The Stone Serpent, Barates of Palmyra’s Elegy for Regina his Beloved: – An Eastern Serenade
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The Stone Serpent, Barates of Palmyra’s Elegy for Regina his Beloved - Nouri al-Jarrah
The Stone Serpent
Barates of Palmyra’s Elegy for Regina his Beloved
An Eastern Serenade
img1.jpgThe Stone Serpent,
Barates of Palmyra’s Elegy for Regina his Beloved
First published in English translation
by Banipal Books, London, October 2022
Arabic copyright © Nouri Al-Jarrah 2022
English translation copyright © Catherine Cobham, 2022
Original Arabic title:
img2.pngPublished by Dar al-Mutawassit, Milan, 2022.
The moral rights of Nouri Al-Jarrah, the author of this work, and Catherine Cobham, the translator of this work, have been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
No part of this book may be reproduced in any form or by any means without the prior written permission of the publisher.
A CIP record for this book is available in the British Library
ISBN 978-1-913043-29-2
E-book: ISBN: 978-1-913043-30-8
Front cover image of the tombstone of Regina
© Tyne & Wear Archives & Museums / Bridgeman Images
Banipal Books
1 Gough Square, LONDON EC4A 3DE, UK
www.banipal.co.uk/banipalbooks/
Banipal Books is an imprint of Banipal Publishing
Typeset in Cardo
Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A.
img3.pngAn Eastern Serenade
CONTENTS
Author’s Note
An Eastern Serenade – Barates of Palmyra’s
Elegy for Regina his Beloved
After An Eastern Serenade
Voices and Songs
Regina’s Song by the River
The Archer from Palmyra
The Birth of the Painted Warrior
News of Boudicca
A Roman Elegy
The Tongue of Fire The Ruin
Julia Domna’s Missing Fingers
The Edict of Caracalla
Notes
Related References
Acknowledgements
About the author Nouri Al-Jarrah
About the translator Catherine Cobham
Titles from Banipal Books
AUTHOR’S NOTE
Who is this adventurer who came from the East to liberate a woman from the West and name her Regina, provocatively, as a challenge to the system of slavery that existed in the Roman Empire? Who is Barates¹ from Palmyra and who is Regina² the Celt? A farm worker was turning over the earth in the remains of a Roman fort in the heart of the British Isles, and produced these two names for us. How did a young man tanned by the sun of Palmyra come to put his arm around the waist of a Celtic girl with a red plait, and wander with her over the lush green hills by Hadrian’s Wall, down to the River Tyne, where brown men from Nineveh rowed in small boats carrying cargo from the big ships, chanting in sad voices songs that sounded like strange prayers? It is strange too that these men with their strong muscles and brown faces had left behind their boats in the warm waters of the Euphrates and joined the fleets of Septimius Severus, arriving in this cold water in the North, to become labourers and oarsmen in the shadow of a Roman wall that twists like a stone serpent.
Who is Regina, and who is Barates? Archaeologists found the Celtic woman’s tombstone in the Roman fort of Arbeia. She had died young, in her thirties, and a few miles away they found the grave of Barates. Everything we know about Barates is also everything we know about Regina, contained in one line that the shattered lover had engraved in Aramaic, his native language, on the Palmyrene-style tomb of the beloved woman. So we know that he freed her from slavery, named her Regina (‘Queen’), and she became his lover and his wife, and then he lost her. The hero of this poem did not forget to include his Syrian identity on the tombstone.
A single line fired my imagination, and I, and this poem, are indebted to it.
NJ