Don't Bring Me No Rocking Chair: poems on ageing
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Don't Bring Me No Rocking Chair - John Halliday
NEWCASTLE/BLOODAXE POETRY SERIES
: 14
JOHN HALLIDAY:
DON’T BRING ME NO ROCKING CHAIR
Gathering poems from Shakespeare to the present, Don’t Bring Me No Rocking Chair addresses ageing through the several ages of poetry. Now more than ever, as more of us live for longer, the idea of what it means to age or to grow old engages and concerns people of all ages. One of the problems of ageing is the language we use to define it and the list of pejoratives associated with it, with attitudes to ageing ranging from ‘fatalism, denial, negative stereotyping and tunnel vision to fantasy’ (Professor Tom Kirkwood, Newcastle University).
Poetry can help to give us a fresh language to think about ageing and these poems are chosen to fortify, celebrate, lament, grieve, rage and ridicule. There is not one way to age but neither can any of us truly stop our bodies from ageing. Ageing is not a single phenomenon but complex, multiple, perplexing: experienced historically as well as individually. This anthology may not console but it can widen our perspectives, helping us to change what we can change: our attitudes.
Joan Bakewell writes in the Foreword: ‘With age comes a growing thoughtfulness: what was it all for? What have we made of our lives, what have we known of love, what have we enjoyed of beauty and how do we come to terms with our going? This remarkable book contains thoughts on all such concerns. Its variety is extensive but one thing is sustained throughout. The quality of ideas and expression is of the highest. On whichever page you alight there is something that will offer comfort, delight, and insight. While the world of money, ambition and worldly cares recedes, matters of the heart and spirit come to matter more. This book is the ideal companion on that journey.’
This anthology was prepared for the Newcastle Centre for the Literary Arts as part of the Societal Challenge Theme on Ageing at Newcastle University with support from the Institute of Ageing and Health, Newcastle University.
Cover photograph by Lyubomir Bukov
NEWCASTLE/BLOODAXE POETRY SERIES
1: Linda Anderson & Jo Shapcott (eds.)
Elizabeth Bishop: Poet of the Periphery
2: David Constantine: A Living Language
NEWCASTLE / BLOODAXE POETRY LECTURES
3: Julia Darling & Cynthia Fuller (eds.)
The Poetry Cure
4: Jo Shapcott: The Transformers
NEWCASTLE / BLOODAXE POETRY LECTURES
[Delayed title: now due 2015]
5: Carol Rumens: Self into Song
NEWCASTLE / BLOODAXE POETRY LECTURES
6: Desmond Graham: Making Poems and Their Meanings
NEWCASTLE / BLOODAXE POETRY LECTURES
7: Jane Hirshfield: Hiddenness, Uncertainty, Surprise
NEWCASTLE / BLOODAXE POETRY LECTURES
8: Ruth Padel: Silent Letters of the Alphabet
NEWCASTLE / BLOODAXE POETRY LECTURES
9: George Szirtes: Fortinbras at the Fishhouses
NEWCASTLE / BLOODAXE POETRY LECTURES
10: Fiona Sampson: Music Lessons
NEWCASTLE / BLOODAXE POETRY LECTURES
11: Jackie Kay, James Procter & Gemma Robinson (eds.)
Out of Bounds: British Black & Asian Poets
12: Sean O’Brien: Journeys to the Interior
NEWCASTLE / BLOODAXE POETRY LECTURES
13: Paul Batchelor (ed.)
Reading Barry MacSweeney
14: John Halliday (ed.)
