Unclouded Summer

By Alec Waugh

The bright summer sun faded into the shimmering Mediterranean as the young American painter began what was to be the five most perfect hours of his lifetime. It would be more than just an affair, a passionate encounter, and yet it would come to nothing. It would be a period of total enchantment that would remain to haunt him for the rest of his life, affecting his career, his code of behaviour, his entire existence. He sensed all this and yet he went to her, this woman he loved, this woman who could never be his...

• Language: English
• Publisher: Bloomsbury Publishing
• Release date: Oct 28, 2011
• ISBN: 9781448201693

Alec Waugh

Alec Waugh (1898-1981) was a British novelist born in London and educated at Sherborne Public School, Dorset. Waugh's first novel, The Loom of Youth (1917), is a semi-autobiographical account of public school life that caused some controversy at the time and led to his expulsion. Waugh was the only boy ever to be expelled from The Old Shirburnian Society. Despite setting this record, Waugh went on to become the successful author of over 50 works, and lived in many exotic places throughout his life which later became the settings for some of his texts. He was also a noted wine connoisseur and campaigned to make the 'cocktail party' a regular feature of 1920s social life.

Book preview

Chapter One

Shortly after eight on a bright Mediterranean morning in the early September of 1926 a young American painter who had been born in East Haddam, Connecticut, when the century was a few days old, was finishing his breakfast on the terrace of the Hotel Welcome, Villefranche-sur-mer, when a small gray-green Chevrolet swung down from the main road into the square and a youngish woman, with red-brown hair jumped out from it. She paused, looking round her, puzzled; then walked across to him.

It looks terribly quiet here. Don’t tell me that the ship’s come and gone, she said.

He shook his head. An Italian liner had been due to arrive early, but it had been delayed. It would not dock now until eleven.

Not till eleven, and it’s barely eight and I got up at seven to be here to meet it. I’ve lost two hours’ sleep. I’ve now three hours to fill in. I’ve already had one breakfast. It’s too early to start cocktails. Oh well, I suppose I had better order myself a coffee.

She pulled up a chair and sat beside him. He took a quick, a painter’s look at her. She was small and slim and graceful. She was not exactly pretty, but she was vivid and alert; a light-coloured handkerchief that was knotted about her head struck the right note of contrast to her hair; and in its flowered-pattern, there was a shade of red that exactly matched her nail polish and lipstick. She spoke with an English accent. From her appearance and from her nationality he would have expected that her voice would be high-pitched. He would have expected that her predicament would have rendered its tone petulant. It was on the contrary deep and cheerful. He did not feel that she was really in the least put out.

Shall I order you some coffee? he asked.

That would be very kind.

A croissant too?

She shook her head. I have to watch my figure.

He rose and crossed to the hotel.

The narrow cobbled square behind the terrace which served in the evenings as a car park was also the Place du Marché, where a number of rickety stalls were set out each morning. It was garden produce that was for the most part sold there, but a certain amount of cheap haberdashery was displayed as well – stockings and ties and belts from the Galeries Lafayette, maillots and espadrilles, the sandals and the sleeveless vests that the local fishermen wore in summer and that recently had become fashionable among American and English visitors. At one of the stalls a basket of figs was offered. He bought half a dozen, carrying them across to her between his hands on a bed of leaves.

Her eyes brightened at the sight of them.

Now that is thoughtful.

She had neat practical hands. There was something very unfussy about the way in which she peeled the fig. He noticed, as she bit into the fruit, how even and how white her teeth were.

These are very good, she said; and there was an engagingly youthful note of enjoyment in her voice.

He wondered who she was. She was wearing, he had noticed, a thin platinum ring on the fourth finger of her left hand.

Have you come down to meet somebody? he asked.

Yes, someone who’s coming to stay with us. Rex Allan.

He started at the name.

You don’t mean the film actor? he asked.

She nodded. The very one. He stared, impressed. Since the death of Valentino, Rex Allan had been acclaimed in four continents as co-equal with John Gilbert, the greatest lover on the screen. Himself, he had never been to Hollywood. He had never met a film star. In spite of the many articles he had read about their houses and their hobbies, their friends and marriages, he could never quite believe that they led real lives. He never expected them to mix with anyone he knew.

Do tell me about him. What’s he like? he asked.

