A Woman Rice Planter
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A Woman Rice Planter offers insights into a broad spectrum of Southern life after the Civil War. As an account of a woman's struggle for survival and dignity in a distinctly male-dominated society, it contributes significantly to women's history. It presents a rich portrait of a distinctive place—the South Carolina Low Country—in a troubled and generally undocumented time, a portrait made all the more vivid by the fine pen-and-ink sketches of Charleston artist Alice R. Huger Smith.
Elizabeth Alston Pringle was the daughter of Robert Francis Withers Allston, a state legislator and governor, who was at one time owner of seven plantations but bankrupt at the time of his death. Left to struggle for income to regain the property and position the family held prior to the war, Pringle turned to writing and eventually published a column on Southern culture in the New York Sun under the pseudeonym Patience Pennington. In 1913 she collected and reshaped these newspaper columns and compiled them into one volume, A Woman Rice Planter, a best-selling book that reduced her financial worries. Her descriptions of the vagaries of rice planting, of her relationships with former slaves and the first generation of free-born African Americans, and of her life in the early Reconstruciton period are important to our understanding of the prevailing attitudes and persistence of the Old South in the New.
The volume was illustrated by Alice R. Huger Smith (1876–1958), an American painter and printmaker. This edition features an introduction by Charles Joyner (1935–2016), distinguished professor emeritus of southern history and culture at Coastal Carolina University and author of several books, including Down by the Riverside: A South Carolina Slave Community.
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A Woman Rice Planter - Elizabeth Allston Pringle
A WOMAN RICE PLANTER
CHAPTER I
CHEROKEE, March 30, 1903.
YOU have asked me to tell of my rice-planting experience. and I will do my best, though I hardly know where to begin.
Some years ago the plantation where I had spent my very short married life, Casa Bianca, was for sale, and against the judgment of the men of my family I decided to put $10,000, every cent I had, in the purchase of it, to grow old in, I said, feeling it a refuge from the loneliness which crushed me. Though opposed to the step, one of my brothers undertook very kindly to manage it until paid for, then to turn it over to me. I had paid $5000 cash and spent $5000 in buying mules, supplies, ploughs, harrows, seed rice, etc., necessary to start and run the place. This left me with a debt of $5000, for which I gave a mortgage. After some years the debt was reduced to $3000, when I awoke to the fact that I had no right to burden and worry my brother any longer with this troublesome addition to his own large planting,¹ and I told him the first of January of 18—that I had determined to relieve him and try it myself. He seemed much shocked and surprised and said it was impossible ; how was it possible for me, with absolutely no knowledge of planting or experience, to do anything ? It would be much wiser to rent. I said I would gladly do so, but who would rent it? He said he would give me $300 a year for it, just to assist me in this trouble, and I answered that that would just pay the taxes and the interest on the debt, and I would never have any prospect of paying off the mortgage, and, when I died, instead of leaving something to my nieces and nephews, I would leave only a debt. No; I had thought of it well; I would sell the five mules and put that money in bank, and as far as that went I would plant on wages, and the rest of the land I would rent to the negroes at ten bushels to the acre. He was perfectly dismayed ; said I would have to advance heavily to them, and nothing but ruin awaited me in such an