Better Blurb Writing for Authors: Atwater's Tools for Authors, #1
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About this ebook
Write better blurbs. Get better readers. A step-by-step guide to blurb writing by author Olivia Atwater.
Writing book descriptions for genre fiction (or blurbs, as some authors call them) requires a completely different skill set from writing full-length novels. For many authors, blurbs are a last distasteful obstacle they must overcome before they're allowed to sell their book—but it doesn't have to be that way! Writing blurbs is far easier with a step-by-step guide and a bit of helpful advice.
In this short, accessible book, you will learn how readers select their next novel, and how to aim your blurb at the right readers. You'll also learn how to:
- master the art of blurbs as movie trailers
- compile a one-click list
- write a tempting hook
- end your blurb on an invisible question
- "tell, don't show"
- use reader feedback in your blurbs
This guide comes complete with several examples of real blurbs, both before and after editing, with clear explanations of every change.
Learn Better Blurb Writing for Authors, and take the stress out of blurb writing.
Olivia Atwater
Olivia Atwater writes whimsical historical fantasy with a hint of satire. She lives in Montreal, Quebec with her fantastic, prose-inspiring husband and her two cats. When she told her second-grade history teacher that she wanted to work with history someday, she is fairly certain this isn't what either party had in mind. She has been, at various times, a historical re-enactor, a professional witch at a metaphysical supply store, a web developer, and a vending machine repairperson.
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Better Blurb Writing for Authors - Olivia Atwater
INTRODUCTION
I used to hate writing blurbs. As an author, it only makes sense that I prefer long-form writing—why, I used to wonder, was I expected to sum up thousands of words in the space of hundreds? But I’ve always been an analytical sort, and eventually, the lure of learning a new skill was too much to pass up. I finally got frustrated enough with my blurb-writing that I decided to fix it.
I don’t remember much of the week that followed. I ingested just about every resource I could find on blurb-writing, free or otherwise. I read blurbs from other bestselling books in my genre and tried to figure out what made them work. I drafted and redrafted my existing blurbs until I was frankly sick of looking at them.
My next book was shockingly successful. And I was absolutely certain that it was because I’d agonised over the blurb until it was perfect.
Since that time, I’ve found myself in a position to help other authors polish their blurbs. I like helping out other people, and even when I’m very busy, it only takes me an instant to drop a few notes in chat that could make a blurb incrementally better than it was before. But it’s finally occurred to me that I keep repeating the same advice over and over, such that I really ought to just write it down.
What follows is all of the same advice I would normally offer to an author who says hey, can you take a look at my blurb?
It includes the process I use to write my own blurbs, along with a few tips about searching for genre-specific blurb conventions. I’ve included real examples from my own blurbs, in order to illustrate each of these steps, and I’ve also included a few examples of other blurbs that I’ve worked on at the end. These examples mostly fall within fantasy and its subgenres, because I speak the most with other fantasy authors—but the advice should be generally applicable to any sort of genre fiction.
I’m sure that there are other methods out there for blurb-writing; but this one hasn’t failed me yet, so I’ll probably continue using and refining it for quite some time. I hope it’s useful for you, as well.
CHAPTER 1
OVERVIEW
This book starts with an overview of How Readers Select Books, and some brief notes on When to Write Your Blurb and What Goes in a Blurb, before moving on to my personal blurb-writing process.
I start the blurb-writing process by writing up a One-Click List, where I parse out all of the most interesting and/or marketable aspects of my book and rank them by how important I think they are to my readers. Then, I write up a Lead Line which includes all of the most important aspects at the top of my list. I start the actual text of my blurb with a Tempting Hook, and move on to some Plot Development before landing upon a Question. Lastly, I write a Sales Paragraph which explicitly states the genre and the atmosphere, and I do a few editing passes of Tightening Words.
After I go over the blurb-writing process, I’ll offer a few addendums about Genre-Specific Blurbs and give some tips for Editing Blurbs rather than writing them from scratch. Lastly, I’ll give several other Example Blurbs which I helped to edit, along with explanations about the editing choices. (All authors were asked