I barely know him.

But if he’s going to be your guest …

She laughed. I’ve only met him once, at a London party. I asked him if he couldn’t come to lunch, but he was leaving the next morning to make a film in Capri. ‘That’s very near to Cannes,’ I said. ‘If you’ve ever a day or two to spare come across to see us.’ To my surprise he wired three days ago saying that he was on his way. He was amusing enough that one time but Heaven knows what he’ll be like over a four-day visit, and we’ll have to take him about with us Wherever we’ve been invited. Not that I suppose it matters, much. People are always pleased to meet that kind of person – once.

She spoke unconcernedly. Nothing seemed to worry her, being late for a boat or too early for a boat, having a film star to stay with her, or having her parties endangered by a stranger’s presence. Yet her unconcern was not, he was very sure, the outcome of apathy or indifference. It was due, on the contrary, to a superabundance of vitality which enabled her to take everything as it came, confident that if one thing turned out badly, something else would in compensation turn out well. Everything had its obverse side, and life itself was a party not to miss. I’ve got to see more of her, he thought.

"If you’ve nothing to do for the next two hours, why don’t we swim on that plage below the railway bridge," he said.

I’ve brought no bathing things.

I could raise you some in the hotel.

I’d look an awful fright.

But she was ready enough, it was very obvious, to accept, even though it was an exceedingly old-fashioned garment, with not only sleeves and a skirt, but a broad tessellated collar, that he borrowed from the wife of the proprietor. But I have got you a bathrobe of my own, so that you won’t have to walk along the front in it.

It was a large and white and fleecy bathrobe. She looked very much like a rabbit in it, as she came down the stairs to join him.

You look about ten years old, he said.

And actually I’m three times that, and a little more.

Over thirty!

It’s nice of you to be surprised.

Outside by the entrance of the hotel, past the archway opening on to the dark tunnel of the Rue Obscure, a short steep flight of steps dropped from the Place du Marche to the waterfront. On the level of the waterfront was the Welcome Bar. It was shuttered over now, but later an awning would be lowered and tables set out along the pavement. On evenings when a ship was in, there would be dancing in the room behind.

Cocteau did a ballet about this bar, he said.

I know. I saw it.

She paused, at the foot of the steps, looking back at the long broad flight that mounting into the upper town, served as the main and central street from which a series of narrow tributary passages wove among the maze of houses. On the pavement in from the bar, nets had been laid out to dry; the wives and daughters of the fishermen were at work on them. On the right was the Tribunal du Pêche where the morning’s catch was daily assembled and assessed. A couple of old men were sleeping in its shadow. Half a dozen urchins were throwing tops. Sheltered by a breakwater and jetty a number of fishing boats were swaying gently against their moorings. The sun, its full heat and height not yet attained, was throwing over the whole scene a soft rich radiance. The water was very blue.

She looked slowly round her.

This is the first time I’ve been here at this time of day, she said. I’ve only been on parties, late, or when the fleet’s in; it’s a riot then. I never knew it could be so restful. I never knew anywhere along this coast could be so restful.

That sounds as though you led a dashing life.

She shrugged. You know What the summer season’s becoming now, one party after another.

He did not know; his own summer in the Riviera had been very different. He had started at Portofino and had been moving slowly up the coast, out of Italy into France, painting as he went. Most nights he had been in bed by ten, so that he could wake fresh and early, when the air was cool and the first lights were upon the water. He had hardly been to a party since he had left New York. But he did not want to tell her that, at least not altogether that.

Villefranche is rather cut off for that kind of thing, if one hasn’t got a car, he said. It’s a ten-minute walk to the trams, and a pretty hot climb at that; they’re not very fast trams when you’ve got to them; they don’t run often and anyhow they only take you as far as Nice. One tends to get rather lazy here.

That’s how it was along the whole coast in summer when I came here first.

As they strolled along the waterfront, she kept looking to the left, away from him, noting as though she were seeing for the first time the succession of little bars, the ochre and pink houses, the faded notice of the Reserve, the blue Dubonnet sign.

I’ve looked down at this place from the road so often. It’s always looked so charming. I’ve always meant to come down for lunch one day. I can’t think why I never have. Perhaps … She paused, and her face grew thoughtful. I think that perhaps I’m rather glad I saved it up till now.

