Deadbeats: A Helix City Short Story: Helix City, #1
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Cody Jones owes the corp a lot of money. Decanted from a cryotube with a mountain of debt and very few options, she works corporate black ops in Downside—home to the gene-freaks, gangs, and dispossessed who don't have a place in the gleaming towers of Helix City.
Cody's latest job is simple: recover a fresh cache of cryogenically frozen citizens from a local gang before they're bartered to the highest bidder. Deliver them to Bellamy and knock a little more off her debt.
Pity the gangs have their own ideas about how this deal needs to go. What should be a simple recovery gig sees Cody and her partner caught in a conflict between the hulking kaiju-gangers and drug-addled zealots, and both sides have plans for the sleepers just might change Cody's world forever.
Peter M. Ball
Peter M Ball is the author of more than fifty short stories and six novellas, along with essays, RPG material, articles, and poetry. His short stories and non-fiction have appeared in venues such as Clarkesworld, Strange Horizons, Shimmer, Dragon Magazine, Writing Queensland, and Apex Magazine, and has been included in several Year’s Best anthologies. He’s previously taught creative writing at Griffith University and the Queensland Writers Centre, spent five years as the manager of the Australian Writers Marketplace, and convenes the biennial GenreCon writing conference in Brisbane, Australia.
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Deadbeats - Peter M. Ball
THANK YOU TO THE ECLECTIC PROJECTS PATRONS!
This chapbook is produced and supported by the patrons of the Eclectic Projects Fund.
Peter would like to extend his thanks to Margaret Ball, Kate Eltham, Jodi, Nicole Strickland, Meg Vann, Sally, Jennifer White, Maggie Slater, Tansy Rayner Roberts, Dave Versace; Catherine Caine, Kathleen Jennings, Stephanie Gunn, and Lois Spangler for their encouragement and support.
DEADBEATS
A HELIX CITY SHORT STORY
PETER M. BALL
Eclectic ProjectsCONTENTS
Deadbeats
About the Author
Looking for more great science fiction?
Clockwork, Patchwork, & Raven
Also By Peter M. Ball
Thank You For Buying This Eclectic Projects Ebook
CONTENTS
Deadbeats
About the Author
Looking for more great science fiction?
Clockwork, Patchwork, & Raven
Also By Peter M. Ball
Thank You For Buying This Eclectic Projects Ebook
DEADBEATS
Cody’s seated in Tennyson’s Grindhouse when the first message comes through: briefing, 5:00. Fucking Bellamy throwing his his weight around, confident that he owns her. Cody Jones glares at it a couple of seconds, puts the phone away. Figures, what the hell, and orders another drink. One final glass of the cheap rocket-fuel that masquerades as booze, brewed in canisters in the basement of the Grindhouse. Tastes like shit, but it’s potent, and potent matters more that flavour in this stretch of Downside, pressed up against the grimy shore of the river, all the squats and gangs and homeless communes living on the scraps Cityside throws out.
Cody Jones nurses the drink and contemplates her debts. Thinks about the job and the hangover waiting for her when she’s on the right side of sober, and the fact she still can’t sleep right even all these years after her decanting.
She drinks.
It doesn’t help.
So she orders another.
Cody figures it for 12:40, given the crowd packed onto the Boundary Road. She’s tired and hungover and heading home, trying to blend in with the crush of bodies: worn jeans and a black t-shirt, sunglasses over bloodshot eyes, her stomach still burning through the last of Tennyson’s liquor. A foul breeze rifles through the stunted buildings, brings with it the petrochemical stink of the river. Cody slinks down the Boundary, takes a left at the wreckage of the first Valhalla Bar. Weaves through the street-markets, dodging elbows and shouting vendors, Cityside Tourists looking for bargains and taking in the local colour. There’s a rat-boy working a grill at the base of her squat, young kid still on his first run of gene-morphs, stubby tail hanging through a hole in his jeans and fuzzy grey down covering his cheeks. The aroma of the mystery meat roils against her stomach, reminds her how long it’s been since she ate.
She crouches, points. What?
The rat-boy shrugs, holds up two fingers, doesn’t bother identifying the source of his protein. Cody weighs up the odds, hands over her money. Walks away with two bamboo skewers in hand, the grey meat pasted with a chilli-flecked sauce that glistens in the afternoon light. She wolfs the first stick down, lets the gamey meat wage war with the sick feeling in her guts. When it stays down, she takes her time with the second, rips free small mouthfuls as she climbs the