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Performance Spaces and Stage Technologies: A Comparative Perspective on Theatre History
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The history of theatre has often been written as a history of great writers, actors, or directors. This book takes a different approach: The contributors examine the history of performance from the perspective of theatre spaces and stage technologies. Art, literature, religion, law, urbanism, architecture, technology - this interdisciplinary book discusses how these fields relate to theatre and performance. Geographically, it covers a significant portion of the globe; chronologically, it ranges from ancient times to the present. This book provides a timely attempt to combine cultural and global history.
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Titles in the series (100)
Wie Absenz zur Präsenz entsteht: Botho Strauß inszeniert von Luc Bondy Von der Weltseele zur Über-Marionette: Cechovs Traumtheater als avantgardistische Versuchsanordnung Rating: 0 out of 5 stars0 ratingsDer Schnitt durch den Raum: Atmosphärische Wahrnehmung in und außerhalb von Theaterräumen Rating: 0 out of 5 stars0 ratingsInterkulturelles Theater zu Beginn des 21. Jahrhunderts: Ästhetik - Politik - Postkolonialismus Rating: 0 out of 5 stars0 ratingsParadoxien des Zuschauens: Die Rolle des Publikums im zeitgenössischen Theater Rating: 0 out of 5 stars0 ratingsÖkonomie im Theater der Gegenwart: Ästhetik, Produktion, Institution Rating: 0 out of 5 stars0 ratingsTheater und Schule: Ein Handbuch zur kulturellen Bildung Rating: 0 out of 5 stars0 ratingsAutorenregie: Theater und Texte von Sabine Harbeke, Armin Petras/Fritz Kater, Christoph Schlingensief und René Pollesch Rating: 0 out of 5 stars0 ratingsTheater der Nacktheit: Zum Bedeutungswandel entblößter Körper auf der Bühne seit 1900 Rating: 0 out of 5 stars0 ratingsWalking Artists: Über die Entdeckung des Gehens in den performativen Künsten Rating: 0 out of 5 stars0 ratingsspielend denken: Theaterpädagogische Zugänge zur Dramaturgie des Probens Rating: 0 out of 5 stars0 ratingsTheater als Ort der Utopie: Zur Ästhetik von Ereignis und Präsenz Rating: 0 out of 5 stars0 ratingsDer kollektive Prozess des Theaters: Chorkörper - Probengemeinschaften - theatrale Kreativität Rating: 0 out of 5 stars0 ratingsSchauspieler außer sich: Exponiertheit und performative Kunst. Eine feminine Recherche Rating: 0 out of 5 stars0 ratingsTheater und Fiktion: Spielräume des Fiktiven in Inszenierungen der Gegenwart Rating: 0 out of 5 stars0 ratingsSchauspielen heute: Die Bildung des Menschen in den performativen Künsten Rating: 0 out of 5 stars0 ratingsTragödie als Bühnenform: Einar Schleefs Chor-Theater Rating: 0 out of 5 stars0 ratingsZwischen den Kulturen - zwischen den Künsten: Medial-hybride Theaterinszenierungen in Québec Rating: 0 out of 5 stars0 ratingsDas Trauerspiel-Buch: Der Souverän - das Trauerspiel - Konstellationen - Ruinen Rating: 0 out of 5 stars0 ratingsStop Teaching!: Neue Theaterformen mit Kindern und Jugendlichen Rating: 0 out of 5 stars0 ratingsDas Drama nach dem Drama: Verwandlungen dramatischer Formen in Deutschland seit 1945 Rating: 0 out of 5 stars0 ratingsHandel, Handlung, Verhandlung: Theater und Ökonomie in der Frühen Neuzeit in Spanien Rating: 0 out of 5 stars0 ratingsSpielräume des Anderen: Geschlecht und Alterität im postdramatischen Theater Rating: 0 out of 5 stars0 ratingsMythos Tragödie: Zur Aktualität und Geschichte einer theatralen Wirkungsweise Rating: 0 out of 5 stars0 ratingsTheater der Identität: Das Brünner deutsche Theater der Zwischenkriegszeit Rating: 0 out of 5 stars0 ratingsTheaterfestivals: Geschichte und Kritik eines kulturellen Organisationsmodells Rating: 0 out of 5 stars0 ratingsInternetauftritte: Eine Theatergeschichte der neuen Medien Rating: 0 out of 5 stars0 ratingsTheater und Subjektkonstitution: Theatrale Praktiken zwischen Affirmation und Subversion Rating: 0 out of 5 stars0 ratings
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Performance Spaces and Stage Technologies - Yuji Nawata
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