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Birds, Bones, and Melancholia: Musings and Mutterings
Birds, Bones, and Melancholia: Musings and Mutterings
Birds, Bones, and Melancholia: Musings and Mutterings
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Birds, Bones, and Melancholia: Musings and Mutterings

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A collection of fifty-four free-verse poems revolving around the interiority of melancholia, ranging from chaotic dyads and wearisome days to gut-wrenching despair. Birds have hollow bones, continually flying and falling from highs to lows, and therein lies the inspiration behind both the title and the content. The poems touch the spectrums of stark blacks and whites, with bleak and unrelentingly graphic depictions of the pain, loneliness, and emptiness of mental illness. For those who know it, the writing will ring only too true, for those who know of it, the words are a vicarious immersion in the depths of the human psyche. This is an expose of the intensely personal world of melancholia.
LanguageEnglish
Release dateAug 3, 2023
ISBN9781666778656
Birds, Bones, and Melancholia: Musings and Mutterings
Author

Anushri Nanavati

Anushri Nanavati is the founder of Haiku & Hymns classes for children in Ahmedabad, India, where she teaches various subjects, including creative writing, literature, psychology, history, and foreign languages. She is an external instructor for Cambridge International Assessments. Previously working as a psychologist, she has had training in psychoanalysis and Intensive Short-Term Dynamic Psychotherapy. Nanavati also specializes in curriculum design, having developed modules on Social Emotional Learning and Creative Expression for international schools.

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    Book preview

    Birds, Bones, and Melancholia - Anushri Nanavati

    Birds, Bones, & Melancholia

    Musings and Mutterings

    Anushri Nanavati

    Foreword by Alan Karbelnig

    Birds, Bones, & Melancholia

    Musings and Mutterings

    Copyright ©

    2023

    Anushri Nanavati. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers,

    199

    W.

    8

    th Ave., Suite

    3

    , Eugene, OR

    97401

    .

    Resource Publications

    An Imprint of Wipf and Stock Publishers

    199

    W.

    8

    th Ave., Suite

    3

    Eugene, OR

    97401

    www.wipfandstock.com

    paperback isbn: 978-1-6667-7863-2

    hardcover isbn: 978-1-6667-7864-9

    ebook isbn: 978-1-6667-7865-6

    06/27/23

    Cover Illustration Copyright Ankit Prajapati (

    2023

    )

    Table of Contents

    Title Page

    Foreword

    Acknowledgments

    Chapter 1: To Whomsoever It May Concern

    Sadism

    Nude

    Movements in Art

    We no longer make art.

    Naphthalene

    Paper Cranes

    Hunter

    Unfinished

    Mezzanine

    Devotion

    Freudian

    Finite

    A Week of Night

    Reflection

    Rainy Days

    11:11 Wishes

    Epilogue

    The Weatherman

    Synaesthesia

    Chapter 2: Months In Retrospect

    Migratory Bird

    The End of Summer

    Anything But September

    The Turn of the Season

    Winter Tales

    January

    March

    April

    May

    June

    July

    August

    September

    October

    This Winter

    Calendar

    In Hindsight

    Foresight

    Chapter 3: Soliloquies

    Unfold

    Smoky Nights

    Disability

    An Iron Will

    Frozen

    The Silence

    Reflection 2.0

    Mauve and other Colours

    Cacophony

    Voice

    The Cartography of Anatomy

    The Ward

    The Bonekeeper

    Moonlight

    Moonlight 2.0

    Ennui

    Sterilisation

    To those who gave me wings to fly whenever I fell

    Foreword

    Like a flower from fetid fields of the chaotic, over-crowded yet financially crucial city of Ahmedabad, India, Anushri’s poetry blossoms with an unexpected tenderness. Perhaps her upbringing in the pandemonium speaks to a core paradox: Anushri’s work displays the feminist empowerment granted by an excellent education—in psychoanalysis, in foreign languages (with fluency in five), and in curriculum development. On the other hand, and

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