She had said she would look a fright in any bathing dress that he would be likely to borrow for her in a French hotel; she had burst out laughing when he had held up for her inspection the garment that he had acquired from the proprietor, but when she tossed the white bathrobe onto the stretch of pebbles that ran down to the water from the railway bridge it was his turn to be abashed. At one moment wrapped round in his high-collared bathrobe that had trailed after her feet, dragging in the dust like an unsupported train, the red-brown of her hair, the olive-brown of her nose and her forehead, the thin line of her penciled eyebrows and the deep coral of her lipstick, had appeared like the mask of a child’s fancy dress; the next moment eyebrows, shingled hair and lipstick were presenting themselves in absurdly anachronistic contrast to a bathing dress that bought before the war, belonged now not to another decade but to another century.

At the sight of his astonishment, she burst out laughing.

My vanity impels me to rush into the sea at once, she said.

The shingle sank gradually under shallow water. The tideless sea had in this sheltered harbor made little inroad against the shore. A child could paddle in it for twenty yards. As she ran forward, her billowing skirt and flapping collar made him feel that he was watching an early Keystone film; he expected to see a couple of policemen, with high-crowned, low-brimmed helmets come cantering along the beach, brandishing their truncheons; he expected to see emerge from behind a buttress of the bridge an overgrown fat man swinging a cream tart. But then suddenly, when the water was about knee-high, her hands went up, her finger tips stretched forward, her head was lowered between her arms, her ankles kicked back and upwards as she dived, and there was no question any longer of its being a Keystone film.

Jumping to his feet, he ran and followed her. I’m hidden now, she said.

He did not answer. Swimming at her side, he admired the firm lift of her arm, the poise and rhythm, the effortless power behind each stroke. She swung over on to her face, her arms plowing forward in the crawl, her feet beating on the water, throwing up a churn of foam, like the rat-tat-tat of drums.

You could beat me in a race, he said.

We’ll have to try one day.

But it was no time now for racing: the water was tepid: the sun was high above the hills. Let’s go back and sunbathe, he suggested.

That’s all right for you in trunks; what about me?

She followed him though all the same. Her bathing dress looked different now. It clung, damp against her, reticent, but suggestive, like a Victorian novel.

Perhaps there was a point in those bathing dresses after all, he said.

So you are quite human, after all.

There was a twinkle in her eye as she said that. This is fun, he thought, we can talk in shorthand. They sat side by side on the shingle. She picked up a pebble and flung it towards a rock that projected into the water. She drew back her shoulder, like a baseball player’s as she threw. The pebble carried fifty yards.

You’d have been one hell of an athlete if you’d been a man, he said.

Behind them an eastbound train roared out of the tunnel on its way to Beaulieu. The third-class passengers were leaning out of the window. They had been traveling most of the night. They looked dirty and the men unshaven.

How revoltingly clean we must seem to them, she said.

She picked up another pebble. Over the rock this time. She drew her arm back farther. The stone cleared the rock by a full six inches. With a painter’s appreciation he noted the smooth mechanism of the throw. He had never seen anyone more trim.

I’d give a lot to paint you.

She looked round quickly when he said that.

So that’s what you are; a painter.

That’s what I am.

And I’d been wondering what you were. I couldn’t place you. You had a look of independence. Yet you didn’t look a playboy. At the same time you didn’t look as though you were someone who had an axe to grind.

An axe to grind?

She nodded.

Nearly everyone that I meet has some axe to grind except the playboys and they’re null. There’s nothing emptier than a person who’s got no ambition. I didn’t think you were a playboy. I didn’t know what you were. I couldn’t think why you should have given me that impression of independence. So you are a painter. That explains it.

He smiled at that.

Painters can be careerists surely? Isn’t that what the critics complain about, that we think more of our careers than of our work? They say we’re all on the make.

I know but it’s a very different way of being on the make. You don’t get to where you’re bound through other people. You have an interior struggle of your own. You don’t use other people as the ordinary careerist does.

Her reply astonished him. It was the last thing that he would have expected her to say. Who on earth was this woman who could speak so knowingly, so understandingly of the painter’s problems?

Later as they sat on the terrace, he began to sketch her.

This doesn’t embarrass you? he asked.

On the contrary.

She talked easily and friendlily as he outlined her head and throat, and the positions into which her wrist fell as she smoked.

