Elizabeth Barrett Browning, The Poetry Of
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The Poetry of Elizabeth Barrett Browning. Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of twelve children. Family wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500 acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations . Shortly thereafter Elizabeth became afflicted with an unknown disease and became addicted to morphine. Despite this she continued to write and became increasingly popular both in England and in the United States. Her poems against slavery chronicled her abhorrence of the basis of the family wealth. In 1844 she was introduced to the younger Robert Browning who was a great admirer of her work and began a secret courtship and thence to marriage. To him she wrote and dedicated one of her greatest works; Sonnets from the Portuguese and they went to live in Italy in 1846. Although by now an invalid she seemed insecure of the love of the vigorous Robert but continued to write and publish poetry as diverse as love sonnets and political pieces before succumbing to death in 1861. Many of these poems are also available on our audiobook version at iTunes, Amazon and other digital stores.
Elizabeth Barrett Browning
Elizabeth Barrett Browning (1806-1861) was an English poet. The daughter of a wealthy family—her father made his fortune as a slave owner in Jamaica, while her mother’s family owned and operated sugar plantations, mills, and ships—Browning eventually became an abolitionist and advocate for child labor laws. Her marriage to the prominent Victorian poet Robert Browning caused the final break between Browning and her family, after which she moved to Italy and lived there with Robert for the rest of her life. She began writing poems at a young age, finding success with the 1844 publication of Poems. Browning went on to be recognized as one of the foremost poets of early Victorian England, influencing such writers as Edgar Allen Poe and Emily Dickinson. She is most famous for her Sonnets from the Portuguese, a collection of 44 love poems published in 1850, and Aurora Leigh, an 1856 epic poem described by leading Victorian critic John Ruskin as the greatest long poem written in the nineteenth century. Browning suffered from numerous illnesses throughout her life, eventually succumbing in Florence at the age of 55.
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Promtheus Bound: A Translation Rating: 0 out of 5 stars0 ratingsThe Collected Poems of Elizabeth Barrett Browning Rating: 4 out of 5 stars4/5Aurora Leigh: With linked Table of Contents Rating: 4 out of 5 stars4/5Sonnets from the Portuguese and Other Poems Rating: 4 out of 5 stars4/5'He Giveth His Beloved Sleep' Rating: 0 out of 5 stars0 ratingsThe Battle of Marathon Rating: 0 out of 5 stars0 ratingsThe Poetry Of Kissing Rating: 0 out of 5 stars0 ratingsThe Poetry Hour - Volume 1: Time For The Soul Rating: 1 out of 5 stars1/5The Poetical Works of Elizabeth Barrett Browning, Vol. I Rating: 0 out of 5 stars0 ratingsSonnets from the Portuguese Rating: 0 out of 5 stars0 ratingsThe Poetry of Love. Speaking from the Heart Rating: 0 out of 5 stars0 ratingsThe Poetical Works of Elizabeth Barrett Browning, Volume IV Rating: 0 out of 5 stars0 ratingsThe Swan's Nest Among the Reeds - Selected Bird Poems of Elizabeth Barrett Browning Rating: 0 out of 5 stars0 ratingsThe Letters of Robert Browning and Elizabeth Barrng: I Rating: 0 out of 5 stars0 ratingsO May I Join the Choir Invisible! and Other Favorite Poems Rating: 0 out of 5 stars0 ratingsOxford Classics: Poetry Rating: 0 out of 5 stars0 ratings
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Elizabeth Barrett Browning, The Poetry Of - Elizabeth Barrett Browning
Elizabeth Barrett Browning, The Poetry
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage.
Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of twelve children. Family wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500 acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations . Shortly thereafter Elizabeth became afflicted with an unknown disease and became addicted to morphine.
Despite this she continued to write and became increasingly popular both in England and in the United States. Her poems against slavery chronicled her abhorrence of the basis of the family wealth
In 1844 she was introduced to the younger Robert Browning who was a great admirer of her work and began a secret courtship and thence to marriage. To him she wrote and dedicated one of her greatest works; ‘Sonnets From The Portuguese’ and they went to live in Italy in 1846. Although her health continued to deteriorate her population and influence increased as she continued to write and publish poetry as diverse as love sonnets and political pieces before succumbing to death in 1861. Today she is much loved and highly regarded as one of the greatest of the Victorian poets.
Many samples are at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee The full volume can be purchased from iTunes, Amazon and other digital stores. Among our readers are Richard Mitchley and Ghizela Rowe
Index Of Poetry
The Soul’s Expression
Tears
The Best Thing In The World
The House Of Clouds
The Prisoner
The Poet And The Bird
The Two Sayings
The Lady’s Yes
A Curse For A Nation
A Thought For A Lonely Death Bed
A Man’s Requirtements
A Woman’s Shortcomings
Comfort
Consolation
Adequacy
An Apprehension
A Musical Instrument
Discontent
Exaggeration
Futurity
Grief
Insufficiency
Irreparableness
Minstrelsy
My Heart And I
Mother And Poet
Pain In Pleasure
Past And Future
Perplexed Music
The Best Thing In The World
The Cry Of The Children
The Runaway Slave At Pilgrims Point
Sonnets From The Portuguese
The Landing Of The Pilgrim Fathers
A Thought For A Lonely Death Bed
The Soul’s Expression
With stammering lips and insufficient sound
I strive and struggle to deliver right
That music of my nature, day and night
With dream and thought and feeling interwound
And inly answering all the senses round
With octaves of a mystic depth and height
Which step out grandly to the infinite
From the dark edges of the sensual ground.
This song of soul I struggle to outbear
Through portals of the sense, sublime and whole,
And utter all myself into the air:
But if I did it,--as the thunder-roll
Breaks its own cloud, my flesh would perish there,
Before that dread apocalypse of soul.
Tears
Thank God, bless God, all ye who suffer not
More grief than ye can weep for. That is well--
That is light grieving ! lighter, none befell
Since Adam forfeited the primal lot.
Tears ! what are tears ? The babe weeps in its cot,
The mother singing, at her marriage-bell
The bride weeps, and before the oracle
Of high-faned hills the poet has forgot
Such moisture on his cheeks. Thank God for grace,
Ye who weep only ! If, as some have done,
Ye grope tear-blinded in a desert place
And touch but tombs,--look up I those tears will run
Soon in long rivers down the lifted face,
And leave the vision clear for stars and sun
The Best Thing In The World
What's the best thing in the world?
June-rose, by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Love, when, so, you're loved again.
What's the best thing in the world?
Something out of it, I think.
The House Of Clouds
I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud
I build it bright to see,
I build it on the moonlit cloud,
To which I looked with thee.
Cloud-walls of the morning's grey,
Faced