Victims of a Map: A Bilingual Anthology of Arabic Poetry (Adonis, Mahmud Darwish, Samih al-Qasim)
By Saqi Books
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Victims of a Map presents some of their finest work in translation, alongside the original Arabic, including thirteen poems by Darwish never before published – in English or Arabic – and a long work by Adonis written during the 1982 siege of Beirut, also published here for the first time.
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Victims of a Map - Saqi Books
Introduction
Ever since pre-Islamic days, poetry has been the mass art form of the Arab language. Through the centuries of classical Arab civilization in the Middle Ages, the long years of Arab decline, and into the decades of confrontation with European culture in the twentieth century, the poets have never lost their place of esteem in the minds of the people of the Arab world. In modern times, poets have had a greater impact on popular culture than novelists: there are more published poets than authors of literary prose in the Arab countries today, and public readings by poets consistently attract mass audiences, in settings ranging from rural villages to sprawling and sophisticated capital cities.
There can be little doubt that in this vast reservoir of talent, Mahmud Darwish, Samih al-Qasim, and Adonis are among the leading figures. Certainly their names would appear on nearly anyone’s list of the best-known, most prolific, and most innovatory contemporary Arab poets. This book presents a selection of fifteen poems by each of them, with the original Arabic printed on the left-hand pages, the English translations on the right. All of them are newly translated for this volume. The first thirteen of Darwish’s poems, written in November 1983 as the fighters of the Palestine Liberation Organization were preparing to leave Lebanon, are published here in Arabic for the first time in book form. The final poem of the collection, ‘The Desert’, by Adonis, appears here in Arabic for the first time ever. The poems of each contributor are introduced by brief biographical notes. From the information contained in these—and from the poems themselves, which speak more eloquently than any factual account of the lives of their authors—it will be clear how much these works express the fate not only of Arabs or Palestinians, but also of humanity itself trapped in a contemporary tragedy.
Modern Arab poetry has evolved against the background of the turmoil of the Arab world. The years since the end of the Second World War alone have seen five Arab-Israeli wars, major civil wars in Yemen and Lebanon, the repeated victimization of the Palestinian people, and a host of military coups in more than half a dozen countries. Through it all—in particular through the bitter disappointment with political leaders of various hues—the Arab people have looked to poets to express their aspirations. This is exemplified in the resistance poetry of the Palestinians Darwish and al-Qasim, whose poetic accomplishments have raised a local tragedy to the level of a universal one.
The evolution of poetry itself has also been marked by profound changes since the Second World War. The publication of two experimental poems by two Iraqi poets in 1947 marked the real inception of modern Arab poetry. In 1957 the Lebanese poet Yusuf al-Khal and Adonis launched their epoch-making poetry magazine Shi‘r, whose contributions eventually led to the breakdown of classical Arab poetic conventions and redrew the map of Arab poetry. The role of Adonis in this literary upheaval has been central.
This collection is meant to provide English-speaking readers with a sense of the frontiers of Arab poetry today—and hopefully with some appreciation of the poetry in its own right as well.
I should like to express my indebtedness to George Wightman for his suggestions and encouragement.
Abdullah al-Udhari
The Poems
Mahmud Darwish
Biographical Note
Mahmud Darwish was born in