Gentlemen Callers
By Corinne Hoex
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About this ebook
Corinne Hoex
Corinne Hoex (b. 1946) is an award-winning contemporary Belgian writer and member of the Royal Academy of French Language and Literature of Belgium. She has, to date, published eight works of fiction and prose and over twenty works of poetry. Hoex has won several literary prizes, including the 2013 Prix Félix Denayer in recognition of her collection of work. She currently lives in Brussels.
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Gentlemen Callers - Corinne Hoex
The Gas Station Attendant
He was simple in his dress, meticulously clean, and smelt of primrose soap.
—Anatole France, Little Pierre
Tonight, I dreamed of my gas station attendant. He’d fallen for me, and was lathering my car. I was sitting behind the steering wheel, and he, outside, was rubbing in wide arcs. His sponge foamed, foamed, and with this foam, he covered the roof, the doors, the windows.
I could no longer see anything. I was cut off from the world. All around me, I felt the hands of my attendant rubbing, circling that wet sponge over the body of the car.
Suddenly, my attendant was next to me in the seat. We were both hidden from sight, sheltered under the thick white foam.
The other vehicles were honking, honking, waiting behind us in line for the pump. But the attendant and I were invisible. And I liked the scent of the soap on his wet hands.
I dreamed of my attendant, and nothing will ever be the same. When I saw him this morning at the gas station and he asked me, Want me to do your windshield?
I had such a brutal desire to be a sponge, a sponge in his hand, and I felt the shock of the bucket’s icy water when he plunged me in before stroking me over the window.
The Swimming Instructor
The octopus has no mass of muscle, no threatening cry, no armor, no horn, no sting, no pincers, no tail with which to seize or batter its enemies, no sharp-edged fins, no clawed fins, no spines, no sword, no electric discharge, no virus, no poison, no claws, no beak, no teeth. And yet of all animals the octopus is the one that is most formidably armed.
What, then, is the octopus? It is a suction pad.
—Victor Hugo, The Toilers of the Sea
Since early fall, I’ve been regularly attending the pool on Perch Street where Max, the swimming instructor, in his vermilion Lycra bathing suit, cut very high up on his thighs, practices the backstroke.
I like the backstroke. I’ve likewise dedicated myself to it. One day, with practice, I’ll become this sculpted swimmer with long, tapered legs, who swims with Max in my dreams.
However, tonight, as I head toward the large pool:
Don’t go in! Don’t go in!
my swimming instructor panics, emerging abruptly from the pool, water streaming from his limbs, to run to me over the wet tiles. Don’t go in there! It’s full of octopuses! And they’re ferocious, especially with other women! No, don’t get in! They’re insanely jealous! They’ll devour you!
And, advancing toward me in his molded Speedo:
With me, of course, it’s different,
Max confesses in my ear. They know me. And also, I’m a man,
he flatters himself, snapping the elastic waist-band of his dripping suit. I know how to handle them. Want to see?
Then, standing against me, so close that his chest brushes mine, and his athletic hips, and his muscular thighs, and his appealing suit, my swimming instructor, with his large palms, very slowly, with delicious lightness, caresses my arms, softly caresses, from my wrists to my shoulders, from my shoulders to my wrists, softly caresses.
Under his light touch, my arms lengthen and stretch, divide, unfurl, sharpen dizzyingly, sense new audacities germinating inside them—unruly, brazen, they ripple and wave against Max’s chest, wrap around his waist, clasp his hips, palpate his scarlet suit under their suckers, explore the delights of modern textiles, savor the incomparable qualities of elastane and Lycra.
Facing me, at the edge of the pool, their heads half out of the water, some twenty octopuses are watching me, glaring.
The Furrier
Fruits pure of outrage, by the blight unsmitten,
With firm, smooth flesh that cried out to be bitten.
—Charles Baudelaire, The Flowers of Evil