Have you got a lot down here? she asked.

A number of sketches, and seven or eight finished pictures.

She rose and crossed behind his chair. As she bent over his shoulder, he was conscious faintly of the scent of tuberoses.

It’s very rough, he said.

It makes me want to see those pictures.

I’ll go and fetch them if you like.

I wish you would.

He had said seven or eight finished pictures. Actually he had a dozen. But he was not quite certain if four of them were finished yet. They were unframed and it was hard to judge a canvas till it had a frame about it. He hesitated, as he set them out along his bed. No one had seen them yet. He thought that they were good. He thought they were as good as he could do but he wondered what she would think of them. Would she be disappointed? What kind of a painter had she expected him to be? Did she expect him to be a very modern painter? Would she consider him ordinary because his pictures were representational? He looked at his pictures through new eyes, trying to see how they would appear to her. There was nothing startling about them in subject or technique. They were landscapes and still lifes, a recording of the scenes and shapes and colors that had appealed to him, an attempt both to present them and interpret them in terms of his own temperament, but maybe to her they would resemble colored photographs. Hell, he thought, I’m a professional painter. I’ve got to stand by what I do.

He collected half a dozen landscapes, then as an afterthought, a still life that he had finished only the day before; a picture painted in his room, of a plate of fruit – figs and mandarins and grapes and apples – with a shaft of sunlight striking across a blue and white check tablecloth.

Here they are, he said.

She examined them in silence carefully; picking up first one, then another for a second scrutiny. It was hot now on the terrace, and in the center of each of the round blue tables, a pole carrying a sun-umbrella had been set. She arranged the pictures one by one against the pole, walking away, shading her eyes, then walking slowly forward. Finally she turned to him with a withdrawn, self-questioning expression in her eyes. You are very good, she said. The tone in which she said it made him laugh.

You needn’t be so surprised.

One’s always surprised when someone who seems nice turns out to be somebody of talent. My husband must see these. He understands these things. This one in particular he’d like.

It was the still life. The picture that he had least expected her to like. She picked it up again, looking into it closely then examining the signature.

Oliver – Francis Oliver. Is that your real name?

He nodded. But I don’t know yours yet.

Marriott – Judy Marriott. My husband’s Sir Henry Marriott. He’s a diplomat. He was in the Balkans before the war.

Does that make you Lady Marriott?

It does.

She was the first titled person he had met. It’s lucky I got to know you before I realized that you were all that important.

She laughed.

And I’m glad I got to like you before having seen your pictures. Don’t you think that now we’ve introduced ourselves we might have a drink?

That’s a fine idea.

She ordered a vermouth cassis.

Over the edge of her glass, as she sipped at her straw, she looked pensively at a group of grubby urchins who were tumbling over one another in their excited partisanship over a game of bowls which was in progress on a flat stretch of sand beyond the terrace. The players themselves were taking their game with professional unconcern, but the children yelled vociferously one against the other each time the ball was thrown.

I can see why you like it here, she said. She paused, a smile came into her eyes. Real people leading their own lives. That’s how an artist should live, in touch with something real. So many don’t, you know, after they’ve once got launched. That’s why their work goes off. They haven’t any roots. That’s why … She paused. She smiled again. A very different smile. There had been a slightly wistful quality in the smile with which she had watched the children. But there was nothing but amused and interested friendliness in her expression as she turned back to Francis.

I babble on, she said. I can’t think why I do. There are times when I don’t know how to stop myself. I can’t think why I’m talking now, when all I want to do is to hear you talk, to hear you tell me about yourself, why you are here, what you are doing; tell me, are you very famous?

He shook his head. No, he wasn’t famous at all he told her. He was at the very start of his career. He doubted if anyone who did not know him personally had ever heard of him. He had had the luck to be awarded a Guggenheim fellowship. That’s how he came to be over here.

A Guggenheim fellowship, what’s that?

He explained. Some members of the Guggenheim family had formed a trust fund to aid young artists at the start of their careers. You had to be vouched for. You had to give a proof of promise. Then you had to submit a project.

If you’re an author, you may need a clear period of six months to undertake some research, or you may need to visit certain libraries to study certain manuscripts; a musician might want three months without financial worries to work upon an opera that won’t earn him any money.

