The Lamp and the Bell: A Drama In Five Acts
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Edna St. Vincent Millay
Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College. After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective. In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor. She died in 1950.
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The Lamp and the Bell - Edna St. Vincent Millay
Edna St. Vincent Millay
The Lamp and the Bell
A Drama In Five Acts
EAN 8596547159926
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
PROLOGUE
ACT I
ACT II
ACT III
ACT IV
ACT V
Written on the occasion of the Fiftieth Anniversary of the
Founding of the Vassar College Alumnae Association
Dedicated to '1917'
Lorenzo, King of Fiori Julia Lovejoy Cuniberti '11
Mario, King of Lagoverde Valerie Knapp '20
Guido, Duke of Versilia,
Illegitimate nephew to Lorenzo Louisa Brook Jones '07
Giovanni Katherine Jones '20
Luigi Muriel Izard '17
Anselmo Lucia Cole Waram '01
Raffaele Eleanor Kissan '20
Gentlemen at the court of Lorenzo
Fidelio Geneva Harrison '20
Jester at the court of Lorenzo
Giuseppe Eleanor Fatman Morgenthau '13
Agent for the Duke's estates
Cesco Gertrude Taylow Watkins '07
Horatio Lucille Stimson Harbey '09
Townsmen of Fiori
Beppo Marcell Furman Newburg '19
A little boy, son to Guiliana
Rigo Ruth Delepenha '17
Louis Emily Gallagher '21
Little boys, sons to Leonora
Clerk Lucy Madeira Wing '96
Messenger Esther Saville Davis '06
Octavia, Lorenzo's second wife Montgomery Cooper '09
Beatrice, Rose-Red,
Clifford Sellers '21
Daughter to Lorenzo by a former marriage
Bianca, Snow-White,
Lois Duffie '20
Daughter to Octavia by a former marriage
Laura Frances Stout Kellman '17
Carlotta Kathleen Millay Young ex-'21
Francesca Dorothy Comstock '19
Viola Lillian White '18
Lilina Caroline Goodrich '16
Lela Sylvia Brockway '20
Arianna Margaret Hughes '18
Claudia Janet Lane '18
Clara Jeanette Baker '18
Lucia Ellen Hasbrouck '15
Ladies at the Court of Lorenzo
Grazia Eleanor Ray Broeniman '99
Nurse to Beatrice and Bianca
Giulietta, servant to Bianca Virginia Archibold '17
Little Snow-White
Gretchen Tonks
Little Rose-Red
Joy Macracken '36
Leonora Catherine Barr '20
Giuliana Mabel Hastings Humpstone '94
Clara Olive Remington '19
Giovanitta Caroline Curtis Johnson '83
Anna Frances Haldeman Sidwell '84
Eugenia Helen Hoy Greeley '99
Townsmen of Fiori
Eleanora
A little girl, daughter to Leonora
Gilda Ruth Benedict '20
A little girl, sister to Beppo
Adelina, another little girl Maiserie MacCracken '31
Nurse Edith Ward
Pierrot
Harlequin
Pant Aloon
Polichinello
Colombine
Strolling players
Courtiers, Ladies-in-Waiting, Soldiers, Pages, Musicians,
Towns-people, Children
PROLOGUE
Table of Contents
[Anselmo and Luigi]
ANSELMO. What think you,—lies there any truth in the tale
The King will wed again?
LUIGI. Why not, Anselmo?
A king is no less lonely than a collier
When his wife dies, And his young daughter there,
For all her being a princess, is no less
A motherless child, and cries herself to sleep
Night after night, as noisily as any,
You may be sure.
ANSELMO. A motherless child loves not,
They say, the second mother. Though the King
May find him comfort in another face,—
As it is well he should—the child, I fancy,
Is not so lonely as she is distraught
With grief for the dead Queen, and will not lightly
Be parted from her tears.
LUIGI. If tales be true,
The woman hath a daughter, near the age
Of his, will be a playmate for the Princess.
CURTAIN
ACT I
Table of Contents
Scene 1
[Scene: A garden of the palace at Fiori; four years later.]
[Discovered seated Laura, Francesca and Fidelio, Laura embroidering,
Fidelio strumming his flute, Francesca lost in thought.]
LAURA. You,—Fool! If there be two chords to your lute,
Give us the other for a time!
FRANCESCA. And yet, Laura,
I somewhat fancied that soft sound he made.
'Twas all on the same tone,—but 'twas a sweet tone.
LAURA. 'Tis like you. As for myself, let music change
From time to time, or have done altogether.
Sing us the song, Fidelio, that you made
Last night,—a song of flowers, and fair skies,
And nightingales, and love.
FIDELIO. I know the song.
It is a song of winter.
LAURA. How is that?
FIDELIO. Because it is a song of summer set
To a sad tune.
FRANCESCA. [Sadly] Ah, well,—so that it be not
A song of autumn, I can bear to hear it.
LAURA. In any case, music. I am in a mood for music.
I am in a mood where if something be not done
To startle me, I shall confess my sins.
[Enter Carlotta.]
CARLOTTA. Ha! I will have that woman yet by the hair!
LAURA. What woman, pray, Carlotta?
CAR. Ho! What woman!
Who but that scullery-wench, that onion-monger,
That slatternly, pale bakress, that foul witch,
The coroneted Fish-Wife of Fiori,
Her Majesty, the Queen!
FRA. Hush—hush—Carlotta!
You could be put to death for less than that!
CAR. Not