The Scaring off of Teddy Dawson: A Comedy in One Act

By Harold Brighouse

DigiCat Publishing presents to you this special edition of "The Scaring off of Teddy Dawson" (A Comedy in One Act) by Harold Brighouse. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

• Language: English
• Publisher: DigiCat
• Release date: Aug 15, 2022
• ISBN: 8596547181729

Harold Brighouse

Playwright Harold Brighouse (1882–1958) remains best known for his 1916 classic Hobson’s Choice. The story of how a tyrannical Lancashire boot maker is brought down to earth by his daughter and her simple husband, Hobson’s Choice has been much revived and was last seen in London at The Young Vic in 2003. It was filmed by David Lean with Charles Laughton and John Mills, and even adapted into a ballet. Brighouse brought a new and groundbreaking style to British theatre, portraying the bleak and harsh lives of the working classes, but combining it with a unique Northern flavour and wit. He was a leading member of the ‘Manchester School’ of playwrights, along with well known Northern writers such as Stanley Houghton and Allan Monkhouse, a group of writers all largely based at Annie Horniman’s Gaiety Theatre, Manchester. The Finborough Theatre revived Harold Brighouse's The Northerners in 2010.

Book preview

Harold Brighouse

The Scaring off of Teddy Dawson

A Comedy in One Act

EAN 8596547181729

DigiCat, 2022

Contact: [e-mail]

Table of Contents

Cover

Titlepage

Text

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Living room of a small house in an East End sidestreet. Door direct to street back centre. Next it, window. Door to house l. Kitchen range R. Dresser with crockery l. Centre is a table. Four deal chairs. At the table Polly Bettesworth is ironing as the curtain rises. She is no more than fifty, but a hard life has aged her in appearance beyond her years. A cheap serge skirt and a dark printed blouse, with elastic-sided boots, form her visible attire. Her husband (Andrew) throws open the door c. and enters rapidly from street. He is a navvy, dressed in corduroy, with a leather belt, and is in his shirt sleeves, having been to the nearest public for the supper beer, which is in a large jug in his hand He is a large man, and Polly seems small by con-start. It is evening, but still light.

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Andrew (angrily). Where's our Liza?