Tim Gunn: A Guide to Quality, Taste & Style
By Tim Gunn and Kate Moloney
3.5/5
()
About this ebook
As Bravo’s style mentor on Project Runway and Chair of the Fashion Design Department at Parsons The New School for Design, Tim Gunn became a household name. He delivered advice in a frank, witty, and authoritative manner that delighted audiences.
Now readers can benefit from Tim’s considerable fashion wisdom in Tim Gunn: A Guide to Quality, Taste & Style. He discusses every aspect of creating and maintaining your personal style: how to dress for various occasions, how to shop (from designer to chain to vintage stores), how to pick a fashion mentor, how to improve your posture, find the perfect fit, and more. He’ll challenge every reader—whether a seasoned fashionista or a style neophyte-to “make it work!”
“Tim Gunn’s book is as fun and informative as his knowledge of fashion!!!” —Diane von Furstenberg, designer
“Tim’s book is perfect for helping you find your own personal style and accentuate it. His witty and encouraging voice is evident throughout, focusing on everything from organizing your closet and maintaining your wardrobe to caring for your skin and perfecting your posture. Whether you’re a fashion expert or a style novice, Tim’s book is full of practical yet chic tidbits everyone can enjoy.” —Nina Garcia, editor-in-chief of Elle magazine
“Whether revealing the secrets of ‘The Under Arsenal’ or ruminating on the ‘tone’ and ‘diction’ of a handbag, Gunn’s text is clever, a touch waggish, and highly practical for both ensemble mavens and fashion criminals.” —Publishers Weekly
Tim Gunn
Beloved pop culture icon and New York Times bestselling author Tim Gunn is best known as the Emmy Award–winning host of Project Runway. He also hosted two seasons of his own Bravo makeover series, Tim Gunn’s Guide to Style, and was the host of the reality TV series Under the Gunn.
Read more from Tim Gunn
Tim Gunn's Fashion Bible: The Fascinating History of Everything in Your Closet Rating: 4 out of 5 stars4/5Gunn's Golden Rules: Life's Little Lessons for Making It Work Rating: 4 out of 5 stars4/5Tim Gunn: The Natty Professor: A Master Class on Mentoring, Motivating, and Making It Work! Rating: 5 out of 5 stars5/5Woodward & Lothrop: A Store Worthy of the Nation's Capital Rating: 0 out of 5 stars0 ratings
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Reviews for Tim Gunn
100 ratings9 reviews
- Rating: 3 out of 5 stars3/5Cute and witty in some places. There was a lot of what shouldn't be done. Things "they" wouldn't do. Complaints of the fashion world gone awry with most of the population. But very little tips on what to wear for certain occasions. And even less suggestions for those closet must haves:
2 pairs of boots - dressy and casual
flats that can go to the office, but work with jeans also
one pair of daring - go with anything evening heels.
It was an entertaining book, but I'm not sure it would be helpful to someone actually looking for style advice. Unless of course you seriously don't know you shouldn't wear flip flops to the White House. - Rating: 5 out of 5 stars5/5Alright, I admit it, I read these sorts of books occasionally. Reason I fessed up to this one? Tim Gunn is wonderful. He isn't trying to get you to buy some $600 shoes or purse. His emphasis is on the classics, something that a lot of people forget about these days.
This isn't a book about fashion, it's about being honest with yourself. And I can appreciate that. - Rating: 4 out of 5 stars4/5Tim Gunn could (and should!) write big-worded instructional guides for all aspects of life, and I'd excitedly devour it.
Sure, you might already know how to dress yourself and not look like hell revisited. Maybe you don't care about style at all! Point being, if you derive any enjoyment from Tim Gunn whatsoever, such circumstances should not stop you from reading this book.
(for funzies: Pretend he is sitting at your kitchen table drinking coffee with you as you read.) - Rating: 3 out of 5 stars3/5Ah, Tim Gunn. You would be in fear of my overstuffed closet and drawers. I will try to apply your advice to my clothing, but it is difficult.
