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Diegeses
Diegeses
Diegeses
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Diegeses

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“Judge Schreber has sunbeams in his ass. A solar anus. And rest assured that it works: Judge Schreber feels something, and is capable of explaining the process theoretically. Something is produced: the effects of a machine, not mere metaphors. There is no such thing as either man or nature now, only a process that produces the one within the other and couples the machines together. Producing-machines, desiring-machines everywhere, schizophrenic machines, all of species life: the self and the non-self, outside and inside, no longer have any meaning whatsoever. Judge Schreber ‘lived for a long time without a stomach, without intestines, almost without lungs, with a torn esophagus, without a bladder, and with shattered ribs; he used sometimes to swallow part of his own larynx with his food, etc.’ The body without organs is non-productive; nonetheless it is produced, at a certain place and a certain time in the connective synthesis, as the identity of producing and the product: the schizophrenic table is a body without organs.” —Gilles Deleuze and Félix Guattari, ANTI-OEDIPUS: CAPITALISM AND SCHIZOPHRENIA
LanguageEnglish
PublisherLulu.com
Release dateJul 11, 2023
ISBN9781312349001
Diegeses

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    Book preview

    Diegeses - D. Harlan Wilson

    PRAISE FOR THE WORK OF D. HARLAN WILSON

    Provocative entertainment.

    Booklist

    A bludgeoning celluloid rush of language and ideas served from an action-painter’s bucket of fluorescent spatter.

    —Alan Moore

    New bursts of stream-of-cyberconsciousness prose.

    Library Journal

    Wilson writes with the crazed precision of a futuristic war machine gone rogue.

    —Lavie Tidhar

    Wacky experimental fiction.

    Publishers Weekly

    Fast, smart, funny.

    —Kim Stanley Robinson

    Pomo cybertheory never tasted so good or made you fly this high!

    American Book Review

    Utterly original.

    —Barry N. Malzberg

    If reality is a crutch, D. Harlan Wilson has thrown it away.

    Rain Taxi

    Diegeses

    Copyright © 2013 by D. Harlan Wilson

    ISBN 978-1-312-34900-1

    First Anti-Oedipal Ebook Edition, February 2013

    All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States of America by Anti-Oedipus Press, an imprint of Raw Dog Screaming Press.

    The Bureau of Me was originally published in Shroud Magazine (September 2010).

    Cover Design by Matthew Revert

    Cover Art by Brett Weldele

    Interior Layout by Stanley Ashenbach

    Twitter: @AntiOedipusP

    IG: @antioedipuspress

    ANTI-OEDIPUS PRESS

    www.anti-oedipuspress.com

    ALSO BY D. HARLAN WILSON

    Novels

    Primordial: An Abstraction

    The Kyoto Man

    Codename Prague

    Dr. Identity, or, Farewell to Plaquedemia

    Peckinpah: An Ultraviolent Romance

    Blankety Blank: A Memoir of Vulgaria

    Theory-Fiction

    The Psychotic Dr. Schreber

    Drama

    Jackanape and the Fingermen

    Three Plays

    Biographies

    Nietzsche: The Unmanned Autohagiography

    Hitler: The Terminal Biography

    Freud: The Penultimate Biography

    Douglass: The Lost Autobiography

    Fiction Collections

    Natural Complexions

    Battle without Honor or Humanity: Volume 2

    Battle without Honor or Humanity: Volume 1

    Diegeses

    They Had Goat Heads

    Pseudo-City

    Stranger on the Loose

    The Kafka Effekt

    Film/Literary Criticism

    The Stars My Destination: A Critical Companion

    Minority Report

    J.G. Ballard

    They Live

    Technologized Desire: Postcapitalist Science Fiction

    TABLE OF CONTENTS

    The Bureau of Me

    The Idaho Reality

    For Lofton Gitt. And all of the (Big) Others.

    THE BUREAU OF ME

    Arise, devour much flesh.

    —Book of Daniel

    ACT I

    They marched into the office and announced that they were from the Bureau of Me. They wore black sunglasses and black suits and black ties. Stock g-men. They looked serious, eusocial, despite guestfriendly rictus grins.

    Me, intoned Curd, rolling the word around his mouth. That sounds familiar.

    Mz. Hennington cut them off. Maneuvering pointed sweater-breasts, she lunged forward like a dogpoet and tried to take them out at the knees. They dispatched her without incident.

    Curd slipped his fingers around the glock taped beneath his desk.

    They removed their sunglasses. Affectedly. As if they were doing him a favor, or demonstrating that they possessed the efficacy to remove eyeware in a certain relaxed, levelheaded way.

    They didn’t have irises. Scarlet pupils marked the round white eyes.

    Curd pulled the trigger.

    Click.

    Shit. Shit.

    One of them leaned over and placed a slip of paper on the desktop. He wasn’t standing that close to the desk. Not within arm’s reach, at least. In fact, he was on the other side of the room. Curd suspected an optical illusion. There were only two viable perps whose facilities might be responsible for the illusion: him, or them.

    Irresolute, he picked up the note and read it.

    YOU HAVE BEEN CORDIALLY INVITED BY

    THE BUREAU OF ME

    He turned the note over. Blank on the backside.

    Invited where? asked Curd. But they were gone.

    That night, at his apartment, he rebandaged Mz. Hennington’s wounds, then fucked her gently, from behind. Always from behind.

    He came. He collapsed.

    I could use a cold beer.

    He rolled out of bed and went to the kitchen and opened the refrigerator. It was empty.

    The door closed like a flyleaf.

    You have been invited, said a seething, torpid voice. Cordially.

    Startled, Curd turned around and almost fell over, forgetting to move his feet. He made no effort to conceal the guyparts.

    The man sat at the dinette table. He took a sip of beer, made a face, and tossed the bottle across the floor. It didn’t break. Bleeding suds, it spun into a corner and clanked against a swell of empties.

    Invited where, dipshit?

    The man may have been one of the earlier visitors, only he had on a cape, and he blurred in and out of focus. It wasn’t a misperception on Curd’s part; the man’s body produced the effekt. Out of focus, he looked like a mothman, sitting there with tattered, febrile wings loosely folded behind him.

    The man stood and released an electric chirrup. He adjusted his collar, walked to the front door and opened it. You will not be invited again. He added, You drink [ur-word] beer.

    He slammed the door behind him. The latch didn’t catch; the door creaked open and a trapezoid of sodium light extended across the room from the corridor.

    Mz. Hennington came out wearing Curd’s signature velvet robe. It was much too big and heavy on her and looked like an animalskin rug that she had draped over her shoulders. A breast hung free. Who was that? she said, knees buckling beneath the weight of the garment.

    Crepuscular shitbreather. Arms akimbo, Curd flexed his pectoral muscles. Who else? The Bureau of Me.

    Curd finished the drink and ordered another one. I need start taking existence more seriously, he

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