Songs For Winter Rain
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About this ebook
The debut poetry collection of Sophie Grace Chappell, philosopher and poet, rich in warmth and grief and wit.
"Understanding brings tears, says Sophie Grace Chappell in “Elegy for a Still-born Child,” and indeed, grief, and dealing with it, are central themes of this collection. But also, Chappell examines faith and interrogates it; and her heart is amply shown to beat in the north, and in writing about it. Chappell’s language is rich, revealing—especially so in “Glen Lui,” and some of the earlier poems, where there are echoes of TS Eliot. Sometimes she uses dextrous rhyme. At others, free verse. Her first lines sing. Despite the minotaur grief at the heart of the collection, Chappell’s poetry involves both the heart and head of the reader, and evokes a longing to leave the built-up south for a world of more intimate understanding."
Jennifer A. McGowan
winner of the 2020 Prole Pamphlet Competition
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Songs For Winter Rain - Sophie Grace Chappell
Songs For Winter Rain
by Sophie Grace Chappell
Ellipsis Imprints
Text Copyright © 2021 Sophie Grace Chappell
All Rights Reserved
Book Design by Ellipsis Imprints
Smashwords Edition
This file is licensed for private individual entertainment only. The book contained herein constitutes a copyrighted work and may not be reproduced, stored in or introduced into an information retrieval system or transmitted in any form or by any means (electrical, mechanical, photographic, audio recording, or otherwise) for any reason (excepting the uses permitted to the licensee by copyright law under terms of fair use) without the specific written permission of the author.
Dedication
sponsae diu amicissimae
sponsa semper amica
dat donat dedicat
Songs For Winter Rain
by Sophie Grace Chappell
The Hill of Vision
Do not expect it in the green of May.
No cleanness in that growth that parturition
as pure as clean as death.
Nor in the bland and flyblown August sun,
in hot banality upon a balding lawn,
in non-event of sweltering desiccation.
Ignore October's blustering warm winds,
rain-rotted fruit let clog the orchard paths;
it brings no insight eaten.
But when the bloodline's thin as mercury
when ice flowers white on wood and stars the stream
then head up through the beeswarm of the snow
then climb the Hill of Vision.
18.01.00
Scan
My waving hands and arms
are caught in your searchlight's throb
they paddle away from the whiteness of your noise.
I am inspected by echoes
I am found in an attitude of prayer
my spine my signature tune.
So you may hear my picture,
you may see the sounds you bounce
off my bones or the four palpitating
chambers of my heart:
shadowy prognostics of the day
my monochrome thin frequencies
will bleed themselves into your roar of colour
13.04.95
Song for Summer Rain
Equidistant between the red dusk
of last night and today's hot dawn,
through thick silk curtains a new scent's coming,
a mid-June freshness of pollen-musk.
High in the dark hall, from the skylight,
there sounds a sudden hostile thrumming;
out in the dusty garden's moonlight
the gaunt grey owl pauses her calling:
on parched crop-fields, on thirsty lawns,
warm midnight rain is falling.
23.02.21
Elephants
Shadows on the sunset-lit savannah
of acacia trees, eighteen metres tall,
and snaky trunks that don't reach halfway up them.
Elephants are small.
The waterfalls of the wide Zambesi River
have wallows and waterholes for one and all:
four round feet doggy-paddle in barn-deep water.
Elephants are small.
Ears like palm-leaves catch, from the earth upwards,
bass frequencies from the far-off-distant call
of another herd that's twelve days' tramp to northwards.
Elephants are small.
Africa is a hugeness all around them,
a meadow continent-wide, unfenced, unwalled.
Yet man made war made famine has now found them.
Elephants are small.
Piano-keys and dominoes, umbrella-stands
and trophies for the hunter, spell their fall.
Elephants aren't big; but it is man
who, of all things, finds most ways to be small.
22.05.17
Rabbit Tracks
The white wood is woven with rabbit tracks:
with traces there all the year, but told only by snow.
Where panicky hearts that beat three times faster than ours
streaked underground away from huge vague threats
smelled instant in the wind,
see a lopsided cross, constellation of four dabbed prints,
repeated repeated repeated;
and think what standing sharpnesses,
what spaces of acute experience
othertimes buried from sight,
we their unknowing giants bring roofs crashing in on.
Earlham Park, Norwich, 21.02.96
Elsewhere
In Elsewhere rolls a river you do not know
down to an ocean you will never see.
Elsewhere's huge cities (nameless in your mind)
ring with a million arguments you're not in.
In Elsewhere a stray dog barks, but you don't hear it.
Its tautened nights, lit with ambiguous light
from the other side of your moon, are nothing to you.
But unconceive yourself,
and Elsewhere's here.
28.01.96
Start the Day
Begin again. From radios reconstruct
the murmuring beat of synthesised Today,
teeth brushed and laces tied and shirt-flaps tucked.
Think hard: today responsibilities ducked
(so counselling radio-rabbis blandly say)
begin again.
Thus radio reconstructs
your earthly freight, your world news, and your luck,
it clothes the naked night in work's serge grey
with teeth brushed, laces tied and shirt-flaps tucked.
Night's dreams were a child's chaos, were thumbs sucked