Don’t Bring Me No Rocking Chair: poems on ageing
NEWCASTLE/BLOODAXE POETRY SERIES: 14
Don’t Bring Me
No Rocking Chair
POEMS ON AGEING
EDITED BY
JOHN HALLIDAY
ASSOCIATE EDITOR
LINDA ANDERSON
CONTENTS
Title Page
Foreword Joan Bakewell
Introduction John Halliday
1 Ancient and Modern
‘I am a jolly foster’ Anonymous
‘I have been a foster…’ Anonymous
Even such is Time Sir Walter Raleigh
Pluck the Fruit and Taste the Pleasure Thomas Lodge
Sephestia’s Song to her Child Robert Greene
from Macbeth (‘Tomorrow, and tomorrow, and tomorrow…’) William Shakespeare
Sonnet
LXXIII
William Shakespeare
Sonnet
XIX
William Shakespeare
Sonnet
LXXIII
William Shakespeare
from Cymbeline (‘Fear no more the heat o’ the sun…’) William Shakespeare
from As You Like It (‘All the world’s a stage…) William Shakespeare
To Celia Ben Jonson
The Good Morrow John Donne
The Sun Rising John Donne
‘Death be not proud’ John Donne
Song Philip Massinger
On Himself Robert Herrick
To a Gentlewoman, objecting to him his grey hairs Robert Herrick
The parting verse, the feast there ended. Robert Herrick
To the Virgins, to make much of Time Robert Herrick
To Daffodils Robert Herrick
Sic Vita Henry King
Virtue George Herbert
How Soon hath Time John Milton
On Time John Milton
On the University Carrier John Milton
To Chloe, Who Wished Herself Young Enough For Me William Cartwright
To His Coy Mistress Andrew Marvell
Wit and Wisdom Ambrose Philips
A Song of a Young Lady to Her Ancient Lover John Wilmot,Earl of Rochester
On a Fly Drinking Out of His Cup William Oldys
On the Death of Dr Robert Levet Samuel Johnson
‘Epitaph on Mrs Clerke’ Thomas Gray
Elegy Written in a Country Churchyard Thomas Gray
Song from The Duenna R.B. Sheridan
The Echoing Green William Blake
The Angel William Blake
Sound, Sound the Clarion Sir Walter Scott
The Old Familiar Faces Charles Lamb
On His Seventy-fifth Birthday Walter Savage Landor
Jenny Kiss’d Me Leigh Hunt
2 Individual / Body
Anodyne Yusef Komunyakaa
poem to my uterus Lucille Clifton
I Look into My Glass Thomas Hardy
The Face in the Mirror Robert Graves
Old Man Leaves Party Mark Strand
Face Lift Sylvia Plath
On Going Deaf Anne Stevenson
from Hair Gregory Corso
Hairless Jo Shapcott
Cancer Winter Marilyn Hacker
Here Ken Smith
Sixty Years After Derek Walcott
The 90th Year Denise Levertov
During the Eclipse Pascale Petit
Workhorse Kevin Cadwallender
Finale Judith Wright
His Diagnosis Alan Brownjohn
Naked Vision Gwen Harwood
About Time Robin Robertson
Maura Thomas Lynch
Thirtieth Clare Pollard
Should You Die First Annabelle Despard
Child Burial Paula Meehan
Somewhat Unravelled Jo Shapcott
Bearhugs Roger McGough
Climbing My Grandfather Andrew Waterhouse
Wheesht, Wheesht Hugh MacDiarmid
In the Hospital, Near the End Sharon Olds
On Aging Maya Angelou
3 Mind/Social
Father William Lewis Carroll
Things Fleur Adcock
Poem for a Birthday Douglas Dunn
from King Lear (‘Pray do not mock me’) William Shakespeare
His Old Approach Alan Brownjohn
Piano D.H. Lawrence
Hospital Evening Gwen Harwood
Memoirs Tracey Herd
The Other House Anne Stevenson
The Tune the Old Cow Died of Norman Nicholson
City John Betjeman
Fast Forward Fleur Adcock
Ranunculus Which My Father Called a Poppy Peter Porter
The Explosion Philip Larkin
How Lies Grow Maxine Chernoff
My Children Choman Hardi
Indian Cooking Moniza Alvi
Mama Dot Fred D’Aguiar
Names Wendy Cope
Politics W.B. Yeats
The Emigrant Irish Eavan Boland
from I Am Waiting Lawrence Ferlinghetti
Age Robert Creeley
Of all those starting out Seamus Heaney
Heredity Thomas Hardy
‘I Stepped from Plank to Plank’ Emily Dickinson
A Consumer’s Report Peter Porter
Why Should Not Old Men Be Mad? W.B. Yeats
What the Doctor Said Raymond Carver
Naima Kamau Brathwaite
Sonnet
LXXXVIII
: A Final Sonnet Ted Berrigan
I Held a Shelley Manuscript Gregory Corso
J.P. Donleavy’s Dublin Derek Mahon
Dress Rehearsals Robin Robertson
Day Trip Carole Satyamurti
Late Show John Burnside
When I Grow Up Hugo Williams
The Old Fools Philip Larkin
A 14-Year-Old Convalescent Cat in the Winter Gavin Ewart
Swineherd Eiléan Ní Chuilleanáin
Love in a Bathtub Sujata Bhatt
The May Tree Jean Earle
How to Behave with the Ill Julia Darling
Visiting Stanley Kunitz Michael Longley
France Douglas Dunn
Elegy Sean O’Brien
Water Carol Ann Duffy
4 Spirit/Archetypal
from East Coker T.S. Eliot
Into Rail John Hegley
from A Shropshire Lad A.E. Housman
London Bells Anonymous
Her Greatest Love Anna Swir
An Observation Fleur Adcock
At Eighty Edwin Morgan
Late Ripeness Czesław Miłosz
Ninetieth Birthday R.S. Thomas
