Finalists
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About this ebook
What will we call the last generation before the looming end times? With Finalists Rae Armantrout suggests one option. Brilliant and irascible, playful and intense, Armantrout nails the current moment's debris fields and super computers, its sizzling malaise and confusion, with an exemplary immensity of heart and a boundless capacity for humor. The poems in this book find (and create) beauty in midst of the ongoing crisis.
CONTRAST
What's to like
if not contrast?
Shadows beneath
the model's sharp
cheekbones, her ample
yet precise lips.
Clean lines separating
bounty
from its opposite.
This is not
what I want
to want.
These eyes
on the hypothetical
distance.
Rae Armantrout
RAE ARMANTROUTt has fifteen previous books including Versed, which received a Pulitzer Prize, a National Book Award, and a National Book Critics Circle Award; Finalists, Conjure, Wobble (finalist for a National Book Award), Partly: New and Selected Poems, Itself, Just Saying, and Money Shot. Armantrout is Professor Emerita of Writing at the University of California at San Diego. She has been published in many anthologies, including, The Oxford Book of American Poetry, and Scribner's Best American Poetry, and in such magazines as, Harpers, The New Yorker, American Poetry Review, Boston Review, Scientific American, Chicago Review, and the Los Angeles Times Book Review.
Read more from Rae Armantrout
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Book preview
Finalists - Rae Armantrout
Hang On
Domestic as
an empty shopping cart
parked on a ledge
above a freeway.
Artifactual as
an acorn barnacle.
What is the purpose of barnacles?
people ask the internet.
Barnacles are filter feeders.
They’re fish tank décor.
A plaque of barnacles
on top of a toilet—
this cluster
of brittle puckers,
clinging
to its old idea,
these craters striped
pale lavender
for some
unlikely eye.
Red Sky at Night
If the sun rests in the notch
on that mountain ridge.
If an old woman is scribbling.
If an old man alone
in the breakfast room
at the Vagabond Executive
Motor Inn
doing crossword puzzles
beneath The Early Show
babble
continues.
If the tree blooms pink
there will be more
than we can imagine
always,
extra promptings
of pure nothing
which we can neither
keep nor forget.
Vultures
1
A product can be authentic;
an object cannot.
This presents a problem.
An identity can be authentic;
an experience cannot.
How was your sleep experience,
asks Marriott.
Praise or blame
is the only legitimate response.
2
Vultures wheel over Miami.
A sign that appears
day after day
is not a sign.
The library boasts a fine collection
of books written in private
languages.
3
Identity is made
of select experiences.
4
When you are genuinely sick,
the leaves recede
and the flickering holes between them
come forward—
not angels, but
unnamed objects
Who’s Who
1
Yeats saw a fish
as a mysterious girl
which made the world seem
more fuckable.
He wanted to follow her
home
after he killed her,
but, of course, did not.
2
Here’s the thing,
says the brand spokesmodel
waving her Diet Coke
and sounding beleaguered
yet defiant,
"just do you"
Contrast
What’s to like
if not contrast?
Shadows beneath
the model’s sharp
cheekbones, her ample
yet precise lips.
Clean lines separating
bounty
from its opposite.
This is not
what I want
to want.
These eyes
on the hypothetical
distance.
Array
A human begins
by claiming
to be something else:
a red bird
in a picture book;
a little red
Corvette.
This is known as capture
or entrainment.
How will she split
the differences?
A stream system
seen from above;
tuning fork twigs
in winter forests.
Threat Landscape
1
Life began with general irritability,
then developed lateral suppression,
the ability to boost some signals
while tamping others down—
attention—
creating a high contrast world
with exaggerated peaks and troughs,
the threat landscape,
projected now on screens
by paid experts.
2
You’re right, Sasha.
I forgot
The butterflies are frightening
with their abrupt approaches
and batty swerves.
They mix the outside in.
You’re right.
We don’t know what will happen.
Visible from Space
In the crosswalk, a woman plods,
swinging her arms briskly.
One of many
who act out
the act
they are actually
performing.
While crop circles
parody
the desire to be seen
and I shove off
to look askance.
Doubt
is an out
of body experience.
Instruction
Were you surprised to learn
that you could swap
an i
for an eye,
and a
for an apple?"
That’s