- Rating: 5 out of 5 stars5/5I just love, love, love Tim Gunn. He seems like such a sweet, flawless man, and this book is both endlessly encouraging but with a definite prod to get off your butt and "make it work!".
- Rating: 3 out of 5 stars3/5The writing style is charmingly goofy and the advice is inspirational and upbeat. There's no snark*, there's no angst, it's all about how to figure out who you are and how you want others to perceive you. Whether you're sartorially inspired by Oprah Winfrey or Natalie Portman, it's all about carefully evaluating your closet and making future purchasing decisions based on what fits you -- your personality, your body and your budget.For those of us who need a bit more explicit advice about how to know when something fits, how to determine whether or not a fabric will stand up to regular wear and what all a tailor can do, The Pocket Stylist: Behind-the-Scenes Expertise from a Fashion Pro on Creating Your Own Look by Kendall Farr might be a welcome supplement.*Ok, upon reflection, there is a little snark. But it's mostly related to the ubiquitousness of flip-flops and pajamas in public, so I'm giving him a free pass on it.
- Rating: 4 out of 5 stars4/5Why does Tim Gunn say "Make it work" on Project Runway"?What the basic garments that a woman shlould have in her closet. What kind of skirt or pants should a woman with a tummy look for? What effect does wearing clothes a couple sizes too big have? Tim Gunn answers those questions in his book, A Guide to Quality, Taste and Style. He teaches with wit, a little bit of French and sketches instead of photos. I would have preferred photos and instead of the basics, some in depth discussion of common problems that women face today. I enjoyed this book more for Tim's own particular style than for a lot of the tips that I already knew.
- Rating: 4 out of 5 stars4/5Includes valuable tips on good posture and basics of walking. Will always remember to do it, I hope. I'm also a big fan of the t.v. series, and the book will probably appeal more to that audience.
- Rating: 3 out of 5 stars3/5It's obviously not great literature, and it's probably not even the most useful book of fashion tips, but it was a fast, fun read. The book and its authors don't seem to take themselves too seriously, and as an unlikely Project Runway devotee and a conflicted, sporadic follower of fashion, I thought the tone was friendly and laidback. Some of the best moments were Gunn's tangential anecdotes about his mother or people he's met, and I almost wish that there was a bit more storytelling and a little less advice. I'd heard many of the fashion tips before, but for some reason, it sounds better coming from Gunn and Moloney.
Book preview
Tim Gunn - Tim Gunn
Tim Gunn
A GUIDE TO
QUALITY, TASTE & STYLE
Library of Congress Cataloging-in-Publication Data:
Gunn, Tim.
Tim Gunn : a guide to quality, taste, and style / by Tim Gunn with
Kate Moloney.
p. cm.
ISBN: 978-0-8109-9284-9 (hardcover with jacket)
1. Clothing and dress. 2. Fashion. I. Moloney, Kate. II. Title.
TT507.G86 2007
646’.34—dc22
2007003860
Copyright © 2007 Tim Gunn and Kate Moloney
Illustrations by Lainé Roundy
Designer: Becky Terhune
Editors: Tamar Brazis and Susan Van Metre
Published in 2007 by Abrams Image, an imprint of
Harry N. Abrams, Inc. All rights reserved. No portion of this book may
be reproduced, stored in a retrieval system, or transmitted in any form or by
any means, mechanical, electronic, photocopying, recording, or otherwise,
without written permission from the publisher.
Abrams Image books are available at special discounts when purchased in
quantity for premiums and promotions as well as fundraising or educational use.
Special editions can also be created to specification.
For details, contact specialmarkets@hnabooks.com or the address below.
www.hnabooks.com
We dedicate this book to all those who aspire to quality,
taste, and style, and to those who have achieved it!
—T.G. and K.M.
