Lysistrata
By Aristophanes
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Aristophanes
Often referred to as the father of comedy, Aristophanes was an ancient Greek comedic playwright who was active in ancient Athens during the fourth century BCE, both during and after the Peloponnesian War. His surviving plays collectively represent most of the extant examples of the genre known as Old Comedy and serve as a foundation for future dramatic comedy in Western dramatic literature. Aristophanes’ works are most notable for their political satire, and he often ridiculed public figures, including, most famously, Socrates, in his play The Clouds. Aristophanes is also recognized for his realistic representations of daily life in Athens, and his works provide an important source to understand the social reality of life in Ancient Greece. Aristophanes died sometime after 386 BCE of unknown causes.
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Clouds Rating: 3 out of 5 stars3/5Yale Required Reading - Collected Works (Vol. 1) Rating: 5 out of 5 stars5/5Aristophanes: Four Comedies Rating: 4 out of 5 stars4/5The Frogs Rating: 4 out of 5 stars4/5The Birds Rating: 3 out of 5 stars3/5The Complete Plays Rating: 0 out of 5 stars0 ratingsHarvard Classics: All 71 Volumes Rating: 0 out of 5 stars0 ratingsLysistrata and Other Plays Rating: 4 out of 5 stars4/5Lysistrata Rating: 4 out of 5 stars4/5The Birds and Other Plays Rating: 4 out of 5 stars4/5The Birds: A Play Rating: 3 out of 5 stars3/5Yale Classics (Vol. 1) Rating: 0 out of 5 stars0 ratingsLysistrata Rating: 0 out of 5 stars0 ratingsThe Thesmophoriazusae (Or The Women's Festival) Rating: 4 out of 5 stars4/5Yale Classics (Vol. 1): Yale Required Reading Rating: 0 out of 5 stars0 ratingsThe Clouds Rating: 3 out of 5 stars3/5The Frogs Rating: 3 out of 5 stars3/5The Birds Rating: 3 out of 5 stars3/5The Frogs and Other Plays Rating: 0 out of 5 stars0 ratingsLysistrata and Other Plays (Translated with Annotations by The Athenian Society) Rating: 4 out of 5 stars4/5The Wasps Rating: 3 out of 5 stars3/5The Acharnians Rating: 3 out of 5 stars3/5The Ecclesiazusae Rating: 4 out of 5 stars4/5
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Lysistrata - Aristophanes
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Dramatis Personae
Lysistrata
Calonicé
Myrrhiné
Lampito
Stratyllis
A Magistrate
Cinesias
A Child
Herald of the Lacedaemonians
Envoys of the Lacedaemonians
Polycharides
Market Loungers
A Servant
An Athenian Citizen
Chorus of Old Men
Chorus of Women
Lysistrata
Scene: In a public square at Athens; afterwards before the gates of the Acropolis, and finally within the precincts of the citadel.
Lysistrata: Ah! if only they had been invited to a Bacchic revelling, or a feast of Pan or Aphrodité or Genetyllis, why! the streets would have been impassable for the thronging tambourines! Now there's never a woman here — ah! except my neighbour Calonicé, whom I see approaching yonder....Good day, Calonicé.
Calonicé: Good day, Lysistrata; but pray, why this dark, forbidding face, my dear? Believe me, you don't look a bit pretty with those black lowering brows.
Lysistrata: Oh, Calonicé, my heart is on fire; I blush for our sex. Men will have it we are tricky and sly....
Calonicé: And they are quite right, upon my word!
Lysistrata: Yet, look you, when the women are summoned to meet for a matter of the last importance, they lie abed instead of coming.
Calonicé: Oh! they will come, my dear; but 'tis not easy, you know, for women to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it.
Lysistrata: But I tell you, the business that calls them here is far and away more urgent.
Calonicé: And why do you summon us, dear Lysistrata? What is it all about?
Lysistrata: About a big affair.
Calonicé: And is it thick too?
Lysistrata: Yes indeed, both big and great.
Calonicé: And we are not all on the spot!
Lysistrata: Oh! if it were what you suppose, there would be never an absentee. No, no, it concerns a thing I have turned about and about this way and that of many sleepless nights.
Calonicé: It must be something mighty fine and subtle for you to have turned it about so!
Lysistrata: So fine, it means just this, Greece saved by the women!
Calonicé: By women! Why, its salvation hangs on a poor thread then!
Lysistrata: Our country's fortunes depend on us — it is with us to undo utterly the Peloponnesians.
Calonicé: That would be a noble deed truly!
Lysistrata: To exterminate the Boeotians to a man!
Calonicé: But surely you would spare the eels.
Lysistrata: For Athens' sake I will never threaten so fell a doom; trust me for that. However, if the Boeotian and Peloponnesian women join us, Greece is saved.
Calonicé: But how should women perform so wise and glorious an achievement, we women who dwell in the retirement of the household, clad in diaphanous garments of yellow silk and long flowing gowns, decked out with flowers and shod with dainty little slippers?
Lysistrata: Nay, but those are the very sheet-anchors of our salvation — those yellow tunics, those scents and slippers, those cosmetics and transparent robes.
Calonicé: How so, pray?
Lysistrata: There is not a man will wield a lance against another...
Calonicé: Quick, I will get me a yellow tunic from the dyer's.
Lysistrata: ...or want a shield.
Calonicé: I'll run and put on a flowing gown.
Lysistrata: ...or draw a sword.
Calonicé: I'll haste and buy a pair of slippers this instant.
Lysistrata: Now tell me, would not the women have done best to come?
Calonicé: Why, they should have flown here!
Lysistrata: Ah! my dear, you'll see that like true Athenians, they will do everything too late....Why, there's not a woman come from the shoreward parts, not one from Salamis.
Calonicé: But I know for certain they embarked at daybreak.
Lysistrata: And the dames from Acharnae! why, I thought