Utopia’s Pirates: A Satire
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About this ebook
Will this sham Utopia last for a thousand years?
Utopia’s Pirates is a satire about Zionist terrorism, interspersed with propaganda slogans, humorous verses, and lines taken from recognisable songs.
Victor Sasson
Victor Sasson grew up in Baghdad. He is British-educated, with degrees from the University of London, and a Ph.D. from New York University. A biblical scholar, specialist in Hebrew and Aramaic Epigraphy, he has also published fiction, no-fiction, and poetry. His three verse plays, Shylock of Venice, King Caliban, and Elijah the Tishbite, were published in 2012, 2013, and 2018, respectively.
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Utopia’s Pirates - Victor Sasson
Copyright © 2021 Victor Sasson.
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical articles and reviews.
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ISBN: 978-1-6632-2257-2 (sc)
ISBN: 978-1-6632-2256-5 (e)
iUniverse rev. date: 06/28/2021
BY VICTOR SASSON
Novels:
Destined to Die
Confessions of a Sheep for Slaughter
Dr. Bush and Mr. Hide
King Jehoash and the Mystery of the Temple of Solomon Inscription
The Second Coming
Utopia’s Pirates
Plays:
The Marriage of Maggie and Ronnie
Shylock of Venice
King Caliban
Elijah the Tishbite
Poetry:
Collected Poems
Non-Fiction:
Essays from Occupied Holy Land
Memoirs of a Baghdad Childhood
Contents
Preface
1. A Lament that Rats have had the Misfortune of
not Being Domesticated, Loved and Fondled
2. Utopia in Brazil, Argentina, or Uganda?
3. Theo Taps Roth for Funds to Purchase Land
4. A Cultural Base or Wait for The Messiah?
5. A Congress is Formed
6. Doctor Wisecrack’s Explosive Discovery
7. The Pilfer Declaration
8. A Cleric Denounces the Rat Invasion
9. An Irregular Captain
10. A Cache of Smuggled Arms at a Rat Hotel
11. Stern, Sham, and Beg – Terrorists on the Run
12. The Stern Gangsters
13. An Old Ship called Patria
14. Jabo’s Return and Talk of a Female Goebbels
15. A Cargo Ship Called Leopold II
16. Nights of the Bridges and Nights of the Railways
17. Meet the Female Goebbels
18. Operation Agatha
19. A Chancellor Makes a Point
20. A Raid on a Colonial Base at Sarafand
21. Colonial Hostages
22. A Mix of Cossacks, Khazars, and Tartars
23. An Assassination in Cairo
24. A Scientist Makes a Statement
25. Captain Morton’s Catch
26. An Assault on the Acre Prison
27. Two Colonial Sergeants
28. King David Hotel
29. Plan Delta
30. The Colonial Lord Withdraws, and a Partition Proposal by The United Nitwits
31. A Count that Doesn’t count, and Conscientious Assassins
32. Military Matters
33. Deir Yassin
34. Celebrating Theo’s Utopia
Preface
Utopia’s Pirates is a political satire about the founders and agents of Political Zionism and the violent means they used to create an independent state at the expense of depopulating the indigenous population in the Holy Land. Charlie Chaplin, in his The Great Dictator movie, created a satire about Hitler and Nazi Germany. But Chaplin was oblivious to what was actually going on in Palestine: the illegal immigration, the land grabbing, racism, and terrorism that the Zionists had adopted from the movement’s very inception. The invaders were, racially and culturally, European/Slavic, not Semitic in any sense of the word. They were, and still are, foreign to the cultural heritage of the Near East - with its history, language, music, art, etc. As I have outlined elsewhere, the Zionists employed religious smokescreen to achieve their political ends, even though they were – and still are – godless, disdainful of religious faith, and now thoroughly nationalistic and militaristic to the point where one of their major newspapers labels the country Fascist, especially with the adoption of ‘nation-state’ law that only ‘Jews’ are citizens of ‘the only democracy in the Middle East’. In point of fact, the Zionist State is the only Fascist state in the Middle East.
Zionist propaganda machine is ever present and pervasive, and it is functioning world-wide. Hasbarah is the word. It explains things by painting black white, and white black. It is a system of brainwashing through constant, unrelenting repetition, not different from the rhetoric of Goebbels. Indeed, the founders and leaders of political Zionism have amply copied from the Nazis and the Fascists.
Wikipedia has long been targeted and abused by the Zionist propaganda machine so that a Zionist terrorist is labelled ‘a paramilitary’ and a murderer is called a militant or a freedom fighter. It is the language of Newspeak, of distorting facts and limiting thought, as George Orwell has shown in his novel, 1984. Further, we have sundry propaganda machines in the U.S. and elsewhere – Gestapo-like organizations such as, Campus Watch, Point of No Return, Jimena, and others, the aim of which is to monitor and silence, if possible, anyone – Jew or Gentile - who is saying anything that contradicts official Zionist propaganda. What is quite bizarre is that the citizens of this Zionist State – many of whom fled Nazi-dominated countries – blindly accept this official propaganda as patent truth.
Nationalism is an infectious disease, as we have seen it elsewhere, even in highly cultured nations: in Germany, Italy, Japan, and Spain. In the Zionist state religion and faith have been replaced by fascist Zionism – an aggressive, secular, combatant agenda. The IDF is the new god to worship, and the ministering priests are the Priests of Ba’al – the elected officials of the Zionist state. The latest Prime Minister who has been in power for more than ten years, is Benito Netan-Ba’al, who is a composite image of Hitler and Mussolini.
Shlomo Sand, the author of The Invention of the Jewish People, is wrong when he says (in a televised event) that the creation of the Zionist state must be viewed as an unwanted bastard which one cannot dispose of. I beg to differ. Having chosen to create a state by murder, sabotage, thievery, and mass, methodical depopulation and expulsion of the native citizens in Palestine, can the Zionist State claim any right to exist? The United Nations, which gave its approval to the creation of this spurious entity, has for a long time been a laughing stock for Zionists. The Zionist state, with the support of the United States, has brazenly flouted many U.N. resolutions. And political leaders, responsible for mass bombings, mass killings of innocent men, women, and children, have yet to be brought to the International Criminal Court, so that justice can take its course.
Regarding the Jews of the Middle East and especially the Jews of Iraq (Babylonia), Zionist propaganda or ‘Hasbarah’, has been constantly using the words ‘fled’ or ‘expelled’. However, it is common knowledge among those who left Iraq in the early 1950’s - including this writer as a teenager - that Zionist agents planted bombs in synagogues and Jewish markets so as to create despondency and panic among the naïve and peaceful Jewish community with the aim of driving it to emigrate to their Utopia. Such heinous acts – blamed on Muslims - were also perpetrated in Egyptian cinemas and other civilian areas by recruited Zionist agents. All of this is well documented and easily accessible information, as in the so-called ‘Lavon Affair’. Unfortunately, self-styled ‘investigative reporters’ keep rehearsing the oft-repeated mantra that Iraqi Jews ‘fled’ or were ‘expelled’ by the government of Iraq at the time. Indeed, thousands remained behind, choosing not to leave - until Saddam Hussein rose to power and made life difficult for all: Jews, Muslims, and Christians. But those Jews that remained in Iraq made good money, and eventually left in the 1970’s, mostly for the U.S. where they established themselves in posh residential areas.
The aim of this satire is both to instruct and entertain. Many people are unaware of the extremely ugly facts surrounding the creation of our ‘unwanted bastard’. While researching this book, the author himself was stunned to learn of the numerous atrocities inflicted on the native population of Palestine by mostly racist East European ‘Jews’.
Almost all of the episodes