Contents
Chapter One
WHO YOU ARE
Chapter Two
THE FIT CONUNDRUM
Chapter Three
DIAGNOSING THE COMMON CLOSET
Chapter Four
THE FASHION MENTOR: BEYOND AUDREY
Chapter Five
SHOULDERS BACK:
STYLE FROM THE INSIDE OUT
Chapter Six
PREPARING TO SHOP
Chapter Seven
LET’S GO: SHOPPING AT LAST!
Chapter Eight
ACCESSORIES: SAY NO TO THE IT
BAG
Chapter Nine
NOT YOUR EVERYDAY OCCASION
Chapter Ten
APPENDICES
Tim Gunn
A GUIDE TO
QUALITY, TASTE & STYLE
The Lesson: Understanding and acknowledging who you are is the most important key to the content of your wardrobe. If you consider your wardrobe to be a sphinx, then the sphinx’s riddle is surely, who are you?
Only you possess the answer. Who you are can take us down the longest metaphysical road, so try not to get swept up in too much brooding self-examination and analysis. This doesn’t have to be daunting. In fact, we believe this book can make it fun.
"Know, first, who you are;
and then adorn yourself accordingly."
—Epictetus
A NOTE BEFORE WE BEGIN
Dressed in white slacks and an off-the-shoulder sweater, Diane von Furstenberg uses an asparagus spear to tidy the couscous left on her lunch plate. We’re sitting amidst Moroccan serving platters of marinated chicken and green salad at the gorgeous and exotic dining table in her enormous loft in the far West Village. She looks up at me and declares, Tim, you must never lose your voice as an educator.
That was her response when I first told her about this book, and it has resonated in me during each and every day of writing. Diane is a dear friend and colleague, and a huge supporter of design education. She is a wise counsel, an oracle, and I adore her for her always frank conversations and occasional outbursts of tough love.
This book is not intended to be an oracle, but it is intended to offer wise counsel and, I hope, inspiration. The centerpiece of the book is you, the reader. I ask that you rid yourself of boundaries and barriers in order to truthfully examine who you are and what your lifestyle is like with the same directness and tough love that Diane von Furstenberg extended to me. This book doesn’t want to change you. You are who you are for a reason. I want the content of this book to enhance you, accentuating your positive aspects and mitigating your negative ones.
Unlike the designers I work with on television and my students at Parsons, you and I are not face to face. So don’t harbor any concerns that I’m going to stare you down with shock or incredulity. I’ll let you do that! The goal of this book is to provide you with the tools for an honest self-analysis. I want you to have an epiphany; that is, a moment when reading or reflecting that causes you to emit, Eureka! I get it!
After your self-awareness is honed, then any actions in response to your epiphany are owned by you.
QUALITY, TASTE & STYLE
Quality, Taste, and Style,
is my operative tenet for most of what I do. It’s another way of saying, The Best.
I aim to achieve that in everything from my work at Parsons to my critiques of the designers on television to fixing a meal or cleaning my apartment. Why take on an endeavor if you’re not committed to doing your best? I hope to inspire you to better understand your own standards for quality, taste, and style, as defined by you.
None of this is easy. It requires commitment and discipline. While writing, I was constantly examining myself and took both pain and pleasure when putting to practice my own advice. Just this morning, I found myself presented with a clothing dilemma. In preparation for a ten-day trip, I had several suits and many shirts at the dry cleaner that wouldn’t be ready for another day. A heavy wool suit loomed at me, but it was inappropriate for this unseasonably warm late-October day. My black suits struck me as being too dressy for those with whom I would engage, so separates—pants, sportcoats—seemed to be the answer. It struck me that a closet isn’t a clothing store. It’s a collection of items that reside there for the purpose of being chosen—or not. So why is it that I so frequently ponder and search, but come up empty, declaring, I’ll need to shop for X so that this dilemma can be reconciled
? That’s the wrong approach. The correct approach is to make it work! I merely need to take my own medicine!
MAKE IT WORK!
