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The Resemblance of All Things
The Resemblance of All Things
The Resemblance of All Things
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The Resemblance of All Things

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The Resemblance of All Things is a poetic consideration of God, the nature of things, and possible events, with all the permutations thereof, that may occur down through the ages to all that does or may exist. In discussing God, the poem considers the philosophical and religious problem of evil and argues, like the philosophical and religious problem of evil and asserts that the presence of evil is not inconsistent with God's existence. Like the philosophical school of Compatibilism, the poem also argues that free will and determinism are compatible, and not logically inconsistent.

Resemblance masterfully expresses, in a traditional poetic format of seven-line stanzas of iambic hexameter verse, that there is no thing that is truly limited to being only what it initially appears to be. Each thing bears a reflection of other things, and there is a resemblance from one thing to what it is not. All things, in turn, also bear a resemblance to God.

As the poem says, "And this must be the task of art and prophecy - / To speak that yet unknowable consistency / Of every thing, no matter seeming how unlike!"
LanguageEnglish
Release dateMay 26, 2022
ISBN9781666796926
The Resemblance of All Things
Author

Bernard J. Lurie

Bernard J. Lurie received a bachelor’s degree in English literature from the University of California, Los Angeles. He lived in Los Angeles, where he practiced law for thirty-five years. The Resemblance of All Things was developed over many years. It is the product of a lifelong study of religion, philosophy, and the classics of English poetry. Bernie passed away in 2017 after a brief battle with cancer.

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    Book preview

    The Resemblance of All Things - Bernard J. Lurie

    1.png

    The Resemblance of All Things

    Bernard J. Lurie

    Foreword by Fred Lurie

    The Resemblance of All Things

    Copyright ©

    2022

    The Estate of Bernard J. Lurie. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers,

    199

    W.

    8

    th Ave., Suite

    3

    , Eugene, OR

    97401

    .

    Resource Publications

    An Imprint of Wipf and Stock Publishers

    199

    W.

    8

    th Ave., Suite

    3

    Eugene, OR

    97401

    www.wipfandstock.com

    paperback isbn: 978-1-6667-3745-5

    hardcover isbn: 978-1-6667-9691-9

    ebook isbn: 978-1-6667-9692-6

    May 31, 2022 8:44 AM

    Table of Contents

    Title Page
    Part One
    Part Two
    Part Three
    Part Four

    Foreword

    In 2017, while acting as administrator of my brother Bernie’s estate, I received a bill for the annual rental on a safe deposit box. This was the first I knew of the box. On being able to open the box, I found the text of Resemblance printed out in the version that you now hold. I also found stamped confirmations of copyright applications for Resemblance that Bernie made in 1988, 1989, and 1990. On being able to access the hard drive of an old computer, I saw that Bernie continued to make some modifications to the poem up to the early 2000’s. At the time of my visit to the bank, the banker assisting me said that Bernie had not opened the box for over four years.

    Bernie never spoke to me or anyone else about his own writing. This includes Bobbi Lurie, our sister, who is herself a published poet. Once, while at my home and discussing some matter, Bernie referred to a website and told me his password. It was resemblance. He immediately recalled it, didn’t say anything else in connection with the word, and there was nothing in his expression or manner to indicate that the word resemblance held any other significance for him.

    Bernie never got to enjoy a period of retirement from work. When I once asked him what he would like to do in retirement, he just said that there were a lot of books he wanted to read. The books that he already owned tell a lot about his interests, and their influence can be seen throughout Resemblance. Bernie had quite a collection of works on religion and philosophy. He owned different editions and commentaries on the Torah, Jewish Prophets and Writings, books of the Talmud, as well as the New Testament, the Texts of Taoism, and works on Buddhism. Notable among his books on philosophy were several copies of Spinoza’s works, as well as scholarship and biographies of Spinoza. He had an anthology and some other volumes of contemporary poetry, including Bobbi’s three books. The largest proportion of Bernie’s library consisted of classic works of fiction and English poetry. His poetry books were primarily traditional classics from the seventeenth century through the Romantic Period.

    Resemblance is the product of Bernie’s efforts stretching over many years to artistically express his thoughts about God, ethics, and the nature of things. It is my hope that by publishing it here, readers will discover verses of meaning and beauty that reflect Bernie’s participation in the traditions that meant so much to him — And we, so loved, by love our more remembrance make!

    Fred Lurie

    The Resemblance of All Things

    Part One

    The voice to Job that spoke from out the whirlwind:

    I.

    My love is the desire that all things should exist,

    And should exist in an abundance without bound

    Of both the possible and the impossible,

    And the conceivable and inconceivable -

    Both all that is too wonderful for your belief,

    And that is horrible beyond imagining -

    Heavens and hells in infinite measures meted.

    So do not say of evil, Why must these things be?,

    Nor of the good things ask, Why do they not exist?;

    For all things are, and all that might be must occur;

    And as all numbers all the other numbers join

    In sets whose permutations never know an end,

    So too each thing is joined to every other thing

    In sets of endless permutations of events.

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