AFAR

ILLINOIS chicago

IN THE AFTERMATH of the Great Fire, which razed more than 2,000 acres of central Chicago in 1871, leaving nearly 100,000 homeless, one resident, William D. Kerfoot, displayed a hand-painted sign that read all gone but wife, children and energy.

I have been thinking about Kerfoot since the pandemic. But not before a full year of questioning why I still lived in Chicago when everything I loved about it—the theater, music, sports, and dining scenes, as well as the 26-mile lakefront—was closed or verboten.

As the city has been slowly reopening, I have been reminded of Kerfoot’s outlook. Jazz musicians started

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