Make it work!
is an enormously useful expression. I remember the first time I used it. It was roughly six years ago in one of my classes at Parsons. I find that often students who struggle with an assignment are inclined to abandon the struggle and begin again. This practice unnerves me, because it’s like playing roulette with one’s work. What assurance does one have that the next spin of the wheel will be successful? Important learning occurs when a struggle is examined and analyzed, diagnosed, and a prescription offered. Ergo, make it work. I believe that we all benefit from the make-it-work practice.
So I suggest that we all come to terms with what fashion looks we gravitate toward and then analyze them for their particulars: items of apparel, color stories, accessories, even hair and makeup. Think of this process as being like playing with Colorforms. The items of apparel and accessories are discreet components designed to be mixed and matched. You’re selecting and placing them on an image of you, so take into account your coloring, your height, and your silhouette. Look carefully at the proportion of the clothes in relation to your body and the proportions of each item in relation to the others. Where does the skirt’s hem end on your leg? What about the jacket’s shoulders and arm length? Where does the jacket hit the skirt? With each and every addition of an item, silhouette and proportion change. Be attentive to these myriad moving parts! Start asking these questions and more: Which fabrics do you feel most comfortable in? How do you accessorize? Where do you shop? What does your carriage say about you?
MILIEU AND ITS ATTENDANT EXPECTATIONS
Notice that this chapter is not titled Who Are You?
That question strikes me as being quasi-confrontational. I’m reminded of the chilling scene in The Wizard of Oz when Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion stand before a stage of fire and brimstone, replete with voluminous clouds of spewing smoke. An apparition, the hydrocephalic emerald green Wizard, bellows at them, Who are you?!
in a manner that challenges their mere existence. I love the fact that you exist!
Who you are embraces everything about you, from your family’s origins to your predilections for particular films and music, to your fantasies and reveries, to your weekly routines. It’s also your size, shape, and proportions, and your coloring. And it’s the city or town in which you live, your home, and your friends and colleagues. It’s milieu.
With milieu comes attendant expectations. How we dress sends a message about who we are, or at least how we want the world to perceive us. It’s the semiology of clothes. Although I’m not a fan of Roland Barthes, I do subscribe to his theory that language is a self-contained system of signs. How we dress is a personal form of language; it is highly informed by our society and culture. So, as you face your wardrobe and prepare to dress for the day, project yourself onto a billboard in Times Square. How will people respond to that image of you, and what assumptions will they make about who you are?
While I acknowledge that who I am is a synthesis of my genetic makeup, my upbringing, my education, and my life experience, when I seriously home in on the essence of me, it’s my professional life that defines me. Although a New Yorker for close to a quarter of a century, my sartorial roots are in Washington, D.C.
I love my hometown, but let’s be honest, with the exception of the dazzling Kennedy years, Washington is a fashion desert. When I was younger, Brooks Brothers was my haberdasher of choice, and while I respect its market, it’s hardly fashion forward. As a struggling sculptor in D.C., I survived by building architectural models and had a wardrobe of jeans, khakis, and T-shirts, which was appropriate enough. Later, I began teaching three-dimensional design at the Corcoran, so I paired the jeans and khakis with button-down oxford shirts. When I began working in the Corcoran’s Office of Admissions, I traveled nationwide to recruit students, so I added neckties and a navy blazer to my wardrobe. Later still, with more maturity and responsibility, I added suits—my favorite at that time being a gray glen plaid. When I accepted a position at Parsons and moved to New York in 1983, the D.C. wardrobe followed. I wore it with no regard for the fashion circus that is New York. I wasn’t out of place, because you can wear anything in the City That Never Sleeps, but I wasn’t acknowledging the expanded possibilities that the city provided for my wardrobe, either. But, eventually, I did add Ralph Lauren to my vocabulary, partially because their flagship at 72nd Street and Madison Avenue is one of the most spectacular interiors on earth. Who wouldn’t want to visit?!
For years and years, I was Associate Dean at Parsons. In that capacity, I wore a suit and tie every day—gray, grayer, and grayest. Frankly, it wasn’t until my position at Parsons shifted to Chair of the Department of Fashion Design—temporarily I thought—that I came