Grandfather Derek Mahon
To Waken an Old Lady William Carlos Williams
Beautiful Old Age D.H. Lawrence
Sailing to Byzantium W.B. Yeats
from Ode on a Grecian Urn John Keats
Do Not Go Gentle into That Good Night Dylan Thomas
Let Me Die a Youngman’s Death Roger McGough
The Revisit Dannie Abse
Strawberry Meringue Jackie Kay
Defying Gravity Roger McGough
The Last Days of the Comeback Kid Gérard Rudolf
from Findings Paul Batchelor
The Reassurance Thom Gunn
The Presence Dannie Abse
I Remember, I Remember Thomas Hood
Four Ducks on a Pond William Allingham
Handbag Ruth Fainlight
from A Shropshire Lad A.E. Housman
Funeral Blues W.H. Auden
In the Waiting Room Linda France
from The Ship of Death D.H. Lawrence
Vitae summa brevis spem nos vetat incohare longam Ernest Dowson
Charon Louis MacNeice
from A Drunk Man Looks at the Thistle Hugh MacDiarmid
John Anderson, my jo Robert Burns
Fiere Jackie Kay
When You Are Old W.B. Yeats
A Different Kind of Dark Maura Dooley
The Trees Philip Larkin
The Condom Tree Chase Twichell
Everything Changes Cicely Herbert
Variation and Reflection on a Theme by Rilke Denise Levertov
poem in praise of menstruation Lucille Clifton
Primary Wonder Denise Levertov
Heaven To Be Sharon Olds
When I Woke, Everything Was the Same, but Different Olive M. Ritch
Swan in Falling Snow Denise Levertov
from Abide with Me Henry Francis Lyte
Max Linda Chase
Everything Is Going To Be All Right Derek Mahon
Train Ride Ruth Stone
A Call Seamus Heaney
from In the Village Derek Walcott
The Present Michael Donaghy
Going without Saying Bernard O’Donoghue
Snow Carol Ann Duffy
from Johann Joachim Quantz’s Five Lessons The Last LessonW.S. Graham
Scintillate Roger McGough
Crossing the Bar Alfred, Lord Tennyson
Skald’s Death Hugh MacDiarmid
Late Fragment Raymond Carver
5 Older Poets
The Railway Children Seamus Heaney
Lunch Lotte Kramer
The Old Gods Dannie Abse
At Brute Point Margaret Atwood
Swimming in the Flood John Burnside
Miracle Seamus Heaney
Blue Hydrangeas Gillian Clarke
Fanfare U.A. Fanthorpe
On Hearing I’d Outlived My Son the Linguist Roy Fisher
Lullaby Jenny Joseph
Old Flame Linda Chase
Mrs Baldwin Fleur Adcock
Not for Me a Youngman’s Death Roger McGough
Ageing Ruth Fainlight
A Patient Old Cripple Jenny Joseph
Sea Canes Derek Walcott
Longlife Elaine Feinstein
What I Regret Nina Cassian
Lives Derek Mahon
In the Attic Seamus Heaney
ACKNOWLEDGEMENTS
INDEX OF POETS
INDEX OF TITLES AND FIRST LINES
Copyright
FOREWORD
We each grow old in our own way. And each decade brings new problems – new losses new hindrances. We need all the help we can get.
Certain things are unavoidable: the death of friends and contemporaries, the increasing frailty of the body, lapses of memory, changes in the way the world runs that makes it hard to adapt from the familiar world we knew. All these matters need help from public and private sources…the state, friends, family, neighbours, our community.
But among all this flux, one thing abides… the power of the word to move us, above all the power of poetry to distil what matters to the human spirit. That is what makes this book so important. This offers the help our inner self cries out for.
With age comes a growing thoughtfulness: what was it all for? What have we made of our lives, what have we known of love, what have we enjoyed of beauty and how do we come to terms with our going? This remarkable book contains thoughts on all such concerns. Its variety is extensive but one thing is sustained throughout. The quality of ideas and expression is of the highest. On whichever page you alight there is something that will offer comfort, delight, and insight. While the world of money, ambition and worldly cares recedes, matters of the heart and spirit come to matter more. This book is the ideal companion on that journey.
JOAN BAKEWELL
INTRODUCTION
‘Anyone who keeps the ability to see beauty never grows old.’
Kafka’s words on a card sitting on my windowsill have been a touchstone for some time now. However the fact that Kafka died at 41 and that I have just received news of cancer affecting three acquaintances causes me unrest. I remember two very good friends who died young. I retire to the garden to take a break from this introduction. It’s the last day of May and outstandingly sunny. The poppies are flagging, the Queen of the Night tulips are now just dry stems but the foxglove growing from the wall is much taller than me and making a royal purple bid for the sun. Springwatch begins a new season but is it the herald of a new year or an elegy