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Second April
Second April
Second April
Ebook94 pages39 minutes

Second April

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LanguageEnglish
Release dateJan 1, 2004
Author

Edna St. Vincent Millay

Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College. After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective. In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor. She died in 1950.

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  • Rating: 4 out of 5 stars
    4/5
    The poem "Travel" reminded me of Freya Stark in it's restlessness and sense of adventure. To look at train tracks and wonder where they end up. To watch a plane make its way across the sky, the contrails fading bit by bit, and guess its final destination. Who hasn't done that?
  • Rating: 5 out of 5 stars
    5/5
    Lyric poetry at its best. The second April after her affair. The sonnet sequence that establishes her firmly as a master of that form.

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Second April - Edna St. Vincent Millay

The Project Gutenberg EBook of Second April, by Edna St. Vincent Millay

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever.  You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.org

Title: Second April

Author: Edna St. Vincent Millay

Release Date: August 13, 2008 [EBook #1247]

Last Updated: February 6, 2013

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK SECOND APRIL ***

Produced by Judy Boss, and David Widger

SECOND APRIL

By Edna St. Vincent Millay

TO

MY BELOVED FRIEND

CAROLINE B. DOW


CONTENTS

SECOND APRIL

SPRING

CITY TREES

THE BLUE-FLAG IN THE BOG

JOURNEY

EEL-GRASS

ELEGY BEFORE DEATH

THE BEAN-STALK

WEEDS

PASSER MORTUUS EST

PASTORAL

ASSAULT

TRAVEL

LOW-TIDE

SONG OF A SECOND APRIL

ROSEMARY

THE POET AND HIS BOOK

ALMS

INLAND

TO A POET THAT DIED YOUNG

WRAITH

EBB

ELAINE

BURIAL

MARIPOSA

THE LITTLE HILL

DOUBT NO MORE THAT OBERON

LAMENT

EXILED

THE DEATH OF AUTUMN

ODE TO SILENCE

EPITAPH

PRAYER TO PERSEPHONE

CHORUS

ELEGY

DIRGE

SONNETS

WILD SWANS


SECOND APRIL

SPRING

     To what purpose, April, do you return again?

     Beauty is not enough.

     You can no longer quiet me with the redness

     Of little leaves opening stickily.

     I know what I know.

     The sun is hot on my neck as I observe

     The spikes of the crocus.

     The smell of the earth is good.

     It is apparent that there is no death.

     But what does that signify?

     Not only under ground are the brains of men

     Eaten by maggots,

     Life in itself

     Is nothing,

     An empty cup, a flight of uncarpeted stairs.

     It is not enough that yearly, down this hill,

     April

     Comes like an idiot, babbling and strewing flowers.

CITY TREES

     The trees along this city street,

       Save for the traffic and the trains,

     Would make a sound as thin and sweet

       As trees in country lanes.

     And people standing in their shade

       Out of a shower, undoubtedly

     Would hear such music as is made

       Upon a country tree.

     Oh, little leaves that are so dumb

       Against the shrieking city air,

     I watch you when the wind has come,—

       I know what sound is there.

THE BLUE-FLAG IN THE BOG

     God had called us, and we came;

       Our loved Earth to ashes left;

     Heaven was a neighbor's house,

       Open to us, bereft.

     Gay the lights of Heaven showed,

       And 'twas God who walked ahead;

     Yet I wept along the road,

       Wanting my own house instead.

     Wept unseen, unheeded cried,

       "All you things my eyes have kissed,

     Fare you well!  We meet no more,

       Lovely, lovely tattered mist!

     Weary wings that rise and fall

       All day long above the fire!"—

     Red with heat was every wall,

       Rough with heat was every wire—

     "Fare you well, you little winds

       That the flying embers chase!

     Fare you well, you shuddering day,

       With your hands before your face!

     And, ah, blackened by strange blight,

       Or to a false sun unfurled,

     Now forevermore goodbye,

       All the gardens in the world!

     On the windless hills of Heaven,

       That I have no wish to see,

     White, eternal lilies stand,

       By a lake of ebony.

     But the Earth forevermore

       Is a place where nothing grows,—

     Dawn will come, and no bud break;

       Evening, and no blossom close.

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