Begat: Tales of Disappointment
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About this ebook
Philip Skotte
PHILIP SKOTTE has served as a United States diplomat for twenty-eight years in Manila, the Vatican, Hong Kong, Budapest, Moscow, Washington, and Shanghai. Before joining the Foreign Service, he worked as a schoolteacher, ship’s carpenter, and commercial fisherman. He loves to hike, bicycle, and volunteer in the community. He is married to Maribeth and they have three daughters.
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Begat - Philip Skotte
Copyright © 2020 Philip Skotte.
Photo credit: Maribeth Skotte
All rights reserved. No part of this book may be used or reproduced by
any means, graphic, electronic, or mechanical, including photocopying,
recording, taping or by any information storage retrieval system
without the written permission of the author except in the case
of brief quotations embodied in critical articles and reviews.
This is a work of fiction. All of the characters, names, incidents,
organizations, and dialogue in this novel are either the products
of the author’s imagination or are used fictitiously.
LifeRich Publishing is a registered trademark of
The Reader’s Digest Association, Inc.
LifeRich Publishing
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Because of the dynamic nature of the Internet, any web addresses or
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of the author and do not necessarily reflect the views of the publisher,
and the publisher hereby disclaims any responsibility for them.
Any people depicted in stock imagery provided by Getty Images are
models, and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
ISBN: 978-1-4897-3058-9 (sc)
ISBN: 978-1-4897-3057-2 (hc)
ISBN: 978-1-4897-3059-6 (e)
Library of Congress Control Number: 2020916619
LifeRich Publishing rev. date: 11/04/2020
CONTENTS
Dedication
Introduction
Sarai
The Immigrant
Gloria
The African
The Caveman
The Witch
The Sabbath Day
A Bad Priest
Disaster at Sea
Battles Won and Lost
The Year 1918
The Count
The Communist
Fellowship of Suffering
A Balm in Gilead
Sarai’s Package
Washing
Rendezvous
Wonder
Worship
Afterword
DEDICATION
To Maribeth with thanks
Love of my life
Mother of our children
INTRODUCTION
I t was plague time and our lives were filled with disappointment. Careers, cafes, commutes and other comforts fled away. We locked ourselves in our homes, feared strangers, disinfected packages that came to our door. We did not expect this in our time on earth.
In our time.
That was our reference point and all that we knew. The ancestors’ voices were stilled.
We lived now.
On earth.
Earth was our home. The only place we had. Heaven was a distant thought. A fantasy,
like death,
unlikely.
The plague shook our complacency about our time on earth. It turned our thoughts inward, backward, forward. Made us doubt our sureties. A few of us did not survive this new disease.
We wondered if those dead went to another place. We spared a thought for a place other than earth and a time different from now.
Some of us had journeyed onward, died.
If you have time, this is their story.
Or at least a little part of their story. This is about one single person they met over there, one person among many.
It may be worth your time because she is a most important guide.
When your time comes,
and it will,
you will meet her too.
It may surprise you that she is a carpet weaver, and that she will lead you backward.
Her name is Sarai.
SARAI
S arai lives in heaven’s desert.
Heaven’s desert has a beauty all its own. Travelers can see further, even to a far horizon, views unblocked by trees. The ancient geology of creation is bared, multi-colored rock layers and millennia of sculpted erosion unveiled. A dry place focusses the mind and strips away distractions.
In heaven’s desert there is an oasis called Al Amin where travelers stop for water and rest. At the oasis are cool springs, date palms, fruit trees, spare but adequate provisions and warm hospitality.
This is where travelers meet Sarai and other carpet weavers. These have been weaving for centuries and are the storytellers and historians of antiquity. Some of their carpets have been in the making for millennia; others have been set aside awaiting the arrival of new travelers. When a carpet is finished, there is a great celebration before it is loaded onto the back of a camel for delivery to another place.
Each carpet begins its life as a story. A traveler in the oasis, over tea and date cakes, remembers aloud from the other side. The dry desert helps the speaker to the point, to get his or her fingers around the knot. The teller’s brow often furrows with concentration and perhaps the memory of pain.
Sarai, a Turkic speaker from the old Silk Road, has been listening and weaving for ages. Most of her completed carpets comfort people far away in towns, cities or roadhouses. She threads as she hears; knots as she understands. For many a traveler, Sarai’s finished carpet makes clear the incomprehensible, creating sense from disparate threads. Some carpets are woven from various stories, over generations, across time. Once she pulled an unfinished carpet off the shelf after a century, when a new traveler referenced a thread of it. His story helped complete the carpet and tied it together, making something beautiful and complete from pieces.
Sometimes, the purpose is clear, even if it is near the end of one’s life. What you intended for evil, God meant for good,
said Joseph.
Joseph, his brothers, father and family understood the threads of slavery, injustice, betrayal and lies—yet also saw them woven into the saving of many lives.
More often, a person passes over with threads still scattered. It is Sarai’s purpose to weave them together with the benefit of heaven - sight. For the people in Sarai’s tent, drinking tea and telling their stories, the weaving makes clear that even before they left the other shore, they had been here. Their deeds and the deeds done unto them, good and bad, are retold. Blood red threads through darker colors run, golden weaves cross knots of trial. On the oasis in Sarai’s tent, heaven works backwards in time.
Sarai had been a Central Asian nomad before the writing of books. Mostly, her people survived on scarcity—a few grazing animals, occasional game, birds, wild berries and grain. Her people were few on the dry steppe and frequent death kept them so. When they met other bands, it was a guess if they were friend or foe. If not foe, they would stay together a while and trade stories.
Stories.
Before the writing of books, there were words. If you survived to adulthood and had an ear to hear, you listened, retold, remembered. No one was honored more than a good teller of tales. Around the firelight, under the stars, in a foot- and hoof-trampled space between endless waving grasses, you listened.
By the time of her passing, Sarai was a library. Her stories were catalogued by author, subject and genre. She was a genealogist; she knew who came from whom. She was a comforter; she made sense of pain and confusion. She was a theologian; she found God in story, before all stories