Alcestis
By Euripides
()
About this ebook
Euripides
Euripides was a tragedian of classical Athens. He was born on Salamis Island around 480 BC to his mother, Cleito, and father, Mnesarchus, a retailer who lived in a village near Athens. He had two disastrous marriages, and both his wives—Melite and Choerine (the latter bearing him three sons)—were unfaithful. He became a recluse, making a home for himself in a cave on Salamis. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. He became, in the Hellenistic Age, a cornerstone of ancient literary education. The details of his death are uncertain.
Read more from Euripides
Yale Required Reading - Collected Works (Vol. 1) Rating: 5 out of 5 stars5/5The Trojan women of Euripides Rating: 4 out of 5 stars4/5Alcestis Rating: 4 out of 5 stars4/5Harvard Classics: All 71 Volumes Rating: 0 out of 5 stars0 ratingsThe Trojan Women Rating: 4 out of 5 stars4/5Bacchae Rating: 0 out of 5 stars0 ratingsIphigenia in Aulis Rating: 4 out of 5 stars4/5Medea of Euripides Rating: 4 out of 5 stars4/5Electra Rating: 0 out of 5 stars0 ratingsMedea and Other Plays Rating: 4 out of 5 stars4/5The Phœnician Virgins (Phoenician Virgins): (The Phoenician Women) Rating: 4 out of 5 stars4/5The Bacchae and Other Plays Rating: 4 out of 5 stars4/5Medea (NHB Classic Plays) Rating: 4 out of 5 stars4/5Ten Plays Rating: 4 out of 5 stars4/5Hecuba Rating: 3 out of 5 stars3/5The Ten Tragedies of Euripides Rating: 0 out of 5 stars0 ratingsYale Classics (Vol. 1) Rating: 0 out of 5 stars0 ratingsIphigenia in Tauris Rating: 5 out of 5 stars5/5Electra and Other Plays Rating: 4 out of 5 stars4/5Helen Rating: 4 out of 5 stars4/5The Iphigenia in Tauris of Euripides Rating: 4 out of 5 stars4/5Five Great Greek Tragedies Rating: 3 out of 5 stars3/5
Related to Alcestis
Related ebooks
Alcestis: "One loyal friend is worth ten thousand relatives" Rating: 0 out of 5 stars0 ratingsThe Tragedies of Euripides Rating: 3 out of 5 stars3/5Oedipus the King Rating: 0 out of 5 stars0 ratingsOedipus King of Thebes Rating: 0 out of 5 stars0 ratingsElectra: "Friends show their love in times of trouble, not in happiness" Rating: 0 out of 5 stars0 ratingsOedipus King of Thebes: Translated into English Rhyming Verse with Explanatory Notes Rating: 0 out of 5 stars0 ratingsThe Rhesus of Euripides Rating: 0 out of 5 stars0 ratingsThe Tragedies of Euripides, Volume I. Rating: 0 out of 5 stars0 ratingsHecuba: "He was a wise man who originated the idea of God" Rating: 0 out of 5 stars0 ratingsThe Birds (Annotated) Rating: 0 out of 5 stars0 ratingsAgamemnon: from The Oresteia Trilogy. Translaton by Gilbert Murray Rating: 4 out of 5 stars4/5The Birds: "You should not decide until you have heard what both have to say" Rating: 3 out of 5 stars3/5Specimens of Greek Tragedy — Aeschylus and Sophocles Rating: 0 out of 5 stars0 ratingsThe Ten Tragedies of Euripides Rating: 0 out of 5 stars0 ratingsThe Plays of Aristophanes Rating: 0 out of 5 stars0 ratingsThe Birds: A Play Rating: 3 out of 5 stars3/5Old Saws and Modern Instances (Barnes & Noble Digital Library) Rating: 0 out of 5 stars0 ratingsPictures of Hellas: Five Tales of Ancient Greece Rating: 0 out of 5 stars0 ratingsStudy Guide to The Plays of Sophocles Rating: 0 out of 5 stars0 ratingsThe Collected Works of Euripides or Euripedes: The Complete Works PergamonMedia Rating: 0 out of 5 stars0 ratingsStudy Guide to the Plays of Aeschylus Rating: 0 out of 5 stars0 ratingsThe Birds Rating: 0 out of 5 stars0 ratingsThe Seven Plays of Sophocles Rating: 0 out of 5 stars0 ratingsThe Iphigenia in Tauris of Euripides Rating: 0 out of 5 stars0 ratingsThe Collected Works of Aristophanes: The Complete Works PergamonMedia Rating: 0 out of 5 stars0 ratingsThe Electra of Euripides: Translated into English rhyming verse Rating: 0 out of 5 stars0 ratingsIphigenia in Tauris Rating: 0 out of 5 stars0 ratingsClassical Comedy: Greek and Roman: Six Plays Rating: 0 out of 5 stars0 ratingsThe Complete Plays of Sophocles (The Seven Plays in English Verse) Rating: 0 out of 5 stars0 ratings
Art For You
Art Models 10: Photos for Figure Drawing, Painting, and Sculpting Rating: 3 out of 5 stars3/5The Alchemist: A Graphic Novel Rating: 4 out of 5 stars4/5Special Subjects: Basic Color Theory: An Introduction to Color for Beginning Artists Rating: 3 out of 5 stars3/5Drawing and Sketching Portraits: How to Draw Realistic Faces for Beginners Rating: 5 out of 5 stars5/5Lust Unearthed: Vintage Gay Graphics From the DuBek Collection Rating: 4 out of 5 stars4/5The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life Rating: 4 out of 5 stars4/5How to Draw and Paint Anatomy, All New 2nd Edition: Creating Lifelike Humans and Realistic Animals Rating: 4 out of 5 stars4/5Everything Is F*cked: A Book About Hope Rating: 4 out of 5 stars4/5The Designer's Dictionary of Color Rating: 5 out of 5 stars5/5Botanical Drawing: A Step-By-Step Guide to Drawing Flowers, Vegetables, Fruit and Other Plant Life Rating: 5 out of 5 stars5/5Drawing School: Fundamentals for the Beginner Rating: 4 out of 5 stars4/5Draw Like an Artist: 100 Flowers and Plants Rating: 4 out of 5 stars4/5Drawing Dragons: Learn How to Create Fantastic Fire-Breathing Dragons Rating: 4 out of 5 stars4/5Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History of Art Rating: 4 out of 5 stars4/5How to Make Love Like a Porn Star: A Cautionary Tale Rating: 3 out of 5 stars3/5Super Graphic: A Visual Guide to the Comic Book Universe