soaked in Scripture! Of Bunyan, Charles Spurgeon said, "'Prick him anywhere, his blood is Bibline, the very essence of the Bible flows from him. He cannot speak without quoting a text, for his very soul is FULL of the Word of God.'" I couldn't get enough of it; who knew that Pilgrim's Progress could induce late-night reading vigils? I will certainly be rereading this!In the "apology" poem at the beginning, Bunyan writes, "this book will make a traveler of thee." Indeed it will.

[andyray_1 · Rating: 4 out of 5 stars]

This is the complete edition,. including the wife's journey to the Celestial City and JB's afterword. I was raised on the first part of the book. I attended a summer camp called Pilgrim Camp on the north end of Brant Lake, New York, where they studied this book as hard or harder than the Bible (at least, in the younger years of under 10), and I am glad they did. PP is a wonderfully spiritual allegory every child should read WITH his family.Publishing just the first section, however, seems to be the rule rather than the exception. I had a lovely 16" x 12" 1898 volume with aleather-covered and etched cover, engravings by Andre Dore on every few pages, I bought in Daytona Beach in 1968 for $80.00. Heaven knows how much it goes for now. This story gets better in quality as our lives get more spiritless in quantity.

[schmerguls · Rating: 2 out of 5 stars]

869 The Pilgrim's Progress, by John Bunyan (read 28 Sep 1966) Every literate person has to read this book so I did. I kind of looked on it as a duty, and when I was finished I felt "now, I've read it."