The Sword of Welleran and Other Stories

By Lord Dunsany and Mint Editions

The Sword of Welleran and Other Stories (1908) is a short story collection by Lord Dunsany. Published at the beginning of his career, The Sword of Welleran and Other Stories—which features the pantheon of gods first portrayed in The Gods of Pegāna (1905)—would influence such writers as J. R. R. Tolkein, Ursula K. Le Guin, and H. P. Lovecraft. Recognized as a pioneering author of fantasy and science fiction, Dunsany is a man whose work, in the words of Lovecraft, remains “unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision.” “At the end of that avenue was a colossal chariot with three bronze horses driven by the winged figure of Fame, and behind her in the chariot the huge form of Welleran, Merimna's ancient hero, standing with extended sword.” The Sword of Welleran and Other Stories, Dunsany’s third collection of short fiction, contains some of his finest tales of fantasy and adventure. While the people of Merimna sleep soundly, while the guards of the city sing songs and tell stories of the warriors Welleran and Rollory, the tribesmen of the plains below look up in awe, wondering if the day will come when Merimna’s glory fades. Behind the ramparts, a young boy named Rold looks up at the statues of his heroes, hoping to take their place. Dunsany’s tales of high fantasy continue to delight over a century after they first appeared in print. This edition of Lord Dunsany’s The Sword of Welleran and Other Stories is a classic of Irish fantasy fiction reimagined for modern readers.

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• Language: English
• Publisher: Mint Editions
• Release date: Jan 11, 2022
• ISBN: 9781513223940

Lord Dunsany

Lord Dunsany (1878-1957) was a British writer. Born in London, Dunsany—whose name was Edward Plunkett—was raised in a prominent Anglo-Irish family alongside a younger brother. When his father died in 1899, he received the title of Lord Dunsany and moved to Dunsany Castle in 1901. He met Lady Beatrice Child Villiers two years later, and they married in 1904. They were central figures in the social spheres of Dublin and London, donating generously to the Abbey Theatre while forging friendships with W. B. Yeats, Lady Gregory, and George William Russell. In 1905, he published The Gods of Pegāna, a collection of fantasy stories, launching his career as a leading figure in the Irish Literary Revival. Subsequent collections, such as A Dreamer’s Tales (1910) and The Book of Wonder (1912), would influence generations of writers, including J. R. R. Tolkein, Ursula K. Le Guin, and H. P. Lovecraft. In addition to his pioneering work in the fantasy and science fiction genres, Dunsany was a successful dramatist and poet. His works have been staged and adapted for theatre, radio, television, and cinema, and he was unsuccessfully nominated for the 1950 Nobel Prize in Literature.

Book preview

THE SWORD OF WELLERAN

Where the great plain of Tarphet runs up, as the sea in estuaries, among the Cyresian mountains, there stood long since the city of Merimna well-nigh among the shadows of the crags. I have never seen a city in the world so beautiful as Merimna seemed to me when first I dreamed of it. It was a marvel of spires and figures of bronze, and marble fountains, and trophies of fabulous wars, and broad streets given over wholly to the Beautiful. Right through the centre of the city there went an avenue fifty strides in width, and along each side of it stood likenesses in bronze of the Kings of all the countries that the people of Merimna had ever known. At the end of that avenue was a colossal chariot with three bronze horses driven by the winged figure of Fame, and behind her in the chariot the huge form of Welleran, Merimna’s ancient hero, standing with extended sword. So urgent was the mien and attitude of Fame, and so swift the pose of the horses, that you had sworn that the chariot was instantly upon you, and that its dust already veiled the faces of the Kings. And in the city was a mighty hall wherein were stored the trophies of Merimna’s heroes. Sculptured it was and domed, the glory of the art of masons a long while dead, and on the summit of the dome the image of Rollory sat gazing across the Cyresian mountains towards the wide lands beyond, the lands that knew his sword. And beside Rollory, like an old nurse, the figure of Victory sat, hammering into a golden wreath of laurels for his head the crowns of fallen Kings.

Such was Merimna, a city of sculptured Victories and warriors of bronze. Yet in the time of which I write the art of war had been forgotten in Merimna, and the people almost slept. To and fro and up and down they would walk through the marble streets, gazing at memorials of the things achieved by their country’s swords in the hands of those that long ago had loved Merimna well. Almost they slept, and dreamed of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. Of the lands beyond the mountains that lay all round about them they knew nothing, save that they were the theatre of the terrible deeds of Welleran, that he had done with his sword. Long since these lands had fallen back into the possession of the nations that had been scourged by Merimna’s armies. Nothing now remained to Merimna’s men save their inviolate city and the glory of the remembrance of their ancient fame. At night they would place sentinels far out in the desert, but these always slept at their posts dreaming of Rollory, and three times every night a guard would march around the city clad in purple, bearing lights and singing songs of Welleran. Always the guard went unarmed, but as the sound of their song went echoing across the plain towards the looming mountains, the desert robbers would hear the name of Welleran and steal away to their haunts. Often dawn would come across the plain, shimmering marvellously upon Merimna’s spires, abashing all the stars, and find the guard still singing songs of Welleran, and would change the colour of their purple robes and pale the lights they bore. But the guard would go back leaving the ramparts safe, and one by one the sentinels in the plain would awake from dreaming of Rollory and shuffle back into the city quite cold. Then something of the menace would pass away from the faces of the Cyresian mountains, that from the north and the west and the south lowered upon Merimna, and clear in the morning the statues and the pillars would arise in the old inviolate city. You would wonder that an unarmed guard and sentinels that slept could defend a city that was stored with all the glories of art, that was rich in gold and bronze, a haughty city that had erst oppressed its neighbours, whose people had forgotten the art of war. Now this is the reason that, though all her other lands had long been taken from her, Merimna’s city was safe. A strange thing was believed or feared by the fierce tribes beyond the mountains, and it was credited among them that at certain stations round Merimna’s ramparts there still rode Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. Yet it was close on a hundred years since Iraine, the youngest of Merimna’s heroes, fought his last battle with the tribes.