Rating: 4 out of 5 stars4/5Make Your Art No Matter What: Moving Beyond Creative Hurdles Rating: 4 out of 5 stars4/5The Electric State Rating: 4 out of 5 stars4/5The Art of Living: The Classical Mannual on Virtue, Happiness, and Effectiveness Rating: 4 out of 5 stars4/5The Egyptian Book of the Dead: The Complete Papyrus of Ani Rating: 5 out of 5 stars5/5Story: Style, Structure, Substance, and the Principles of Screenwriting Rating: 4 out of 5 stars4/5Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic Rating: 4 out of 5 stars4/5Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business Rating: 4 out of 5 stars4/5The Shape of Ideas: An Illustrated Exploration of Creativity Rating: 4 out of 5 stars4/5The World Needs Your Art: Casual Magic to Unlock Your Creativity Rating: 0 out of 5 stars0 ratingsAnd The Mountains Echoed Rating: 2 out of 5 stars2/5Art & Fear: Observations on the Perils (and Rewards) of Artmaking Rating: 4 out of 5 stars4/5Flow: The Psychology of Optimal Experience Rating: 4 out of 5 stars4/5
Related categories
Reviews for Alcestis
0 ratings0 reviews
Book preview
Alcestis - Euripides
PUBLISHER NOTES:
Take our Free
Quick Quiz and Find Out Which
Best Side Hustle is ✓Best for You.
✓ VISIT OUR WEBSITE:
→ LYFREEDOM.COM ← ← CLICK HERE ←
Introduction
The Alcestis would hardly confirm its author's right to be acclaimed the most tragic of the poets.
It is doubtful whether one can call it a tragedy at all. Yet it remains one of the most characteristic and delightful of Euripidean dramas, as well as, by modern standards, the most easily actable. And I notice that many judges who display nothing but a fierce satisfaction in sending other plays of that author to the block or the treadmill, show a certain human weakness in sentencing the gentle daughter of Pelias.
The play has been interpreted in many different ways. There is the old unsophisticated view, well set forth in Paley's preface of 1872. He regards the Alcestis simply as a triumph of pathos, especially of that peculiar sort of pathos which comes most home to us, with our views and partialities for domestic life.... As for the characters, that of Alcestis must be acknowledged to be pre-eminently beautiful. One could almost imagine that Euripides had not yet conceived that bad opinion of the sex which so many of the subsequent dramas exhibit.... But the rest are hardly well-drawn, or, at least, pleasingly portrayed.
The poet might perhaps, had he pleased, have exhibited Admetus in a more amiable point of view.
This criticism is not very trenchant, but its weakness is due, I think, more to timidity of statement than to lack of perception. Paley does see that a character may be well-drawn
without necessarily being pleasing
; and even that he may be eminently pleasing as a part of the play while very displeasing in himself. He sees that Euripides may have had his own reasons for not making Admetus an ideal husband. It seems odd that such points should need mentioning; but Greek drama has always suffered from a school of critics who approach a play with a greater equipment of aesthetic theory than of dramatic perception. This is the characteristic defect of classicism. One mark of the school is to demand from dramatists heroes and heroines which shall satisfy its own ideals; and, though there was in the New Comedy a mask known to Pollux as The Entirely-good Young Man
([Greek: panchraestos neaniskos]), such a character is fortunately unknown to classical Greek drama.
The influence of this classicist
tradition has led to a timid and unsatisfying treatment of the Alcestis, in which many of the most striking and unconventional features of the whole composition were either ignored or smoothed away. As a natural result, various lively-minded readers proceeded to overemphasize these particular features, and were carried into eccentricity or paradox. Alfred Schöne, for instance, fixing his attention on just those points which the conventional critic passed over, decides simply that the Alcestis is a parody, and finds it very funny. (Die Alkestis von Euripides, Kiel, 1895.)
I will not dwell on other criticisms of this type. There are those who have taken the play for a criticism of contemporary politics or the current law of inheritance. Above all there is the late Dr. Verrall's famous essay in Euripides the Rationalist, explaining it as a psychological criticism of a supposed Delphic miracle, and arguing that Alcestis in the play does not rise from the dead at all. She had never really died; she only had a sort of nervous catalepsy induced by all the suggestion
of death by which she was surrounded. Now Dr. Verrall's work, as always, stands apart. Even if wrong, it has its own excellence, its special insight and its extraordinary awakening power. But in general the effect of reading many criticisms on the Alcestis is to make a scholar realize that, for all the seeming simplicity of the play, competent Grecians have been strangely bewildered by it, and that after all there is no great reason to suppose that he himself is more sensible than his neighbours.
This is depressing. None the less I cannot really believe that, if we make patient use of our available knowledge, the Alcestis presents any startling enigma. In the first place, it has long been known from the remnants of the ancient Didascalia, or official notice of production, that the Alcestis was produced as the fourth play of a series; that is, it took the place