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Summary of Emma Dabiri's Twisted
Summary of Emma Dabiri's Twisted
Summary of Emma Dabiri's Twisted
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Summary of Emma Dabiri's Twisted

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#1 I had a complicated relationship with the world I lived in. I was often singled out for special attention, and I seemed to be a firm favorite of nuns. I had a strong sense that my impulse to tell black stories originated from a source that predated my birth.

#2 I have a working relationship with the past, and I feel that the past happens to be particularly foregrounded in my present. I am interested in how African peoples understood themselves and their cultures, rather than trying to place them through a European lens that is inherently culturally specific.

#3 The bata, or talking drum, is a nonverbal language that speaks. It is a practice that has much to offer and opens up exciting decolonized possibilities for better understanding the African past in order to shape a better collective future.

#4 The deeply ingrained idea of managing black women’s hair is a powerful metaphor for societal control over our bodies at both the micro and macro levels.

LanguageEnglish
PublisherIRB Media
Release dateJun 2, 2022
ISBN9798822527294
Summary of Emma Dabiri's Twisted
Author

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    Summary of Emma Dabiri's Twisted - IRB Media

    Insights on Emma Dabiri's Twisted

    Contents

    Insights from Chapter 1

    Insights from Chapter 2

    Insights from Chapter 3

    Insights from Chapter 4

    Insights from Chapter 5

    Insights from Chapter 6

    Insights from Chapter 1

    #1

    I had a complicated relationship with the world I lived in. I was often singled out for special attention, and I seemed to be a firm favorite of nuns. I had a strong sense that my impulse to tell black stories originated from a source that predated my birth.

    #2

    I have a working relationship with the past, and I feel that the past happens to be particularly foregrounded in my present. I am interested in how African peoples understood themselves and their cultures, rather than trying to place them through a European lens that is inherently culturally specific.

    #3

    The bata, or talking drum, is a nonverbal language that speaks. It is a practice that has much to offer and opens up exciting decolonized possibilities for better understanding the African past in order to shape a better collective future.

    #4

    The deeply ingrained idea of managing black women’s hair is a powerful metaphor for societal control over our bodies at both the micro and macro levels.

    #5

    Growing up, I was always under scrutiny. I was made to feel terribly conspicuous, and people did not see me, but saw a symbol of an African.

    #6

    I experienced the suffocating weight of being a black person in a white environment, and I eventually became extremely paranoid. I was constantly under surveillance, and my every gesture was analyzed. Mundane details of my daily routine were a performance for public consumption.

    #7

    The way language functions in the politics of power is significant in the case of black hair. While it is now culturally unacceptable to judge

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