Sometimes indeed there arose among the tribes young men who doubted and said: How may a man forever escape death?

But graver men answered them: Hear us, ye whose wisdom has discerned so much, and discern for us how a man may escape death when two score horsemen assail him with their swords, all of them sworn to kill him, and all of them sworn upon their country’s gods; as often Welleran hath. Or discern for us how two men alone may enter a walled city by night, and bring away from it that city’s king, as did Soorenard and Mommolek. Surely men that have escaped so many swords and so many sleety arrows shall escape the years and Time.

And the young men were humbled and became silent. Still, the suspicion grew. And often when the sun set on the Cyresian mountains, men in Merimna discerned the forms of savage tribesmen black against the light, peering towards the city.

All knew in Merimna that the figures round the ramparts were only statues of stone, yet even there a hope lingered among a few that some day their old heroes would come again, for certainly none had ever seen them die. Now it had been the wont of these six warriors of old, as each received his last wound and knew it to be mortal, to ride away to a certain deep ravine and cast his body in, as somewhere I have read great elephants do, hiding their bones away from lesser beasts. It was a ravine steep and narrow even at the ends, a great cleft into which no man could come by any path. There rode Welleran alone, panting hard; and there later rode Soorenard and Mommolek, Mommolek with a mortal wound upon him not to return, but Soorenard was unwounded and rode back alone from leaving his dear friend resting among the mighty bones of Welleran. And there rode Soorenard, when his day was come, with Rollory and Akanax, and Rollory rode in the middle and Soorenard and Akanax on either side. And the long ride was a hard and weary thing for Soorenard and Akanax, for they both had mortal wounds; but the long ride was easy for Rollory, for he was dead. So the bones of these five heroes whitened in an enemy’s land, and very still they were, though they had troubled cities, and none knew where they lay saving only Iraine, the young captain, who was but twenty-five when Mommolek, Rollory, and Akanax rode away. And among them were strewn their saddles and their bridles, and all the accoutrements of their horses, lest any man should ever find them afterwards and say in some foreign city: Lo! the bridles or the saddles of Merimna’s captains, taken in war, but their beloved trusty horses they turned free.

Forty years afterwards, in the hour of a great victory, his last wound came upon Iraine, and the wound was terrible and would not close. And Iraine was the last of the captains, and rode away alone. It was a long way to the dark ravine, and Iraine feared that he would never come to the resting-place of the old heroes, and he urged his horse on swiftly, and clung to the saddle with his hands. And often as he rode he fell asleep, and dreamed of earlier days, and of the times when he first rode forth to the great wars of Welleran, and of the time when Welleran first spake to him, and of the faces of Welleran’s comrades when they led charges in the battle. And ever as he awoke a great longing arose in his soul as it hovered on his body’s brink, a longing to lie among the bones of the old heroes. At last when he saw the dark ravine making a scar across the plain, the soul of Iraine slipped out through his great wound and spread its wings, and pain departed from the poor hacked body, and, still urging his horse forward, Iraine died. But the old true horse cantered on till suddenly he saw before him the dark ravine and put his forefeet out on the very edge of it and stopped. Then the body of Iraine came toppling forward over the right shoulder of the horse, and his bones mingle and rest as the years go by with the bones of Merimna’s heroes.

Now there was a little boy in Merimna named Rold. I saw him first, I, the dreamer, that sit before my fire asleep, I saw him first as his mother led him through the great hall where stand the trophies of Merimna’s heroes. He was five years old, and they stood before the great glass casket wherein lay the sword of Welleran, and his mother said: The sword of Welleran. And Rold said: What should a man do with the sword of Welleran? And his mother answered: Men look at the sword and remember Welleran. And they went on and stood before the great red cloak of Welleran, and the child said: Why did Welleran wear this great red cloak? And his mother answered: It was the way of Welleran.

When Rold was a little older he stole out of his mother’s house quite in the middle of the night when all the world was still, and Merimna asleep dreaming of Welleran, Soorenard, Mommolek, Rollory, Akanax, and young Iraine. And he went down to the ramparts to hear the purple guard go by singing of Welleran. And the purple guard came by