And what was your project?

I wanted to see the picture galleries of Europe.

You don’t seem to be seeing them just now.

I have. I spent four months among them. Then I decided to give myself two months of painting.

This is the end then of your trip.

I’m sailing from Marseilles next month.

I see. She looked at him, thoughtfully. But this isn’t your first time in Europe.

The very first.

Then where did you learn to paint? I thought everybody went to Paris.

I know. That’s why ‘I decided not to. I thought that too many Americans had gone abroad and been Europeanized. I thought that I’d stay American.

That may have been very wise. But how did you get started? You told me that someone had to vouch for you.

I was very lucky. A dealer whom my father had been kind to when he was young let me exhibit in his galleries. I’ve had a lot of luck.

I see. In the town behind them, the clock was striking. Round the corner of the low-humped promontory of Cap Ferrat a smallish five-thousand-ton liner was swinging into the long deep leg-of-mutton shaped bay of Villefranche. Boats laden with carpets, under the charge of red-fezzed Algerians, were rowing out to meet it. Customs officials were getting busy by the Douane.

Listen, she said, if I know anything about this place, it’ll be a pandemonium for the next half-hour; Rex Allan will probably be on edge and Henry’ll be fussing at the villa; I’ll just have to get back home as fast as I can manage. Tomorrow, though, what about tomorrow? If you can get yourself free for lunch, I’ll come down and drive you out. You can; that’s splendid. I’ll be with you early; and don’t forget; we’ll take your pictures with us. I shan’t be able to rest till I know what Henry thinks of them.

Chapter Two

In addition to the small harbor for fishing boats in front of the Hotel Welcome there was a larger harbor, a half-mile to the west, containing a dry dock, where sailing boats and yachts could anchor. Between this larger harbor and the hotel was an eighteenth-century fort, from the prow of whose battlements grew a single palm tree. It had an air of Africa. The barracks which served this fort lay on the north side of the harbor. For three days now Francis had been at work upon a picture, painted from the far side of the dry dock, with the harbor and the barracks in the foreground, the fort and the bay in the middle distance, and the Alps snow-tipped at their summit towering in the background above Beaulieu. Technically it presented a series of interesting problems in perspective, and there were attractive colour contrasts, the blue of the bay, the sand-brown of the fort, the snow upon the mountains, the fresh green of the pepper trees, the gray-green of the olives, the drab green of the single palm. He had hoped to get the picture finished that afternoon, but though he went out there early after lunch, he could not concentrate upon his work. Between his canvas and his brush intruded memories of the morning.

He had never met anyone like Judy Marriott. He had never imagined that any Englishwoman could be in the least like that. He had always heard that the English were standoffish, cold and aloof and starched. He had been warned against that at home. You may have some success with the French, his sister Julia had said, but you won’t get to first base with those cagey Englishwomen unless you’re rather more forthcoming.

His sister was three years younger than himself but she had been married for two years and had a six-months-old baby. She had also a husband whose activities in Wall Street maintained a seven-room Park Avenue apartment and a summer cottage. Her husband was only two years older than himself, but his success and wealth, and the aura of self-confidence that accompanies success, made Francis think of him as an uncle rather than a brother-in-law. There were times, even, when he thought of Julia as an aunt.

Indeed it was very much as an aunt that she had taken him to task shortly before he had sailed.

Darling, you must really make more effort, she had said. "It isn’t enough to be tall and dark, and to look fairly strong. Girls nowadays are prepared to come halfway to meet a man, but they do need some encouragement. Take the case of Marda."

What about Marda?

Marda was a friend of Julia’s; a blonde of Dutch descent of whom he had seen quite a lot during the preceding winter, who suddenly, unaccountably had taken to being vague when he had tried to tie her down to dates. After a number of rebuffs he had assumed that she had another beau and had let it rest. But he had wondered sometimes.

What about Marda? he repeated.

Weren’t you at all surprised when she stopped making dates with you?

As a matter of fact I was.

Well so was I. What’s wrong,’ I asked her, ‘between you and Francis?’ She laughed. I wish I knew,’ she said. ‘I simply can’t make him out. Everything started off all right. We always had a good time together. But somehow we didn’t seem to be getting anywhere. It began to get on my nerves. I didn’t know where I was, what was expected of me. It was up