The Underwater Museum: The Submerged Sculptures of Jason deCaires Taylor
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About this ebook
A one-of-a-kind blend of art, nature, and conservation, The Underwater Museum re-creates an awe-inspiring dive into the dazzling under-ocean sculpture parks of artist Jason deCaires Taylor. Taylor casts his life-size statues from a special kind of cement that facilitates reef growth, and sinks them to the ocean floor. There, over time, the artworks attract corals, algae, and fish, and evolve into beautiful and surreal installations that are also living reefs.
This volume brings readers face to face with these wonders and explains the science behind their creation. Ocean enthusiasts, divers, art lovers, and anyone entranced by the natural world will be instantly engrossed by this pearl of a book.
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The Underwater Museum - Jason deCaires Taylor
Foreword copyright © 2014 by Jason deCaires Taylor.
Essay copyright © 2014 by Carlo McCormick.
Essay copyright © 2014 by Helen Scales.
Photography copyright © 2014 by Jason deCaires Taylor.
All rights reserved. No part of this book may be
reproduced in any form without written permission from
the publisher.
ISBN 978-1-4521-3029-3 (epub2, mobi)
ISBN 978-1-4521-3756-8 (epub3)
The Library of Congress has previously cataloged this title under ISBN: 978-1-4521-1887-1
The author is grateful for the sponsorship of SIGMA in supplying photographic lenses.
Design by Pamela Geismar
Typeset in Gotham and PMN Caecilia
Chronicle Books LLC
680 Second Street
San Francisco, CA 94107
www.chroniclebooks.com
CONTENTS
FOREWORD
by Jason deCaires Taylor
7
DEEP SEEING
Meaning and Magic in Jason deCaires Taylor’s Otherworld
by Carlo McCormick
11
FROM POLYP TO RAMPART
The Science of Reef Building and How Art Can Inspire a Sustainable Future
by Helen Scales
19
PLATES
30
PROCESS PHOTOGRAPHS
104
LIST OF ARTWORKS
126
ABOUT THE AUTHORS
128
FOREWORD
by Jason deCaires Taylor
Being underwater is a deeply personal, liberating, and otherworldly experience. Like many interactions with the natural world, submersion is both humbling and life affirming. In my work I aim to encourage insight into our human relationship with the unchartered space that occupies over two-thirds of our planet.
I have always been an explorer. When I was a child I lived in Malaysia with my parents and sister. We would often take to the seas on the weekends to explore the incredible reefs and islands that surrounded the east and west coasts of the peninsula. By the time I had reached secondary school, we headed back to the UK, where I substituted disused chalk pits, old paper factories, and a derelict empty railway line for coral reefs. I suppose like many teenagers I enjoyed the notion that I might find some secret place or fantasy world. In hindsight, I see that, besides the solitude and adventure I discovered in these places, I was always fascinated by how nature had reclaimed human environments. Weather and plant life were slowly eroding away our marks and encroaching on the structures. Later in my adolescence, I became a graffiti artist—spray-painting walls, tagging, and looking at public spaces as places to communicate through art. This in turn led me to art college, and I centered four years of study on art and the environment.
After finishing my sculpture degree I made a tentative plan to