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Songs of Angus and More Songs of Angus
Songs of Angus and More Songs of Angus
Songs of Angus and More Songs of Angus
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Songs of Angus and More Songs of Angus

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DigiCat Publishing presents to you this special edition of "Songs of Angus and More Songs of Angus" by Violet Jacob. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
LanguageEnglish
PublisherDigiCat
Release dateSep 16, 2022
ISBN8596547377658
Songs of Angus and More Songs of Angus

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    Book preview

    Songs of Angus and More Songs of Angus - Violet Jacob

    Violet Jacob

    Songs of Angus and More Songs of Angus

    EAN 8596547377658

    DigiCat, 2022

    Contact: DigiCat@okpublishing.info

    Table of Contents

    PREFACE

    TAM I' THE KIRK

    THE HOWE O' THE MEARNS

    THE LANG ROAD

    THE BEADLE O' DRUMLEE

    THE WATER-HEN

    THE HEID HORSEMAN

    JEEMSIE MILLER

    THE GEAN-TREES

    THE TOD

    THE BLIND SHEPHERD

    THE DOO'UCOT UP THE BRAES

    LOGIE KIRK

    THE PHILOSOPHY OF THE DITCH

    THE LOST LICHT

    THE LAD I' THE MUNE

    THE GOWK

    THE JACOBITE LASS

    MAGGIE

    THE WHUSTLIN' LAD

    HOGMANAY

    CRAIGO WOODS

    THE WILD GEESE

    GLOSSARY

    MORE SONGS. OF ANGUS. AND OTHERS

    PREFACE

    Table of Contents

    There are few poets to-day who write in the Scots vernacular, and the modesty of the supply is perhaps determined by the slenderness of the demand, for pure Scots is a tongue which in the changes of the age is not widely understood, even in Scotland. The various accents remain, but the old words tend to be forgotten, and we may be in sight of the time when that noble speech shall be degraded to a northern dialect of English. The love of all vanishing things burns most strongly in those to whom they are a memory rather than a presence, and it is not unnatural that the best Scots poetry of our day should have been written by exiles. Stevenson, wearying for his hills of home, found a romance in the wet Edinburgh streets, which might have passed unnoticed had he been condemned to live in the grim reality. And we have Mr. Charles Murray, who in the South African veld writes Scots, not as an exercise, but as a living speech, and recaptures old moods and scenes with a freshness which is hardly possible for those who with their own eyes have watched the fading of the outlines. It is the rarest thing, this use of Scots as a living

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