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Transit Authority: Poems
Transit Authority: Poems
Transit Authority: Poems
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Transit Authority: Poems

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The prize-winning poet and author of Partial Eclipse continues his investigation of urban metaphysical pathos in this collection.

Transit Authority is made up of three sequences that mark the early and late junctures of the twentieth century: the first, a series of poems that investigate the early part of the century; the second, meditations based on the 1930s photographs by Berenice Abbott; and the third, “Reckoning,” in which, with spare lyricism, Sanders meditates on where this century has brought us.

Sanders looks with rueful intrigue at a landscape inundated with near misses and has-beens. While it is tempting to turn away from the common predicament, his poems quietly urge us to keep looking. As the poet concludes, though “things aren’t what they should be according to the map . . . we have to press on in search of our bearings.”
LanguageEnglish
Release dateDec 1, 2007
ISBN9780802196705
Transit Authority: Poems

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    Book preview

    Transit Authority - Tony Sanders

    I

    BETWEEN WARS

    LATE WATCH

    The end of the century overstimulates itself to such an extent that clouds wamble off at half-mast

    only to reappear in white ties and tails to be the life of the party on the dizzy horizon past midnight.

    And there are others in a tipsy mode despite the fact that nature is out back polishing the gangplank.

    Even if we could find the home number of someone with a reputation for navigation in such waters

    we’d be destined to get a busy signal or voice mail or at the very best get put on hold forever.

    Too bad we aren’t on board with someone at the tiller who barks steady as she goes and means it,

    but by the time another day’s sun slumps under the yardarm our situation continues its listing.

    Maybe we should consider abandoning ship except that the majority of the lifeboats are snoring,

    even though the mainsail makes an infernal luffing and somewhere a halyard pulley whacks metal.

    Maybe we should consider why the gulls that followed the boat from the beginning aren’t circling.

    COUNTING DOWN

    It was as though the very day itself were wearing a see-through blouse weeks before a mastectomy,

    something in the air wanting desperately to draw attention to itself if only to assuage awkwardness

    by forcing itself to face up to the fact that nature’s penchant for symmetry could not continue,

    but nobody stopped watching the electric numbers blinking above the double doors floor by floor,

    nobody dared utter a word in the silence that seemed related to the indistinct lighting on the ceiling,

    not because there was something sacred about the way they were drifting earthward from on high,

    where if they wanted they could have had a panoramic view of a city of late stricken with a fever,

    where they could have waited until gradually darkness itself filtered into the evening like disease

    simultaneously working its way toward the surface as well as the center of the body close to death,

    but because they were so uncertain of what would become of them they had nothing right to say.

    SUMMER READING

    Everyone has the same books.

    The problem is the ideas have packed up

    and fled to Connecticut for the weekend,

    meaning that there’s a torpor in the air.

    The awnings must be aware of it

    the way they hang limply over the fruit,

    the taxis too with broad yellow hoods

    cracked slightly open as if gasping for air.

    You get the idea that if it were, say, fall,

    the pay phone on the corner might ring

    at just the moment when you pass by,

    but there’s been a run on little miracles,

    nobody knows when the next order’s due.

    Encouraging signs are only momentary:

    the white cotton bedsheet hung out to dry

    on a line stretching between two fire

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