Great Book of Dragon Patterns, Revised and Expanded Third Edition: The Ultimate Design Sourcebook for Artists and Craftspeople
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A guide for creating your own fantastic renderings of man's favorite foe: the dragon! Use the Lora Irish’s dragon patterns or apply her techniques to create your own. Includes more than 100 patterns, basic dragon anatomy, fascinating dragon lore, evolution and more! Updated for this edition is brand new dragon art for both Eastern and Western dr
Lora S. Irish
Lora S. Irish is an internationally known artist and author, whose acclaimed books include Great Book of Carving Patterns, Great Book of Celtic Patterns, Great Book of Dragon Patterns, Great Book of Tattoo Designs, The Official Vampire Artist's Handbook, Relief Carving Wood Spirits, World Wildlife Patterns for the Scroll Saw, and many more. Fox Chapel Publishing has sold more than 500,000 copies of Irish's books. Lora is also a frequent contributor to Woodcarving Illustrated and to Scroll Saw Woodworking and Crafts magazines.
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Great Book of Dragon Patterns, Revised and Expanded Third Edition - Lora S. Irish
INTRODUCTION
From the earliest creation stories to contemporary fantasy tales, dragons fill the sky. They are wonderful, winged beasts that fight the reluctant hero, raid our livestock herds for food, terrorize our villages, and abduct our first born maiden children.
Bright, golden sails block the sun when they take to the heavens, the celestial bodies are eclipsed when they feast upon the stars, and the earth trembles when they return to land. These monstrous animals can be our worst enemies, representing everything evil and vile that we can imagine, or they can become our closest allies, their very lives bounded to ours.
Nothing is certain about dragons, except the fact that they have captured our imaginations since the beginning of time. Greens, reds, blues, blacks, opalescent tones—dragons come in every color under the sun. Two-winged serpents, two-legged worms, four-limbed drakes . . . The variety of the species is large, each animal different than its cousins.
As artists, we are especially enthralled with the idea of the winged beast. We have used their images to decorate the armor our heroes have taken to battle, to accent the pages of our written texts, and to fill our canvases with open sails and curling tails. With today’s resurgence in the popularity of dragons, these beasts have become a favorite theme for both the fine artist and the crafter. Winged Lizards dance across hand-painted T-shirts and Sea Serpents sail oceans created on needlepoint canvases. Dragons are extremely adaptable subjects for any art medium or style.
Know your subject
is the mantra of artists. Only by understanding and comprehending that which we wish to represent in our art are we able to create images that are both believable and that will have an emotional impact on the viewer. With today’s resurgence of the dragon ideology and imagery, it is especially important for us to take a look at dragonkind through the lens of mythology. In this way, we can come to understand the art and symbolism that has gone before us and put those ideas to use in today’s works.
This book is meant to be a brief synopsis for the dragon artist, a gathering together of the beasts that have appeared in legends and tales throughout the Western world. We will explore some of the species that have been recorded, look at how their bodies may be constructed, and take a fun look at how our writers of past ages have portrayed these monsters.
Throughout the text, you will find patterns for the classic dragon, including free-form beasts, architectural accents, heraldry designs, and of course, playful characters. As you work through the pages, you will learn how to take these patterns and adapt them to create unique dragons of your own.
In conclusion, this book is meant only as a starting point for the dragon artist. My hope is that within these pages you might find some ideas, some imagery that you may then use to create a world full of winged serpents unlike any seen before.
—Lora S. Irish
CHAPTER ONE
DRAGON ART
or How do I use this book in my artwork?
Artists are constantly looking for new ideas that can be adapted to their work. The dragon patterns within these pages are designed so that you, the artist, can not only use them directly from the pages but also manipulate the designs to better fulfill your needs. So whether you are a scroll saw artist, needle arts designer, or a fine arts oil painter, you will discover that these patterns can easily be adapted to your specialty.
Because the dragon is created from man’s imagination, his body shape, adornments, skin texture, color, and even his environment are open to the interruption of the crafter. Many of the physical features can be stretched or compressed to meet the size and area limitations of the media in which you are working.
An example of the simple changes an artist can effect is found in the wood burned mirror. This dragon pattern is displayed here. From the original drawing the dragon’s tail has been elongated to encompass the edges on the mirror frame, the wings have been stretched, and the orb has been reduced to fit the working area. With just these few changes the pattern now becomes a mirror dragon design. It is my hope and my intention that these gallery pages will spark many ideas for your creative work.
IllustrationIntarsia dragon (wood) by Sam Wilcox. Based on Dragon Portrait,
here.
Woodburned box with lid, based on Ribbed-Back Sample Dragon,
here.
Airbrushed denim jacket, based on Entwined Tail Knots,
here.
Pyrography on wood, based on Leaf Dragon Curl,
here.
Colored pencil on watercolor paper, based on Straight Horned Dragon,
here.
Colored pencil on watercolor paper, based on Ornamented Dragon Head,
here.
Colored pencil on watercolor paper, based on Frilled Dragon Head,
here.
Colored pencil on watercolor paper, based on Corner Dragon,
here.
Colored pencil on watercolor paper, based on Dragon on Column,
here.
Colored pencil on watercolor paper, based on Little Dragon,
here.
Colored pencil on watercolor paper, based on Spiral Dragon,
here.
Colored pencil on watercolor paper, based on Twist Dragon,
here.
Colored pencil on watercolor paper, based on Growling Dragon,
here.
Cut paper, based on Wyvern Mirror,
here.
Cut paper, based on Ocean Crests,
here.
Hand-painted needlepoint canvas, based on Sentinel,
here.
Well-Guarded Orb, water color (variation on Wyvern Mirror,
here).
Oil on canvas, based on Heart Dragon Mirror Image,
here.
CHAPTER TWO
BASIC DRAGON TRAITS
or What does a dragon do when it’s not fighting heroes?
As artists hoping to make believable renderings of these amazing creatures, it is important to understand the history and lore of the dragon before actually creating our own pictures of the beast. Throughout history the dragon appears in legends, mythologies, and oral traditions as an adversary to mankind. They are more than simple animal characters that appear within