Trams and Buses on Stamps: A Collector's Guide
By Howard Piltz
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About this ebook
Howard Piltz
Howard Piltz was born in Rose Grove, Lancashire, where his bedroom looked out across the railway. He is a life-long transport enthusiast with a special interest in railways and buses. For many years Howard has collected transport stamps, which has now grown into an extensive collection, covering most forms of land, sea and air subjects. This series of books is the result of many years research into the stamps and their origins. Howard is a member of the Chartered Institute of Transport, being awarded chartered status ten years ago. His other hobbies include model railways, narrow gauge railways and gardening.
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Trams and Buses on Stamps - Howard Piltz
INTRODUCTION
THE TWO SIDES
Collecting stamps brings a wonderful new view of the world that the collector, celebrated in the more formal title of the philatelist, is led through an amazing world of knowledge, where the inquisitive mind can ponder the mysteries of our times: Why, you may ask, do British postage stamps never, but NEVER boast their country of origin? And as was seen in the previous book in this series – where on earth is Niuafo’ou ?
Likewise, someone with a worldly interest in transport may find that the hobby will lead him – or her – all over the world, if not literally then as a by-product of studying the subject. There are a great many transport professionals that have worked on several different continents throughout their working lives to bring the benefit of their skills to areas one might consider under-developed in the areas of public transport. Personally, I have spent many years as an enthusiast of most forms of public transport and have been to places that, until the advent of cheap air travel, seemed quite outlandish. I have been to a lake on Vancouver Island on Canada’s Pacific coast where lived the world’s two largest flying boats, rejoicing in the name of ‘Mars’, whilst it seemed to me at the time – I was 14 – quite exciting, but utterly easy, in 1959 to talk myself onto the inaugural KLM Viscount flight from Manchester to Amsterdam only to find there was no return flight home that day (memories of the heart-clutching scream from Dad over the phone will never fade: ‘You’re WHERE?’). Then there was another flight, not much later but this time with permission – and paid for – to go plane-spotting alone to the Paris Air Show. Not many years later, I visited the USA to look for the last gasps of two iconic forms of American transport – PCC trams in Newark, NJ, and the Pennsylvania Railroad GG1 electric locomotives. I could also go on a little too long about getting rather merry drinking the local brews in places like Prague, Lisbon or the countryside around Brussels whilst chasing trams.
COMING TOGETHER WITH WORKS OF ART
At first sight, it might seem a little odd that one should wish to combine these two totally disparate hobbies, but by good fortune I happen to have a liking for both subjects and a long time ago began to appreciate that in stamps, one could find the wonderful combination of transport history told within a glorious gallery of miniature works of art. Watch through the ages as the reproduction techniques on stamps have developed from simple monochrome etchings such as this 1971 stamp from Romania showing an indigenous trolleybus of the era. Interestingly, apart from a very few definitives of the 1890s and 1900s, it was to be 1963 before a British stamp would appear with more than one colour, not even the UK’s 1953 Coronation stamps boasted more. The accepted appearance developed first to two or three colours and then, as with everything else towards the end of the twentieth century, convention went out of the window as we saw full colour art-work and the use of photographs – and quite often in these days of digital photography – fairly heavily manipulated ones at that.
WHAT’S IN THIS COLLECTION?
There will be several different formats that the reader will find mentioned in this book, and there follows a brief summary for the novice philatelist:
Mint stamps: unused stamps, un-marked on their face and with the gum on the back still intact. It used to be the habit of collectors to stick gummed, paper hinges to the back of their stamps for mounting in an album. The damage that this does for serious collectors has discredited this practice and one will often find these days the initials MNH (Mint, not hinged) within the description of a particular stamp or set of stamps.
Used stamps: As the terminology states, postage stamps that have been used for the purpose they were designed for, indicating that the due fee for the service required has been paid, and stuck on the envelope or parcel as proof. Hence, they bear a post-mark (sometimes referred to as a ‘franking’ or ‘cancellation’) to indicate the office of cancellation and will undoubtedly have no gum on the back but traces of the paper they had been stuck to. Apart from its rarity value, a collector will look for how heavy the post-mark appears on the stamp and how well the backing has been removed, a thinning of the stamp itself or loss of any part of the face or the perforations will render the stamp valueless, scrap, or – where it is a particularly rare example – seriously devalued.
Definitives: What one could describe as the regular, run-of-the-mill stamps that one would get on a day-to-day basis.
Miniature Sheets: or mini-sheets are often produced by the issuing postal authority using either one stamp with a border that might be an extension of the illustration on the stamp, or several stamps within that border, surrounded by a description. As is mentioned below, I avoid stamps that were not issued principally for postal use or from countries that have no connection with the subject illustrated, but ‘all rules are meant to be broken’ or so the saying goes, and I was taken by these two mini-sheets from Burundi, a small land-locked African country east of the Congo and south of Uganda featuring some classic British, German and American buses.