How Do You Spell the Sound of Crickets
By Paola Bruni and Jory Post
()
About this ebook
“Write to me. Keep me alive,” wrote Jory Post to Paola Bruni as he was dying of inoperable cancer.
Hence, the quiet conversation ensued — one poet to another — an intimate, and at times playful, sharing of hopes, fears, and grief.
Paola Bruni
Paola Bruni is a writer, wife, and doggie mom living on California’s Central Coast. She is a two-time Pushcart Prize nominee, winner of the Morton Marcus Poetry Prize, and winner of the Muriel Craft Bailey Poetry Prize judged by Ellen Bass, as well as a finalist for the Mudfish Poetry Prize.Her poems have appeared in such prestigious journals as The Southern Review, Ploughshares, Five Points Journal, Rattle, Massachusetts Review, and Catamaran Literary Reader, among others. Her short plays have been produced by Actors Theater, Santa Cruz as well as short-listed for play festivals around the globe.You can learn more about the world and works of Paola Bruni at paolabruniwriter.com.
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Book preview
How Do You Spell the Sound of Crickets - Paola Bruni
how do you spell
the sound of crickets
how do you spell
the sound of crickets
poems in conversation
Paola Bruni & Jory Post
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, except for the purpose of review and/or reference, without explicit permission in writing from the publisher.
Grateful acknowledgement is made to Nicholas Coley for the use of his original oil painting, Atmospheric River, on the cover. nicholascoley.com
Cover design by Marcus Eisendorf
Paola Bruni photograph by Annie Rowland
Jory Post photograph by Karen Wallace
Published by Unruly Voices, unrulyvoices.com
an imprint of Paper Angel Press, paperangelpress.com
copyright © 2022 Paola Bruni and Jory Post.
All rights reserved.
ISBN 978-1-957146-40-9 (EPUB)
10 9 8 7 6 5 4 3 2 1
FIRST EDITION
Before it all gets wiped away, let me say,
there is wisdom in the slender hour
which arrives between two shadows.
Li-Young Lee
preface
Write to me. Keep me alive.
These words—this injunction I received from my friend Jory Post at the end of his life, are the heart of the twenty-three poems that make up this volume.
Jory and I met in Clifford Henderson’s writing salon in Santa Cruz in the mid-2000s. Every week for nearly a decade, we sat in our respective chairs scribbling away and listening to each other read our work. We didn’t socialize much, but we enjoyed each other’s writing.
Eventually, the two of us found ourselves in Danusha Laméris’s poetry group. Jory had been diagnosed with inoperable pancreatic cancer, and I was swimming in the grief of having recently lost my parents to illness. Our friendship found a foothold, as we were, each in our own way, forced to confront death.
In the summer of 2019, we both attended the Catamaran Writing Conference. Our instructor, the poet Dorianne Laux, conducted a lesson on epistles—specifically letter writing in poetic form. At the conclusion of the lesson, Dorianne circled the room, pairing students as partners, and suggested we